Wen Tingyun in Bodhisattva Man
The hills overlap and the golden light disappears, and the clouds on the temples want to spend the fragrant cheeks and snow. Too lazy to paint a moth eyebrow, too late to make up and wash.
look at the front and back mirrors of the flowers, and the flowers face each other. The new post is embroidered with Luo Luo, and both are golden partridges.
Wen Tingyun in Bodhisattva Man
There are many pillows in the water curtain, and the warm fragrance arouses dreams. Miss acacia, the room is not cold, warm, incense burner incense, even the embroidered mandarin duck is fragrant, such an environment is less than the dream.
lotus root silk is light in autumn, and its temples are separated by fragrant red, so jade hairpin has the upper hand.
Wen Tingyun, whose wicker is long and peach leaves are small, has no one in the deep courtyard. The red sun is pale, the green smoke is light, and there are three or two warblers.
the snow is fragrant, the sandalwood is faint, and the flowers lying on the pillow are good. Spring is heavy, makeup is late, and when thinking about dreams.
"More Leaky" Wen Tingyun
Jade incense, red wax tears, partial to the painting hall Qiu Si. The eyebrows are thin and thin, the clouds are residual, and the night is long and the pillow is cold.
buttonwood, it's raining in the middle of the night, and it's bitter to leave your feelings. A leaf, a sound, empty steps drop to the light.
Bodhisattva Man
In Wei Zhuang, everyone says that Jiangnan is good, and tourists only join the river and grow old in the south. Spring water is clear green than the sky is green, visitors can listen to the rain on the boat on the boat to sleep.
people on the edge are like the moon, and the wrist is frozen with frost and snow. When the time is not declining, do not return home, back home must be sad to the pole.
The formation of Huajian Ci School:
Wen Tingyun had its own pioneering function, but its popularity as a school had deeper social, political and literary reasons. In the late Tang Dynasty, the situation was turbulent. In the Five Dynasties, the West Shu lived in peace, the monarch and the minister were drunk and dreamed of death, and they feasted and indulged in debauchery. Huajian Ci is the product of this decadent world style. The mentality of poets in the late Tang Dynasty and the Five Dynasties has changed from saving the world and saving the time to thinking about eroticism, and their talents are not innovative after the prosperity and development of poetry in the middle Tang Dynasty, so they changed their aesthetic taste from social life to singing, dancing and feasting, and wrote their feelings and inner experiences in a deep and graceful style with thick and colorful colors. Some poems by Li He, Li Shangyin, Wen Tingyun and others provide reference for the creation of Huajian Ci in terms of theme and expression. In the late Tang Dynasty and the Five Dynasties, Ci became a song filled in by literati and sung by geisha musicians between monarch and ministers' banquets: "Celebrate a feast, embroider beautiful women, hand over flowers of leaves, and draw beautiful flowers;" Hold the finger of slender jade and pat the sandalwood. "There's no lack of words, and it's a gesture of helping Jiao and Rao." This determines the theme and style of Huajian Ci, with "Qiluo Xiangze" as the main theme.