Tao Yuanming's poems are obviously innovative in life theme, language tempering and expression techniques. His pastoral poetry is the first one in the field of poetry after coquettish and Three Caos. The third part of "Returning to the Garden" wrote, "Planting beans under the south mountain, the grass is full of bean seedlings; In the morning, I will treat the waste and take Yuelian home. " After reading this poem with friends, Su Shi wrote the poem "In the Ming Dynasty" with infinite emotion: "It is a great relief to read this poem in the Ming Dynasty. Hey, you're guilty of getting wet by the night dew! " Through Tao Yuanming's pastoral poems, the literati praised the bitterness of labor for the first time in their creation. After the age of forty-four, the poet experienced many misfortunes, gained more experience and had a more realistic and profound understanding of food and clothing work. The poem "Geng Xu grabs early rice in the west in mid-September" puts forward that "life belongs to the Tao, and food and clothing are its end." Don't camp, protect yourself. "The reason why the poet is superior to Jin people and many excellent writers in the history of literature is because he is tirelessly looking for a new artistic conception of life.
His "flat land is far from the wind, and fertile land is also pregnant." "Under the eaves of Liu Yin, Li Tao Luo tang qian." Popular, simple, concise, affectionate, and similar to "Tianjia dialect" in language, they all achieved the artistic effect of "one word is natural and eternal, and luxury is the best to see the truth" (Yuan Haowen's Thirty Poems). There are many leaves in the green garden, so you know autumn. In the music of reviving the market, the grass grows and the warblers fly, the farm work returns to each other, and the leisure homesickness creatively reflects the poet's new understanding and feelings about work. Su Shi said, "Those who plow sticks without ancient coupling cannot speak this language;" If you are not a farmer, you can't hear the beauty of this language. " Tao Shi is a masterpiece that does not bother to cut the rope. Compared with the Jin and Song Dynasties, which tried hard to pursue novelty and wrote something very well, it destroyed the true natural beauty of landscape poems because of repeated sentences, giving people fresh and natural enjoyment.
Second, natural and eternal lyrical beauty.
The life of poetry is emotion, and Tao's poems describe the quiet and desolate rural life: "warm and distant villages, smoke from the kitchen." Bowing down to him is even more natural and simple: "It's a waste of time to cover Fei Jing during the day." Compared with the hustle and bustle of officialdom, the living environment in the countryside makes the poet deeply feel the purity and leisure of rural life. In the field work, he also found the same language as the working people's Talking about Sang Ma: "Acacia wears clothes and laughs endlessly". ("Migration" Part II) The pain of official career has made him clearly see again and again that his official career is incompatible with his "natural love for posts". "If you stay in a cage for a long time, you will return to nature." Wenru, a A Qing dynasty man, can say, "Shi Tao is so interesting." (Comment on Hui) The kind of comfortable and indifferent affection referred to here is really from the heart. His love for the countryside really flows between the lines, giving people rich and unforgettable beauty infection.
Commenting on the style of Tao poetry in Yuan Dynasty, he said: "Tao Yuanming is honest, carefree and sincere, almost as famous as Nineteen Ancient Poems." This passage in Ten Scores points out that everything written by Shi Tao comes from his true feelings and is naturally wonderful. In terms of lyricism, Tao's poems are good at integrating self-expression with objective things: The fifth part, drinking, "Picking chrysanthemums under the hedge, leisurely seeing Nanshan", describes the typical scenery in nature and shows the poet's leisurely, quiet and indifferent self-mood. The simplicity and natural lyricism of Tao's poems are related to the content of the poems. Simplicity comes from poor and humble living conditions, and purity is naturally the embodiment of a society that despises corruption and sins and advocates freedom.
Third, the artistic beauty of the image
In the process of creation, the images created by Tao's poems are based on common things in real life, not deliberately portrayed. Dongpo said: "Poetry in Yuan and Ming Dynasties is interesting if it is slow at first." The so-called "curiosity" includes both the true feelings and the real meaning revealed in the poem and the aesthetic mood endowed by the poet's unique artistic creation. The ancients once pointed out the characteristics of Tao poetry, which is "when the situation becomes interesting, the interesting situation is forgotten". (Xu, "Poetry Source Debate Style")
The images created by Tao's poems are still full of ideal colors. The poet put forward the social ideal of "Peach Blossom Garden" in "Poetry of Peach Blossom Garden": everyone here takes part in labor, "plowing for a living and sunbathing for sleep". The fruits of labor belong to oneself, and there is no feudal exploitation: "Spring silkworms collect silk and pay taxes when they are ripe in autumn." When creating images, Tao Shi can skillfully combine the scenery of "Yi Yi is far away from the village", the matter of planting beans at the foot of Nanshan Mountain and the theory of "forgetting to say when arguing" to create a profound artistic realm with both scenery, emotion and reason. The poet connects the appreciation of natural scenery with the true meaning of life, which makes the scenery, emotion and reason of poetry reach a highly perfect unity, just as Su Shi said, "quality is beautiful, but abundant." This unique image-building style constitutes the artistic beauty of Tao poetry.
Sorry, ha. The answer is a little long, quack. ..