# College Entrance Examination Score # Appreciation Skills of Ancient Poetry and Literature

Appreciating poetic expression is usually divided into four steps.

1, specify what expression it is.

(such as lyric, line drawing, detailed description, personification, combination of motion and static, etc.). , give 1 min)

2. The embodiment of this skill in poetry.

(Requirements: 65438+ keyword description 0)

3. Analyze the effect of this technology in depicting scenery.

(For example, swallows are lively and lovely, full of interest and natural harmony. , 2 points)

4. Point out the poet's emotion contained in the poem.

(such as leisure, pleasure, optimism, depression, trouble, bitterness, etc.). , 2 points)

Answer more than two methods, and grade the one that answers better. Complete score, can get full marks; However, if there are many typos and there are obvious language errors, 1 point will be deducted.

structural style

Give consideration to the beginning and end, cut to the chase, go deep at different levels, divide the whole first, take the scenery first, show your ambition, make the finishing point, transition, pave the way, foreshadow and so on.

2. Rhetoric

Metaphor:

Compare one thing or situation with another. It can be divided into simile, metaphor and metonymy, which has the function of highlighting the characteristics of things and visualizing abstract things.

"Looking at Dongting from afar, there are green snails in the silver plate" (Liu Yuxi's "Looking at Dongting from afar")

Poetry skillfully compares "snail" to the mountain under the bright moon Yin Hui, and compares it to a green snail in a silver plate. The colors are elegant and the mountains and rivers are integrated.

Metonymy and other rhetorical devices

Borrow something relevant, not what you want to express. Metonymy can use parts to represent the whole, concrete to replace abstraction, and features to replace people. The use of metonymy makes the language concise and implicit.

"Know, know? It should be green and fat and red and thin "(Li Qingzhao's Dream")

In the poem, "green" and "red" are used to replace leaves and flowers respectively, and to describe lush leaves and withered flowers respectively.

For example: Dai Shulun, the best in Lanxi.

Liu Wanmei hangs on the cool moon, and the Zhongshan mirror looks more.

Peach blossoms rained in Lanxi for three days, and carp came to the beach at midnight.

Analysis: "Eyebrow": Eyebrow is used to describe the moon, depicting the shape of the moon in March, and reflecting its comeliness. Mirror: A mirror is used to describe the water in Lanxi, which shows the clarity and quietness of the water in Lanxi. It also reflects the brightness of moonlight.

Another example: Su Shi Wangjiang Mianshan

Look at the mountains and take a boat, and a hundred regiments pass by.

The front mountain is suddenly different, and the back ridge is like running.

Looking up, the path is oblique and there are pedestrians on the street.

Raise your hand and talk on the boat and sail south like a bird.

Analysis: This poem takes the mountains on both sides of the river as horses and ships as reference objects, making the static scenery of the mountains vivid and vivid. "Bird" is a metaphor of "lone sail", which indicates how fast a ship can sail.

Metonymy: replacing complexity with simplicity; Replace the virtual with the real; Replace ordinary with odd numbers; Exchange things for feelings.

There is no place to write, and the moonlight is like water.

"Know, know? It should be green and fat and red and thin "(Li Qingzhao's Dream")

In the poem, "green" and "red" are used to replace leaves and flowers respectively, and to describe lush leaves and withered flowers respectively.

Exaggeration:

An enlarged or reduced description of the image, characteristics, function and degree of things. It has the function of expressing things more prominently and vividly.

"White hair and three thousands of feet, sorrow is as long as long" (Li Bai's Song of Autumn Pu)

Worry gives birth to white hair, and the poet exaggerates to write white hair as long as "three thousands of feet", which shows the depth of worry.

Duality:

Use a pair of sentences or phrases with the same structure and the same number of words to express two relative or similar meanings. Formally, the language is concise, neat and symmetrical; From the content point of view, the meaning is more concentrated and implicit.

"Leaves fall like the waves of a waterfall, and I watch the long river always roll forward" (Du Fu's Ascending the Mountain)

From the structure of the article, this poem consists of four sections and eight sentences, each sentence is a antithesis, round and natural, without the trace of an axe. "Boundless falling trees" and "endless Yangtze River" make the artistic conception of the poem appear broad and far-reaching, and the rustling leaves make people feel more colorful about the rolling water. More importantly, from here, I feel the pain that the poet's youth is fleeting and his ambition is hard to pay.

Exaggeration: reveal the essence and inspire people; Set off the atmosphere and enhance the appeal; Enhance association and create an atmosphere.

"White hair and three thousands of feet, sorrow is as long as long" (Li Bai's Song of Autumn Pu)

Worry gives birth to white hair, and the poet exaggerates to write white hair as long as "three thousands of feet", which shows the depth of worry.

Duality: easy to memorize; Used in poetry, with musical beauty; Concise ideographic and lyrical. It is straightforward, with equal words, relative parts of speech, the same structure, non-repeated use of words, and relative or similar contents.

"Leaves fall like the waves of a waterfall, and I watch the long river always roll forward" (Du Fu's Ascending the Mountain)

From the structure of the article, this poem consists of four sections and eight sentences, each sentence is a antithesis, round and natural, without the trace of an axe. "Boundless falling trees" and "endless Yangtze River" make the artistic conception of the poem appear broad and far-reaching, and the rustling leaves make people feel more colorful about the rolling water. More importantly, from here, I feel the pain that the poet's youth is fleeting and his ambition is hard to pay.

Analogy: people are called anthropomorphic, or crops are called simulacra. Contrast has the function of prompting readers to associate and making the people, things and things described more vivid and vivid.

"The frost bird wants to see first, and the pink butterfly seems to know each other." (Lin Bu's Xiaomei in the Mountain Garden)

This couplet uses personification. "Steal a glimpse first" writes that the white crane loves plum blossoms very much. Before it could fly down, it couldn't wait to peek at the plum blossom first. The word "broken soul" describes the butterfly's love for Mei, exaggerating her love for Mei to the extreme.

Parallelism: Say sentences or phrases with closely related contents, the same or similar structure and the same tone one by one.

"Dead vines and old trees faint crows, small bridges and flowing water, old roads and thin horses" (Ma Zhiyuan's "Tianjingsha? Qiu Si ")

The combination of pure nouns constitutes a typical environment.

Personification: bright colors; Depicting the image; Rich in meaning. It is anthropomorphic to say that people are human beings, or simulacra to say that people are crops. Contrast has the function of prompting readers to associate and making the people, things and things described more vivid and vivid.

"The frost bird wants to see first, and the pink butterfly seems to know each other." (Lin Bu's Xiaomei in the Mountain Garden)

This couplet is personified. "Steal a glimpse first" wrote that the white crane loves plum blossoms very much. Before it could fly down, it couldn't wait to peek at the plum blossom first. The word "broken soul" describes the butterfly's love for Mei, exaggerating her love for Mei to the extreme.

Parallelism: the content is concentrated and the momentum is enhanced; The narrative is thorough and detailed; The rhythm is distinct and longer than lyricism.

Say several sentences or phrases with closely related contents, the same or similar structure and the same tone in succession.

"Dead vines and old trees faint crows, small bridges and flowing water, old roads and thin horses" (Ma Zhiyuan's "Tianjingsha? Qiu Si ")

The combination of pure nouns constitutes a typical environment.

Image artistic conception course

Examination direction: 1. Cognitive understanding of lyric subject image.

2. Recognition and understanding of poetic images

3. Appreciation of poetic artistic conception (color, composition, mood, etc. )

Problem solving format:

1. Character image: identity+personality

2. The image and meaning of poetry: surface meaning+deep meaning (that is, explaining poetry)

3. Experiencing artistic conception: objective image+subjective feeling+what artistic conception is integrated.

Answer points: It can be divided into three parts:

(1) Analyze the image meaning and paint a poetic picture; (2) Summarize the characteristics of imagery artistic conception; (3) Analyze the author's thoughts.

In the first part, I described the images written in the poem and the artistic conception created in my own language, and described the pictures displayed in the poem. There are two main points here. First, use your own language and avoid direct quotation. The second is to describe the main scenery. You don't have to write every sentence and every scenery, but you can write most of the main scenery. You can use your own association and imagination to create appropriately, and the language is beautiful.

The second part, after describing the picture, combined with the theme, analyzes why to write this image. Generally, two disyllabic words or a concise sentence are used to summarize the characteristics of the atmosphere created by these scenes, either majestic, broad and far-reaching, quiet and beautiful, bleak and desolate, vibrant, lonely and desolate ... and accurately reflect their characteristics and emotional appeal.

The third part, according to the characteristics of the scene atmosphere of this poem, talk about the poet's thoughts and feelings again. Generally, it can be expressed as: joy, cheerfulness, excitement, sadness, indignation, sadness, admiration, farewell, attachment, heroism, leisure and tranquility, etc.