The so-called Iraqis, by the water,
Tracing back and forth, the road is blocked and long.
Swim back from it, in the middle of the water
It's been a long time, and it hasn't changed for thousands of years.
The so-called Iraqis are in the water.
Go back and follow, the road is blocked and it is broken.
Swim back from the inside and swim in the pool.
Jia Cai, peace and prosperity have not passed.
The so-called Iraqis are in the water [si].
Go back and follow, the road is blocked and turn right.
Go upstream from it and swim in the water.
Guan Ju
Guan Heming's osprey, accompanied by the small continent of the river.
A beautiful and virtuous woman is a good spouse of a gentleman.
Mix shepherd's purse and salvage it from left to right.
A beautiful and virtuous woman wakes up to pursue her.
If you can't pursue it, the black nightclub misses her during the day.
Miss Long, I can't sleep over and over again.
Mix shepherd's purse and choose from left to right.
A beautiful and virtuous woman came to her with a couple and a couple.
Pull shepherd's purse from left to right.
My Fair Lady, Bell and Drum Music.
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"Guanju" Guanju dove, in Hezhou, this is either the author's first sight, or compared with birds, the courtship of birds is interest. My Fair Lady is a good gentleman, and he longs for that beautiful and virtuous girl to be his ideal spouse. The first sentence, the pigeons off the gate, write the songs of birds, not listen; The second sentence of "Hezhou" is to seek sound and see; The third sentence, My Fair Lady, is thinking about someone who is in love with me. The last sentence, the benevolence of a gentleman, is the hero's strong yearning and silent self-wish. Although it is only four sentences, it is very hierarchical and meaningful. The second chapter, with sentimental feelings, frankly wrote his yearning heart and the suffering of lovesickness. This young man loves a girl who picks leeks by the river, and leeks flow from here to there. Flow from left to right, that is, pick left and right along the water flow. It is the gentle and graceful figure of this girl picking leeks while working at the water's edge that makes him miss day and night. My beautiful lady, beg it; I can't wait, just thinking about it (missing), writing his urgent pursuit and missing mood; Long, tossing and turning, is to write about his lovesickness, which has reached the point where he can't sleep at night. Long described his constant worries when he couldn't sleep at night. Here, the word "eryou" is expressed in an exclamation tone, which intentionally adds emotional color and profoundly shows the long sleepless nights, endless thoughts and unbearable lovesickness. If you go to extremes, you will have an illusion. Then in the third chapter, there suddenly appeared a cheerful and lively scene of playing music with a harp and a friend's clock. This is a huge change. Harp friends, friends, intimate love; Playing the harp symbolizes the harmony and happiness when they meet and get along. When you get married, bells and drums are a lively scene. There is no doubt that this is a man who is lovesick's longing for the future and his wish to realize it. Fantasy is certainly not reality, but it is very natural that fantasy is born of emotion. And this lyric hero is simply intoxicated with the expected success. This description of love psychology is as romantic as the protagonist in Jian Qin's Pursuit of What He Can't Love, and there is a phantom in the middle of the water. In fact, this is a subtle capture and true portrayal of the common love psychology in life.
The first two sentences of Sword House show a picture of autumn scenery on the river. The season to convey first frost in the Millennium is late autumn, because there are frost flowers condensed by dew at night on reed leaves. In this autumn's color map, reeds are green, autumn water is Vivi, and dew is Ying Ying, crystal clear as frost. At the beginning, the author created a desolate and desolate state in emptiness and loneliness, which well rendered the atmosphere and set off the persistent pursuit and elusive love mood expressed in the poem. Three or four so-called Iraqis show the central image of the poem on the water side: the lyric hero lingers by the river and stares at the Iraqis on the other side. This Iraqi woman is the one he misses day and night. On the water side, isolation means the pursuit of hardship and produces an elusive realm. The poem uses relatively abstract water, not concrete rivers, lakes and rivers. As a poetic image, water is very suggestive. For example, common words are tender as water, dreamlike as falling flowers and heartless as water. Although the lyric hero yearns for autumn water and pursues it persistently, the Iraqi people are foggy and unattainable, so there is helplessness and emptiness in the poem. Tracing back to the source, there is a long way to go, which is a dilemma in countercurrent description and writing: endless difficulties and obstacles, a long journey in Xiu Yuan, and finally no road sign. Swimming from it, everything is in the middle of the water, which is the illusion of going downstream: the journey is smooth everywhere, the Iraqis are always there, but in the end they can't get close. There are both upstream and downstream, and the significance of pursuing and persisting can be seen; Either the dilemma is difficult to reach, or the illusion is difficult to approach. After all, it is impossible, and the deeper the disappointment. At this point, the situation that Iraqis never dreamed of has been concretely and fully demonstrated.
The whole poem has three chapters, and only a few words are changed in each chapter. This change is all about rhyme. In the first chapter, Cang, Shuang, Fang, Chang and Yang belong to yang rhyme, in the second chapter, Shu, Ji and Gui belong to fat rhyme, and in the third chapter, they adopt partial rhymes such as You, You, You, You, Right and You. In this way, the internal rhythm is harmonious, the rhythm between chapters is uneven, and the change contains stability. The repetition and reciting of sentences in a text not only brings the artistic effect of sighing, but also plays a role in promoting poetry. From the white dew like frost to the end of the white dew and then to the end of the white dew, this is the passage of time, symbolizing the long-term gaze and pursuit of the lyric hero; From being in the water, to being in the water, to being in the water, from being in the water, to being in the water, and then to being in the water, this is a change of position, symbolizing the elusive Iraqi people; From "Road to Road" to "Road to Right", it is the repeated rendering of the arduousness of the pursuit process that highlights the indomitable spirit of the lyric hero. Repeating chapter by chapter and advancing layer by layer is a common form of folk songs in The Book of Songs.