(2) Meaning: The meaning of the work is relatively limited, which is of little help to readers. However, the rich content of the text broadens the reader's thinking angle, which is conducive to the deep pursuit of the meaning of the text and improves the reader's status.
2. Main viewpoints: text ontology viewpoint; Intentional fallacy; Sensory fallacy; Eliot's impersonal view of poetry: the formation of poetry is a process beyond the poet's individual life, which has universal and complicated significance;
Intention fallacy: Oppose taking the author's intention and life experience as the basis of criticism;
Perceptual fallacy: Oppose to focus criticism on readers' subjective feelings;
3. The narrator's point of view
Omniscient perspective: Narrating from the perspective of omniscient narrator, who knows everything;
Objective point of view: from the point of view of an external observer, the narrator only shows the story itself, not deliberately narrates it;
Limited perspective: from the perspective of one or several characters in the story, the narrator can only tell what a certain character knows;
4. Distance: refers to the distance between narrative and story;
First person: the narrator and the narrated person overlap. Narration directly enters the hero's consciousness and is closest to the story;
The third person: telling other people's stories, the narrator and the narrated are invisible, both outsiders, and the distance from the story is the farthest;
The first person has the self-restraint of the narrator's thinking and the strict control of limited views. The third person is a long-distance conversation, without the pressure brought by the first person, giving the narrator the right to adjust the perspective at will.
The meaning of this sentence is that a person's writing and behavior are consistent, and the thoughts and feelings in the article are the display of his own sentiment and character. This is actually an idealized imagination of literary creation. Since ancient times, there have been many literary works that do not conform to personal character, and modern literary theory points out that "implied author's voice", "author's voice" and "author's words and deeds as an individual" are unequal, so it is meaningless to confuse them for criticism.