"The gold belt chain shirt, the horse's head rushes to Lintao." The word "golden belt chain" is beautiful. Although the word "gold" is a decorative word of "belt", it is not limited to the decoration of "belt". It seems to be writing a shirt, but the purpose is to convey the charm and elegance of soldiers. The word "rush" is not just a simple verb. The author uses this verb to convey the indomitable spirit and inner heroic feelings of the characters, rather than covering up the snow. The two words "Jin" and "Chong" are extremely concise and implicit, and both of them paint a solemn and magnificent color for the radical poetry. When emphasizing the description of the body, one or two sentences are used to reveal the inner beauty of the characters, which makes people feel that the poem is both wonderful and exquisite, without the shortcomings of simplicity, roughness and unobstructed view.
"It's a waste of money to grab orders at night, and Hu Bing lacks a nod." "Roll the flag" so as not to disturb the enemy, so as to rob the camp at night. Because of the wind, we rolled up the flag to see the urgency of the war and the rolling dust in the frontier battlefield. This is not just a description of the scenery. The author is writing the determination and action of the warriors on the battlefield at night with the volume of the battle flag.
Flagging at night is a close battle, but it is actually just lightning before thunder, paving the way for the next sentence. The most heroic and moving scene in the whole poem is "Hu Bing is short of nod". The bloody battle in Hu Bing was fierce. The "lack" of "lack of treasure knife" is well used. Yan's lack of cutting edge, his fierce melee, long fighting time and final victory all came out in this sentence. In the twenty-eight characters of the whole poem, the author brilliantly deals with important issues such as material selection, order and how to use and accumulate strength. The first three sentences, just lead the arm to swing the hammer, to the twenty-sixth word "lack", struggling to blow, filariasis flying.
Reading Yue Fei's "Red River", "Driving a long car, stepping on Helan Mountain", I deeply feel that the rhyme of "lack" is dangerous and dangerous, and the mountain is dangerous and dangerous. The word "lack" in Ma Dai's poems, though not rhyming, is equally surprising. Although the word "chaos" is true and incisive, there is no word "lack" and the author can't carry it. The real details conveyed by this word make poetry reach the realm of "vivid" and make the whole poem fly.
The whole poem is closely structured. The first sentence conveys the charm of the character with handsomeness, the second sentence conveys the painstaking efforts of the character with difficulty, the third sentence expresses the strength of the character with adventure, and the sentence expressed with feat is the most powerful and vivid. At this point, the characters are magnificent and heroic, and the flying of poetry is hard to see. In a word, this poem is unique in art and is a masterpiece of the perfect combination of content and form in ancient battle songs.