Secondly, China's poems are short in length, and "poetic style" meets the needs of "poetic heart". There are also western ideas that the shorter the poem, the better, but their standard of "short" is much longer than what we call "short". The pursuit of China's poetry is to contain profound meanings in a short space.
Thirdly, China's poems are suggestive, and western readers value China's poems most. The theme of China's poems is often beyond the literal meaning, and "literal" only plays the role of induction and innuendo, so the poems are very valuable.
Fourth, "China's poems are light and his words are peaceful." China also has "thick" poems, but compared with western poems, they are still much softer. The author emphasizes that there is nothing particularly "China" in China's poems. China's poems have the characteristics of the so-called "West", and western poems also have the elements of the so-called "China". In a word, the essential characteristics of poetry are the same in different countries' poetry works. (That's right)
Qian Zhongshu's prose is a typical scholar's prose. Most of the so-called literati prose is highly learned. Its main purpose is not to write landscapes with expressions, and its main means of expression is not lyricism, scenery description or narration, but to discuss, reason and express ideas. It is not emotional, but persuasive and intelligent. Qian Zhongshu's prose is good at thinking wisdom. He seems to integrate the vast ocean of knowledge into a trickle of clear water and an unfathomable pool of clear water. In this paper, the author uses all kinds of materials with ease, such as flowing freely and naturally.
The language of the article is relaxed and humorous, and a lot of metaphors are used. It seems to come out casually, but it is actually interesting. Seemingly casual, it is actually profound, making the finishing point, quite wonderful; It looks light, but it's actually very strong. For example, when talking about the development of China's poetry, we can use the characteristics of China's painting to make an analogy, which not only makes readers clearly realize the rapid development of China's poetry, but also deepens the content of the article. The author also vividly illustrates the height of the development of China's poetry with the humorous statement that "there is no such thing as gravity in China people's hearts, so they jump up as soon as they jump". He also said that "China's art and ideological structure are often castles in the air, because China people are smart and poisonous." This seemingly false statement shows the highly developed characteristics of China's poetry, and also implicitly expresses his appreciation of China's poetry. Another example is "This little beast in the west is China, and in China, it should sharpen its teeth and kill those who speak Chinese and Western cultures". The author expresses his due attitude towards "China's Poems" with vivid metaphors, and criticizes those cultural standard theorists. There are many typical examples of using this language in this paper, which should be carefully studied. (That's right)