Five nights before bed, one year after looking in the mirror.
Ma Si changed his grass and fists, and he looked forward to sleeping in the clouds.
Gao Qiu Shuangqi is just right. I hold a high platform for you.
Background:
As a member of the political reformists in the middle Tang Dynasty and a simple materialist thinker, Liu Yuxi was clever and stubborn. He is not discouraged by failure and misfortune. On the contrary, he thinks it can help him to know his own shortcomings more clearly and learn from them. This is what he said: "Yum is difficult to worry about the enemy, and 30% off is a good doctor. Life is not frustrated, how to know yourself? " ("Learning Three Poems from Ruan Gong"). Therefore, after being demoted, he can still maintain his desire for the world and his persistence in his ideals. The ups and downs, vigorous and powerful style and positive and healthy aesthetic taste shown in the first smell of autumn wind written in his later years are the artistic portrayal of the poet's tenacious enterprising spirit and character.
Appreciate:
This song "The First Smell of Autumn Wind" is different from the works of ordinary feudal literati. It is a sonorous Qiu Ge, showing a unique aesthetic point of view and artistic innovation spirit.
The first two sentences, "I used to see you off, but now I listen to Xuanchan, but I come back", have created a knowledgeable and affectionate image-"I", which is the symbol of autumn in the poem title. When she returned to earth, she went to look for her long-lost "sir"-that is, the poet. She fondly recalled the moment when she watched Huang Ju break up with the poet last year. Now, when she heard Qiu Chan's singing, she went back to the poet to say goodbye. Here, the poet uses anthropomorphic techniques to draw ink from the other side, vividly creating a wonderful and emotional artistic conception. According to the Book of Rites and the Moon Order, chrysanthemums should be in the autumn, that is, when Qiu Lai comes in winter; Cicada sang in Qiu Meng, which was in late summer in Qiu Lai. "Looking at Huang Ju" and "Listening to Xuanchan" vividly and accurately understand the season when the autumn wind goes away and returns.
Zhuan Xu's Five Nights Before Sleeping, A Year in the Mirror was written by the poet from his own perspective. The poet said: At five o'clock, a cool breeze blows gently. As soon as I heard this familiar voice, I knew it was "you" who came back. I haven't seen you for a year, but you are still so energetic and refreshed, but my aging face appears in the mirror. The first sentence is to point out "the first smell of autumn wind", and the second sentence is to write out the feelings arising from it; Reading the above two sentences together seems to be a farewell dialogue.
After reading this, it is quite a bit like the autumn wind is not old. However, the neckline "Ma Sibian grass fists move, carving Qingyun sleep", a hard turn, the spirit is greatly boosted. Because there are "grass beside the horse" and "carving clear clouds" on the upper part of the couplet, the image of welcoming the autumn wind to the high platform and looking around is self-evident. The word "Wei Jun" takes care of the beginning, with clear context and complete structure. The fourth sentence hides the word "helping the sick" and writes the reason for the annual decline. However, despite this, his lofty sentiments remain unchanged, and he is still on the high platform, which shows his love for Qiu and reflects the poet's will to strive for self-improvement. It can be seen that the preface of "Come to the Mirror every year" is to promote first and then suppress, which sets off the spirit of face decline. Therefore, Shen Deqian said: "In the second half of the Song Dynasty, there was a lot of heroism, but Shaoling Cao Guan was just like that." .