2. Carving is the basic method of ci and fu creation. There are four ways to elaborate Ci and Fu: scattered, paragraph, progressive and combined. The so-called dissemination method refers to the dissemination of poems or stanzas with the same content to the whole work. Paragraph presentation refers to describing a theme with natural paragraphs in a poem or work. Progressive presentation means that the whole work or paragraph is presented in a progressive and in-depth way, which is vertical. Parallel presentation refers to the method of depicting the whole work or the whole paragraph from different directions and aspects, so that the depicted object is in a horizontal state.
3. Two skills in Bi Xing's literary creation. Comparison is a metaphor. Xing is a sustenance. Bi Xing has a long history in China's poetry creation, starting from The Book of Songs. Confucian poetics lists Bi Xing as "six meanings": wind, fu, bi, xing, elegance and praise. Zheng Xuan said: "Comparison" means "seeing the loss of today, not daring to criticize, speaking by analogy". "Xing" is to see the beauty of today, not to flatter it. Persuade them with kindness "(see" Zhou Li Chunguan Zongbo Master's Notes "). Explain the relationship between Bi Xing and Mei Ci. Metaphor is mostly used in old-style poems and folk songs, but rarely or not used in general literary works.
4。 Qubi Qubi is a writing method that deliberately deviates from the theme and does not go straight to the book when writing an article. Du Mu's Bo Qinhuai: "The smoke cage is full of sand in the cold moon, and the night is near Qinhuai Restaurant. A strong woman in the business world doesn't know how to hate the country, but also sings "backyard flower" across the river. " "Businessmen don't know how to hate their country" is a ballad, because businesswomen are singers who serve others, and what they sing depends on the listener's taste. It can be seen that the real "ignorance of the hatred of his country" is the admirers in that building-feudal nobles, bureaucrats and gentry. The last two sentences of the poem are graceful and graceful in style, showing bitter satire, deep sadness and infinite emotion.