Artistic Features of Li Shangyin's Poems

On the artistic features of Li Shangyin's poems from the perspective of Weipu Silk Road. Liu Mei (* * * Party School of Bei 'an Municipal Committee, Bei 'an, Heilongjiang 164000) Abstract As a famous poet in the late Tang Dynasty, Li Shangyin's poetry style is distinctive, which has a great influence on the poetry creation of later generations. Li Shangyin's poems have superb artistic beauty. He has outstanding literary talent, not only can effectively grasp the art of poetry, but also can establish a distinctive style by highly refining and sublimating real life. Keywords Li Shangyin; Poetry; Conception; Feelings; Artistic conception; Language Li Shangyin's poems effectively promoted the development of poetry in the prosperous and middle Tang Dynasty. In Li Shangyin's poetry creation, he deeply explored and expressed the spiritual world, and combined illogical and jumping images in his poetry, creating vague feelings and realms, making the realm of poetry empty. He made outstanding contributions to the development of poems such as untitled poems and poems about objects. Poetry in the Tang Dynasty has an important position in the long history. Li Shangyin is unique in Tang poetry, and has opened up his own poetic world with his unique artistic characteristics. First, the poetic conception is very rigorous. In Li Shangyin's poems, he pays great attention to artistic conception, and even ordinary subjects can find new ideas. Moreover, Li Shangyin's poems are of superb conception and profound sustenance. As a poet in the late Tang Dynasty, Li Shangyin was in political decline at that time, and many talented people became victims of the struggle for political power. As a literati in this period, Li Shangyin wanted to die and serve the country, but he suffered many misfortunes and his career was not smooth, which also made him deeply touched by the dark social phenomenon at that time. Therefore, Li Shangyin has a strong social insight and a critical eye for reality. His poems fully inherited and developed the form of realistic creation, and at the same time, he effectively combined lyric and argument through bold attempts. He wrote that Li Shangyin was the most accomplished poet in the middle and late Tang Dynasty. The main contents of his poems are as follows: First, he pays attention to reality, and hundreds of them are political poems touching social reality, reflecting a series of major social problems at that time and boldly expressing his attitude and views. His political poem "Hundred Rhymes in the Western Suburbs" describes the scenes of rural poverty and people's poverty, traces the historical changes of the rebellion in the Tang Dynasty, and reflects the extremely broad social and historical content, which is magnificent and has the characteristics of political theory and epic. Secondly, most of Li Shangyin's poems are poems expressing various complicated thoughts. Because of political frustration, I have been immersed in life, with great ambitions, no talent, and negative emotions of depression, which are complex and strong and often appear in writing. Thirdly, Li Shangyin was an expert lyricist in the Tang Dynasty, which was very distinctive, and some of it was about his wife Wang. Fourthly, he also wrote many poems about pursuing and cherishing other women, most of which were marked untitled. The artistic features of Li Shangyin's poems are as follows: 1. Careful conception and emotional blur are one of the main features of Li Shangyin's poems. His poems reveal his true feelings. Whenever he feels, he expresses his feelings and praises things, but at the same time, he rarely uses the way of expressing his chest and avoids speaking frankly. Secondly, being good at using allusions and being precise is another important feature of Li Shangyin's poems. Third, he honed his words and coined words, and his poetic language was concise and rich. He not only pays attention to tempering content words, choosing function words and using reduplicated words, but also attaches importance to the color of idioms, allusions and folk proverbs, which makes the language of poetry novel and rich in connotation. Fourthly, Li Shangyin's poems are beautiful and full of the sense of the times, swaying without losing weight, and the rich and profound ideological content and tortuous expression form a perfect and harmonious unity, forming the characteristics of affection, elegance and delicacy. Li Shangyin's poems are rich in content and widely studied. He inherited Qu Yuan's method of reposing the beauty of vanilla, Ruan Ji's profound and unpredictable style, Du Fu's spirit of worrying about the country and the people and his depressed and frustrated poetic style, Han Yu's bold and unrestrained, Li He's quiet fantasy, the exquisite and beautiful poems of the Six Dynasties and the fresh and beautiful folk songs. (1) has ingenious ideas and deep feelings. Seldom use direct expression of one's mind, and avoid using flat language. In this poem, metaphor and symbolism are widely used, forming a profound feature that can't be ignored. Accurate duality, exquisite language, beautiful melody, particularly beautiful appearance, and the meaning is often obscure. In Jinse, the poet borrows a lot of allusions such as Zhuang Sheng's dream butterfly, cuckoo's crying blood, tears in the sea and smoke in fertile fields, and uses metaphor and imagination to transform his auditory feelings into visual images. By combining the fragments of images, he creates a hazy realm, thus conveying sincere, strong and profound thoughts with the help of visually perceptible poetic images. (2) Being good at using allusions, being precise and accurate, containing without revealing, can make people have more associations. For example, in Ding An Tieta, the author expressed his frustration and disappointment. "Jia Sheng cried in vain when he was young, and there were many spring trips in RoyceWong." In the poem, the comparison between the two ancients is both implicit and appropriate. "I don't know if a rotten mouse tastes like it, but I guess the game is still going on." Borrowing Zhuangzi's fable, I warned some people not to be suspicious, which shows my disdain for fame and fortune. The flexible use of allusions is better than expressing one's mind directly. Poets can express more thoughts through allusions, which can't be achieved by directly expressing one's mind. 3 temper words and strive to create words. Li Shangyin's poetic language is concise and rich. He not only pays attention to tempering content words, choosing function words and using reduplicated words, but also pays attention to coloring idioms and proverbs, which makes the language of poetry novel and rich in connotation. The use of the reduplication of "flowers are full of shame, and the flowers are bright" in Morning and Night has created a realm of sound, color and emotion. In addition, there are many exquisite and elegant famous sentences handed down from ancient times in Li Shangyin's poems. For example, "it was a long time before I met her, but it has been longer since we separated", "The silkworms in spring will weave until they die, the wax torch will turn to dust, and tears will dry it" and so on. (4) In short, Li Shangyin's poems are beautiful and sometimes gloomy, swaying without losing weight. Rich and profound ideological content and tortuous forms of expression have reached a perfect and harmonious unity, forming a unique style of "deep affection, elegance and precision". With its profound meaning, exquisite diction and hazy aesthetic pursuit, it has opened up a new world for the development of lyric poetry, made important contributions to the development of classical poetry and later lyrics, and had a far-reaching impact. The characteristics of Li Shangyin's poems are as follows: first, profound emotion, meticulous conception and delicate emotional expression are an obvious style of Li Shangyin's poems. Whether he is sensitive to the time, lyrical, nostalgic, lyrical, the poet's true feelings are permeated. For example, Liao Liao 14, which is often recited, "Although my body doesn't have bright wings like a phoenix, I feel the harmonious heartbeat of the sacred unicorn", reveals the pain of being blocked and the joy of tacit understanding, as well as the contradictory psychology of being blocked more valuable and embarrassed. Another example is Untitled (time was long before I met her, but it was longer than after we parted): "Time was long before I met her, but it was longer than after we parted. The east wind started and a hundred flowers blossomed. Silkworms in spring will weave until they die, and candles will drain the wick every night. In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song. There is no way to Pengshan. Oh, Bluebird, listen! -Give me what she said! The first couplet of this seven-character poem reflects the inseparable relationship between two people who love each other deeply at this time with the scene of dying in late spring. The poet wants to say goodbye from the perspective of reverse thinking, but writes from the difficulty of meeting and hating each other. The difficulty of "meeting" is the poet's long-term gangster and unforgettable miss. Only when it is not easy to meet, can we see all kinds of nostalgia when we break up. However, the poet is not completely desperate. His deep affection played a role, making him full of longing for love, so he used the word "east wind" to transition to couplets, and recited the immortal swan song "The silkworms in spring will be woven to death, and the candles will cry their wicks every night". The poet compared the spring silkworm to a wax torch and vividly expressed the poet's thoughts with homophonic method. Like spring silkworms, they can't stop until they die, and like candles and tears, they can dry up when they burn out. This is an oath of love, written in a tearful and sad way. In the necklace, the author imagines that the other party is also tortured by sincere love, tossing and turning from morning till night, and love can't be together. Over time, the clouds gradually changed, and the moon was cold and sad. William entrusted the poet with myths and legends to comfort his loved ones. In fact, isn't this the poet's self-comfort? Through the magical bird cloud leading to the fairy mountain, the poet asked to visit his relatives, expressing his inner hope and attachment. The whole poem describes the unforgettable lovesickness and painful parting between men and women who love each other, and the unswerving loyalty and passionate and persistent pursuit. Beautiful artistic conception and graceful affection reflect Shi Li's delicate and profound feelings. On the whole, his poems have a wide range of materials, and the commonly used poems constitute a painting and are regarded as a unified whole, or are expressed in the form of poems to express lyricism and realism. For example, in political satirical poems, poets skillfully combine arguments with lyricism, and achieve the purpose of irony through the use of methods such as singing history, singing people, singing things and writing scenery. At the same time, the poet also uses the form of group poems to satirize a specific problem. For example, two troubled stablehands, Longtan and other poems describing the deeds of Emperor Tang Ming and Yang Guifei. There were many poems describing the deeds of Ming Taizu and Yang Guifei in the Tang Dynasty, most of which expressed sympathy for their tragedies. Li Shangyin, on the other hand, can take a critical attitude, especially teasing Ming Chengzu that "being an emperor can't protect his wife". This view negates the traditional concept of "not showing the indulgence of the monarch", expands the conception field of epic, and plays a good enlightenment role for later generations. To be continued.