How to express emotions using allusions
Use allusions in chin couplets. Zhang Jian was forced to flee and stayed at his house along the way; Kong Rong was talented and learned, and he was crowded with guests every day. The poet imagined that Zhou Qifeng would be rescued and aided by people on his lonely journey to the end of the world, just like the sages. The poem expresses comfort and support for friends and expresses concern for the unfair world. The first couplet "The mind is gone and the sand oujing is quiet" borrows the story from "Liezi" to persuade Zhou Qifeng to live in seclusion and escape from the world, seeking an indifferent and peaceful state of mind.
2. What kind of artistic conception and thoughts and feelings are expressed in the last two couplets
The neck couplet is an affectionate reflection on friends scattered all over the world. Sitting alone in a deserted village and temple with a bottle of wine can only make you feel sad; sailing on a boat in the dark night, shaken by wind and rain, is a true portrayal of the life of an exile. The desolate scene effectively highlights the poet's deep concern for his friends and his feeling of parting.
In the last couplet, the poet uses his pen in vain to describe a broad-minded and clear realm. "The mind has been given to the sand and the gulls are still" borrowing the story from "Liezi" to persuade Zhou Qifeng to live in seclusion and seek a peaceful and indifferent state of mind. And "Only Home and Mountain are in Dreams" warned Zhou Qifeng: You can only stay away from your loved ones, and you can only return to your hometown in dreams! The book and sword are floating around, running around here and there, this is your inevitable destination as a fugitive!
Attached is an appreciation of the full poem:
Qilu "Gift to Zhou Qifeng" by Qian Ye, a poet of the Ming Dynasty:
The piano and sword drifted west and returned to the east, when did the old travel to Qingxing happen again?
If you are a guest like Zhang Jian, who in the world is like Kong Rong?
The orioles and flowers in the wild temple drink wine in spring, and the awnings of river bridges are pushed up on stormy nights.
The mind has given way to the sand and the gulls are still, but only the home and the mountain are in the dream.
The poetic eye of this deeply emotional gift is the first line, "The harp and sword drift to the west and return to the east."
The poet wrote from the suspense of his friends' living in the open air and the uncertain life situation, and vividly described the image of a scribe who had no talent, was in a state of poverty, and was lonely and miserable. The next question was actually a helpless and low sigh.
Allusions for chin couplet. Zhang Jian was forced to flee and stayed at his house along the way; Kong Rong was talented and learned, and he was crowded with guests every day. The poet imagined that Zhou Qifeng would be rescued and aided by people on his lonely journey to the end of the world, just like the sages. The poem expresses comfort and support for friends and expresses concern for the unfair world.
Neck couplets are affectionate reflections on friends scattered all over the world. Sitting alone in a deserted village and temple with a bottle of wine can only make you feel sad; sailing on a boat in the dark night, shaken by wind and rain, is a true portrayal of the life of an exile. The desolate scene effectively highlights the poet's deep concern for his friends and his feeling of parting.
In the last couplet, the poet uses his pen in vain to describe a broad-minded and clear realm. "The mind has given way to the tranquility of the sand and the owl" borrows the story from "Liezi" to persuade Zhou Qifeng to live in seclusion and seek a peaceful and indifferent state of mind. "Only home and mountain are in dreams" warned Zhou Qifeng: You can only stay away from your loved ones, and you can only return to your hometown in dreams! The book and sword are floating around, running around here and there, this is your inevitable destination as a fugitive!
"The harp and the sword drifted to the west and returned to the east" is the most critical sentence in the whole poem. The poem's suspense, assumptions, conjectures and advice about the friend's exile are all concentrated in this sentence. It governs the content and emotion of the whole poem and becomes the image of the reader after reading this poem.