The pavilion on the pavilion is another floor. I have asked the children to clean it several times, but how can the flower shadow be swept away? In the evening when the sun went down, Hua Ying just retired, but the moon rose again and Hua Ying appeared again.
The flower shadows on the pavilion are layer after layer, and the children can't sweep them away after cleaning them several times. In the evening, the sun went down, and Huaying just retired, but the moon rose again and Huaying appeared again.
Appreciation: This is a poem about objects. Poets express their feelings of wanting to do something but being helpless by chanting flowers and shadows.
From beginning to end, this poem pays attention to the change of light in the change of the word "change" and the change of shadow in the change of writing light. The first sentence "Go to Yaotai" means that the movement of writing shadow implies the movement of light. Why use "up" instead of "down", because the red sun is gradually setting in the west. The second sentence "can't be swept away" indirectly illustrates the immobility of light. The light does not move, and the shadow does not move. You can't just "sweep away" by sweeping vertically. Three or four sentences "receiving" and "sending" are the changes of writing light, which leads to the changes of "going" and "coming" shadows. Flower shadow is static. The poet grasps the relationship between light and shadow, and focuses on the change of flower shadow, which makes his poems have the dynamic beauty of ups and downs.
In the final analysis, writing about the change of light and the change of flower shadow is to convey the poet's inner feelings. The action of writing Huaying in Go to Yaotai means to despise Huaying. "I can't sweep away" is more obvious. It's lucky that the flower shadow disappeared in "Clean Up". "Send to the future" writes that the flower shadow reappears and sighs helplessly. The poet skillfully puts his inner emotional changes in the sudden change of flowers and shadows, which makes his poems have meaningful and far-reaching implicit beauty.
Some people commented that "going to Yaotai" means that the villain is in power and has a high position and cannot be swept away. It means that the minister of clean government has written many times to expose it, to no avail. From the rough political career of the poet's life, it may be possible to analyze the poet's feelings of despising small groups and hating official corruption. However, poetry, as a literary work, obviously cannot be a record of life. It should be more general, more concentrated and more typical than life itself. Therefore, it is inevitable that it is far-fetched to say who and what a sentence refers to.
Huaying is very beautiful. Why do poets hate it so much? It turns out that the poet used fables to compare the overlapping flower shadows to the villains in high positions in the imperial court. No matter how hard honest courtiers try, they can't get rid of it. They have gone to a batch and come back. This poem reflects the poet's hatred of evil and reveals a feeling of helplessness. The whole poem is ingenious and subtle, with novel and appropriate metaphors and easy-to-understand language.