Wu Si, Shu and Zhang Tong are in high autumn, and the empty mountains are not flowing.
Jiang Yue wept for Motome's sadness, while Ping Li was playing China.
Kunshan jade broken Fengming, hibiscus crying, Xianglan laughing.
The cold light melts in front of the twelve gates, and the twenty-three silk moves the purple emperor.
Nu Wa makes up the sky by refining stones, and the stones break the ground to stir up the autumn rain.
Dream into the holy mountain to teach the gods, and the old fish dance with the waves.
Wu Mian leans against the laurel tree, showing his feet and flying obliquely to wet cold rabbits. (1) mainly uses the side contrast technique to set off the music itself through the description of the music effect.
(2) Use synaesthesia and exaggeration to turn the intangible into tangible.
(3) Use romantic creative methods, gallop free imagination, and express the world of music through the magnificent mythical world. The first paragraph: It's high in autumn in Zhang Tong, Shu, and the empty mountains are not flowing.
Jiang Yue wept for Motome's sadness, while Ping Li was playing China.
Closer to home, Wu Si Shutong's writing structure is rigorous, so as to set off the player's superb skills, that is, writing things, that is, writing people, killing two birds with one stone. The word "high autumn" not only means late autumn in September, but also means "crisp autumn" (writing performance environment), which is more meaningful than "late autumn" and "late autumn" The word "Zhang" is not only an abstract performance, but also easy to make people think that the emotional charm of music is high and full, reaching the sky.
Write music in two or three sentences. The poet deliberately avoids the invisible, colorless and elusive subject (rustling sound) and writes from objects (such as "empty mountains and condensed clouds"), which is both true and illusory and extremely expressive.
As soon as the beautiful and melodious string songs came out, the clouds in the empty Shan Ye slumped and stagnated, as if they were listening; Xiang Eqing and Motome, who are good at playing drums and piano, were also moved to tears by music.
The word "decadent" and the word "Zhang" are just a comparison. The former is full, while the latter is weak. The word "decadence" vividly describes the modality of the moment when the cloud is hit by music.
The sentences in "Empty Mountain" empathize with things, and writing about clouds has human auditory function and thoughts and feelings, which seems to go further than "If the sky is affectionate, the sky will be old" ("Golden Copper Immortal Ci Han Song"). It cooperates with the following sentence "Jiang E" and brings out the best in each other, trying to set off the magic and beauty of the voice, which has the charm of "earth-shattering, making the gods cry".
In the fourth sentence, "Li Xihua", the surname and first name of the actor were pointed out with the "Fu" pen, and the performance place was explained. In the first four sentences, the poet deliberately broke through the general way of telling people, time and place in turn, and made other careful arrangements. He first wrote the piano and the sound, and then wrote the person, time and place in tandem, interspersed among them. This highlights the music and has the artistic power of sound.
The second paragraph: Kunshan jade broken Fengming, Lotus tears fragrant orchid smile.
The cold light melts in front of the twelve gates, and the twenty-three silk moves the purple emperor.
"Kunshan jade broken Fengming, Lotus tears dew fragrant orchid smile" written on the front, each with its own characteristics. The sentence "Kunshan" is written by voice; The "hibiscus" sentence is written in the form of sound.
"Kunshan Jade Crushed Fengming" uses "Kunshan Jade Crushed" to contain music, which shows that the music is extremely passionate, explosive and overwhelming. "Phoenix" is a legendary precious bird that lives in Kunlun Mountain. After "Kunshan Jade Broken", the voice of the phoenix that inhabits it is naturally shrill and euphemistic, and the sad mood stretches in it-focusing on the ups and downs of music.
"Lianku Lanxiao" is a strange idea. Dewy hibiscus flowers (that is, lotus flowers) are not uncommon, and blooming orchids do give people the feeling of wanting to laugh. They are all incarnations of beauty. The poet used "lotus crying dew" to describe the sadness of the piano, used the crying sound to describe the sadness of the music, and used the visual feeling of dew rolling down on the residual lotus bit by bit to compare the sadness of the music, which seems to be more gentle than "phoenix crying". The "vanilla smile" shows the joy of the piano, which has the attribute of appealing to hearing, and can also give people a visual feeling of "smiling like a flower", which can not only be heard, but also witnessed. This expression is really wonderful-deliberately rendering beautiful music.
Thinking: Kunshan Jade Broken Phoenix Calls, Lotus Crys, and Xianglan Laughs is the only poem that directly describes music. What are the successful artistic techniques? What kind of artistic effect does this writing have?
"Kunshan Jade Broken Phoenix Cries, Lotus Crys and Xianglan Laughs" successfully uses the artistic technique of synaesthesia. Both poems are "like sounds", but they can also arouse the sense of image. "Sound by sound" is not synaesthesia, but these two poems can arouse the image sense of music and form synaesthesia with sound by form.
"Kunshan Jade Broken" can evoke the image of landslides at first and describe the spectacular music;
The Call of the Phoenix can arouse the image sense of loneliness and wailing and describe the bitterness of music.
"Lotus Dew" can arouse the image sense of dew and residual lotus, and describe the desolation of music;
"Lan Xiang's Laughter" can evoke the image of orchids blooming like smiles, which is similar to the joy of music.
"The cold light melts in front of the twelve gates, and the twenty-three silk moves the purple emperor." -Writing music changed from cheerful to cold, returning to the main mood of music.
The next sentence follows the sense of time and space created by the "Twelve Doors". Naturally, the artistic conception of poetry was extended from the world to the fairy house, and the cold music was skillfully written and spread from the world to heaven. At this point, the whole universe seems to have only beautiful melody left.
Images such as "Gao Qiu" in the first sentence and "Twelve Gates" and "Purple Emperor" here create an infinitely vast universe, as if everything is empty, and graceful music embraces the whole world.
The third paragraph: Nu Wa tempered stones to make up the sky, and the stones broke the ground to stir up the autumn rain.
Dream into the holy mountain to teach the gods, and the old fish dance with the waves.
Wu Mian leans against the laurel tree, showing his feet and flying obliquely to wet cold rabbits.
The poet inserted the wings of imagination and flew to heaven and mountains, bringing readers into a broader, deeper, more magical and magnificent realm.
These two poems, "Nu Wa tempered the stone to make up the sky, and the stone shook the autumn rain", spread to the sky. In the place where Nu Wa tried to mend the sky, even the five-color stones were shattered by music, which led to an autumn rain. It is hard to describe the shocking power of music.
"Autumn rain" can make people have rich associations: "Autumn rain" is a sad image, and the magnificent autumn rain after "breaking ground" symbolizes overwhelming sadness; The sound of autumn rain is like compact and complicated music. The music ended in this earth-shattering cold mood. How bold, unexpected and touching this imagination is. The word "tease" closely links the powerful charm of music with the above-mentioned strange and magnificent scenes. Moreover, the scene of the rock-breaking autumn rain can also be regarded as a manifestation of the musical image.
Immortals are taught to play the piano on the sacred mountain, and the aging and emaciated ichthyosaurs in the fairyland follow the wind and waves and dance in the waves when they hear the music. WU GANG in the Moon Palace forgot to cut down the tree when he heard the music, and leaned on the laurel tree to listen attentively and fall asleep; The jade rabbit under the laurel tree heard the sound of entering the country and didn't know that the cold dew was wet all over her body. The poet recalled the whole performance process, and the wonderful music made people feel like they were in a fairyland. Then he imagined the obsession of the celestial gods and rendered the beauty of music from the perspective of musical effect.
This poem describes the feeling of listening to music with gorgeous rhetoric and imaginative imagination, and depicts an earth-shattering sad song. Poetry itself, like music, has a Leng Yan temperament.