Guo, according to Wen Feiqing's Poem Supplement, is a human being. During Tang Wuzong's reign, he was good at blowing Ou's name, and led twelve people from Tongxing (Shaanxi) Ou and Yue (Zhejiang) Ou, spinning and adding water and using chopsticks together. Oh, Wu Hong Zheng Yun said, "Now, it is said that the bowl is deep." "Zhengzitong" said: "The common saying is that the teacup is Europe." Playing Europe is a kind of folk music, which can still be seen now. Because it is not a formal musical instrument, there are no seats for porcelain or glass within the so-called "leather, gold, stone, silk, bamboo and folk music" in ancient times. Of course, playing this local musical instrument is more difficult, better and more beautiful than pipa. Of course, it is relatively more difficult to describe.
Wen Tingyun himself is a great musician. He is not only good at writing lyrics and composing music according to law. As the saying goes, "The sound of being able to play strings is a kind word", but also good at playing. His level has reached the level of "playing with silk, playing with holes, and not listening to guzheng", that is to say, even with simple musical instruments, he can play wonderful music. Therefore, it can be said that the right poem is not a general compliment, but an expert's appreciation of the beauty of this music.
The title of this poem is Guo's Song of Playing Europe, so he can write from the first note without narration. Carboniferous Ancient Qiu Jin, Autumn, Horned Dragon. Because it has no horns and can't go to heaven, it is violent because of long-term depression. Hey, that's great. Qiu Jin, the golden horned dragon, rolled and roared in the ancient pool, making a pool-like sound. Writing ou sound with water sounds naturally gives people a cordial feeling. You can imagine how intense and magnificent the first movement of ou is. Then, the second movement changed from sharp to slow, from heavy to light. From jumping to dancing. It's like sitting in a secluded place, listening to the breeze blowing through the bamboo tips. Vicious, it is a slope that is gradually tilted by water. So what is written here is not the sound of water beating, because there is no shore wall to shoot, but the sound of water waves rippling back and forth, or the sound of light waves playing. "Youxiu" refers to bamboo. The so-called "secluded bamboo" and "bamboo cultivation" are both. People sit in a secluded place, that is, among deep bamboo bushes, and all sounds are blocked. It seems that this is the realm of Wang Wei's "concentration". However, the breeze blew in, brushed the bamboo leaves and made a squeaking sound, just like a little girl whispering there. This artistic conception can only be observed by Wang Wei, who is calm and unwilling to be lonely. Therefore, in his "Autumn Night in the Deep Mountains", he said, "The laundry girl in bamboo language returns", which is not only the sound of bamboo, but also the laughter of bamboo. In this way, it not only writes the light tone part, but also has the familiar life interest, which makes people feel comfortable in the extra quiet.
In the third movement, the technique changed. "The neck immediately became a cloud, and the broken clock was full of smoke and rain." Not one sentence and one artistic conception, but two sentences and one artistic conception. Music flew again in silence, like Xiang Jun riding a BMW from far away. This feeling is extremely subtle, precisely to seize the light and gradual step of Voice of Europe. The jade worn by Xiang Jun makes the sound of Ding Dong and is attached to the Luan bell around the horse's neck. There is lightness and heaviness, urgency and wisdom, but it is so harmonious. It is the sound of knocking on a cup filled with water that makes it sound moist. It's not a clear voice, but it seems to come from misty rain; So they are all wet with water. Wen is really talented in music. He accurately captures the dry texture of music, and he has a writer's hand, so he can turn it into a three-dimensional picture and pass it on to readers. This enables readers after thousands of years to imagine the rhythm of this piece of music through the very distinctive pictures he left behind: the first movement is grand, the second movement is quiet, and the third movement is melodious, just like the best ending of music.
Then the next three paragraphs picked up "I smell" and suddenly transferred it to the palace, which was for musicians. When Wu Zongshi was in power, Li Deyu was in power, and Guo Daoyuan was the official of Taichang Temple. It was an enlightened dynasty in the late Tang Dynasty. After Xuanzong succeeded to the throne, political affairs tended to be corrupt. Li Deyu was demoted to death and exiled from Guo Daoyuan to the people. He was also an artist who pulled out the vulgarity in Geng Jie. It is this ideological origin that will be cited as homologous by the text. Therefore, Wen used a large space to write this glorious period he played in the past by flashbacks and interludes. This is behind the words, with Li Deyu's grief and her husband's criticism of reality. Because of this, he used "I smell", which is of course about Guo's legend and the author's imagination, so readers should pay attention to the author's thoughts here, because this is where the poet can have the greatest freedom to express his implied meaning. Therefore, by capturing the poet's spiritual essence, readers can understand the essence of his poems. In this way, although he writes about others, he can see and imagine his own spirit. Or the combination of lyric and object, which is the same body of emotion and ambition.
The first paragraph here is "Thirty-six palaces are separated by flowers, and the soft wind blows the fragrant stars." His dream was broken by a bunch of chins, the dew was still wet, and he was wearing clothes "is a scene of Guo's life in the palace." Besides, he seems to be a Taoist. At first, "Chu Shi" was an honorific title for those virtuous hermits. Supposedly, it is inappropriate for a person to enter the palace for a letter. However, in the Tang Dynasty, due to Li's surname, Li's Taoism was highly respected, and many people retired after entering the palace, such as Li Bai. Guo Daoyuan has been out of the palace for a long time, so just call him "Chu Shi". Because Wen has never been to the palace, he can only imagine the life in the palace according to rumors, so he begins with the story of "Thirty-six Palace Flowers Leaving". How magnificent and solemn it is for so many people to leave the palace and be scattered among lush flowers and trees. It is both specific and highly generalized, which makes people have many associations. However, Guo seems to be wandering here late at night, giving people a feeling of loneliness. It turns out that, as Wang said in "The Imperial Palace", "the Han family left the palace for thirty-six", which means that there are many palaces where emperors live, and "gorgeous" is a world of flowers and trees. This is real writing; But according to the traditional context of China's poems, flowers are often used to write about beautiful women. Gorgeous, for the palace, is the world of beauty. "Separation" not only means lush vegetation, but also means "laziness and sadness" when applied to people. In such a deep palace, countless beauties in the world are imprisoned, and there is only one emperor, so some girls are not allowed to see the emperor from beginning to end. "The soft wind blows the spring star, and the jade morning bursts with dreams. "Because there are too many women, an emperor can't take care of them. In the deep palace, of course, there are songs and dances in some places, and the warm spring breeze is blowing gently. In this intoxicating spring morning, there is someone in the Golden House, just as Sister Xue said in A Dream of Red Mansions: "Candles in the bridal chamber are playing casually. "But in some places, it can only be accompanied by the spring breeze, facing the starry sky alone, from sparse to dense, and from dense to sparse, and the night is empty. Some people even wiped out this empty dream. They only stayed in the green light, knowing that this life has passed, and only hope to cultivate an afterlife. " The smell of wet clothes reminds people of Du Fu's "clouds are fragrant and foggy, and jade shoulders are cold." "This is the persistence of love and the destruction of beauty. The article mixes all these things together and becomes the most typical portrayal of Internal Strength. Whether it is "fragrant fog" or "fragrant dew", this is not only a concrete description of the fog and dew, but also a big environment here, which makes the fog and dew fragrant, indicating that the environment here is at least between flowers and trees or in powder fragrance. Dew and fog also have fragrance, because the fragrance of flower gas or powder is very heavy.
However, there seems to be another saying in Chen Yu: According to Qing Chen Zi Jing Jun, Chen Yu is the spiritual position of Mr. shang huang. Because Guo Daoyuan is a Taoist, he is "a broken dream in the morning, but not dry and fragrant in the day", which can also be said to refer to Guo Daoyuan himself. Said that he broke people's "dreamless dreams" with "Cong Qing". It is very wonderful to treat "dreamless" with "Cong Qing". China's Nuo friends, that is, court artists, have a fine tradition of remonstrating in a funny way, and so must Guo Daoyuan. He offended Xuanzong in a funny way and was abandoned by the court. Then, this song "Soft Wind" and "Cong Qing" may be more about the feeling that Guo Daoyuan lingered here all night, thus making his clothes wet with dew. Although this is a purely objective description, because he wrote a rich, gentle and lonely environment, he actually wandered at night. This is because the typical personality in such a typical environment, readers can "vividly" see his thoughtful feelings from his silent and objective expression, which puts the image of a benevolent person who cares about the country and the people in front of their eyes very prominently. Such a tribute to Guo Zhi is both artistic and appropriate.
Next, write Guo's art, "Lan Chai sends down clouds, and small rings jingle back to snow." He hit ou in the palace, perhaps to accompany the dancers. Perhaps it is because of the jingle of his percussion that gives people the illusion of dancing back to the snow like a gust of wind. She spins too fast. As a result, Yun's temples were loose, and all the blue hairpins on his head fell off. The tinkling sound may be the sound of jewelry falling to the ground. A lot of jewelry, such as pouring pearls of all sizes into a plate of jade, falls down one after another, making a crisp jingle, such as Ou Ruqing, which is as unreal as reality, but also interesting. "The clear blue smoke overlaps the mountains, and Luoping half covers the peach blossom moon." The music faded to a slight level, as if she had stopped. Because she turned too hard just now, she suddenly stopped, so the reader seemed to hear her breathing, as if she saw her blushing face, half hidden in the screen, just like the bright moon dyed peach blossoms, white and red. Her thin eyebrows are like misty mountains on a sunny day. This is really gorgeous, so "Emperor Taiping is in the clouds and the dragon furnace is full of depression _", even Emperor Taiping, who is often close to vocal music and enjoys the wealth of the world, can't help but stop and watch it for a long time. As a result, the imperial cigarettes in the incense burners on both sides were intertwined like Ssangyong because they stopped for a long time. "The courtiers in the palace held fans, and the maids fell to Cui Hua." The neutral eunuchs who were in charge of etiquette also held feather fans in a daze. The maids didn't even know that the hair accessories were loose. Everyone saw it, maybe they were too stupid to hear it. As a result, everyone was intoxicated, the monarch and his subjects lost their manners, and all the majesty and fear were swept away in front of her, leaving only the dumping of music and dance. Then the beauty of this music and the depth of people can be imagined.
"The beads are swaying and the head is not inclined." At this time, Ou Ruyu Zhu is beating and banging with his head down, but he doesn't know that the sun is setting. However, people don't seem to be satisfied. He not only adopted the traditional writing method of sound, "writing sound with sound", but also wrote sound with consciousness to describe people's dementia, which further made Guo's talent superb.
In the above four paragraphs, great efforts have been made to write about Guo Daoyuan from all aspects: his musicians and his concern for the country and the people. But this is really not to praise his skills, but to pave the way for writing about his talents and ambitions, which is useless. So he finally said, "I also sigh for your husband. It is colorless to send away feelings."
Perhaps Guo Daoyuan still had illusions about the imperial court, so he finally said, "Mo Zhanxiang dreams of Qingyang, and the spring breeze is weak." In fact, since Wu Zong died at the hands of eunuchs, eunuchs were afraid of another wise emperor like Wu Zong, so they specially chose a cowardly, cool and emotional Chen Li as emperor for Xuanzong. Wen is too familiar with the imperial court. The death of Prince Yong, the death of Wu Zong and the establishment of Xuanzong, which are close to him, almost left a trail of blood on his body and mind. This is why he finally persuaded him with the story of Yang Baihua, saying: Don't dream of flowers, the spring breeze is weak, and they can't float in the nest. Wang Fuzhi, a great thinker in the late Ming Dynasty, once lamented: "If Wu Zong does not die and Deyu does not escape, Tang Qi can be revived!" Unfortunately, Xuanzong did the opposite. Wang Fuzhi said; "The death of Tang Dynasty, the death of Xuanzong." This really hit the nail on the head. The nest is long gone. According to Liang Shu, "Huayang was timid and dignified, which was forced by Empress Hu Wei. China was afraid of disaster, but it led its department to surrender. Hu Taihou is obsessed with it, in order to write the lyrics of "Yang Baihua" and let the imperial secretary sing day and night. " The real name is Baihua, and it was renamed Hua after rushing to Liang. Its lyrics say: "In the spring of February and March, willows make flowers together. The spring breeze enters the boudoir overnight, and whose home is the small flower floating? When I left home, I felt very weak and found Huayang in tears. When I come to Shuang Yanzi in autumn and spring, I would like to bring Huayang into the nest. " Wen used such a story, which is very subtle, especially when he used the secret love in love songs to write politics. Guo Daoyuan, of course, understand this. But others can't say he is dissatisfied with the court.
Since Wuzong was in power for a short time, Wen was in his thirties from 84 1 year to 847. In their prime, he and Guo Daoyuan rose and fell because of Li Deyu. They are bosom friends, so he can describe his skills, his love for Guo Daoyuan and his current affairs skills so profoundly. Especially in the end, his painful words to awaken the dream of spring are an exhortation to comrades, and are by no means the voice of the prodigal son returning. Then this poem is actually full of pursuit of ideals and infinite affection for comrades-in-arms; At the same time, it is also the most sober estimation and contempt for current events. In a word, it boils down to a sad song about the decline of talents. It is precisely because Wen loves the politics of Wuzong in the past so deeply and doesn't trust the rule of Xuanzong now. He is infinitely loyal to the past and has a deep insight into the present, so he is not used by the present and refuses to be used by the present. This is by no means "no special exercise". Theorists who are not interested in it are understandable.