Rhythm division formula of ancient poetry

The rhythm division formula of ancient poetry is as follows:

Don't be afraid of difficulties in breaking sentences in ancient Chinese, you can only bear it if you think carefully.

Don't ask about the length of the paragraph, it is the key to read it carefully.

Only when you fully understand the main idea of the content can you break sentences.

Read the full text before and after, easy before difficult.

Hold fast to "Yue", "Cloud" and "Speech", and dialogue is the easiest to find.

The commonly used function words are symbols, which are regular and can be used for reference.

Master idioms, but don't break up fixed structures.

The meaning of part of speech should be carefully studied, and the grammatical structure is helpful to judge.

Parallel to duality and repetition, rhetoric provides good conditions.

The same word is closely related, generally separated in the middle.

Look back after the topic is finished and check it carefully as required.

Lay a solid foundation for reading textbooks and cultivate a sense of language to read classics.

Do a thousand songs, watch a thousand swords, and break sentences often.

The meaning structure of ancient poetry;

The five-seven-character poem has become the mainstream form of classical poetry, which is also closely related to its strong meaning expression function. It is found that the abnormal monosyllables in each sentence are so conspicuous that they naturally become the center of expression. Of course, according to the need of meaning, the position of monosyllables can be placed not only at the end of the sentence, but also in the sentence.

In this way, there are two common meaning structures in ancient poetry: one is the ending monosyllabic. The five-character poem 22 1 and the seven-character poem 222 1 are in line with the rhythm of natural classics. Second, monosyllables in sentences. Wuyan 2 12 and Qiyan Poetry 22 12 are also very common.