Aluminum foil can be divided into three categories:
First, according to the nature of things, it can be divided into positive contrast and negative contrast;
Second, according to the types of things, they are divided into people lining people, things lining people, things lining things, etc.
Third, according to the types of things, it can be divided into scenery contrast, emotional contrast, dynamic contrast, light contrast and so on.
Take the third one as an example:
First, landscape contrast. Refers to the mutual contrast between a scene and a feeling, which can be divided into:
1. Put aside the sadness of the music scene, 2. Put aside the sadness of the music scene, 3. Put aside sadness with sad scenes, 4. Put aside sadness with sad scenes.
In Du Fu's Book of Letters, "the grass is green, the birds are singing and the flowers are fragrant", and in Li Hua's Spring Walk, "there are no flowers on the spring mountain, and the birds are singing all the way", so the beautiful scenery is not set off, leaving only the desolation and sadness of the fallen flowers and birds. Wang Changling's Forever in My Heart: "Young women in boudoir don't know how to worry. They put on makeup in spring and go to Cuilou. Suddenly I saw the willow color on the stranger's head and regretted teaching my husband to find the marquis. " Willow is green, and the beauty of spring is a foil to loneliness.
Yuan Zhen's quatrain of returning to the west: "Five years ago, the riverbank was damaged, and today the spring breeze has reached Wuguan." Two pieces of Beijing books are read by water, and Mo Mo is full of goodness. In the poem, "Peach blossoms are in full bloom and spring is full" set off the excitement and joy of the poet when he was recalled to Beijing to read a letter from a friend. Here, the technique of "setting music scenes with music as the background" is used.
Second, feelings match each other. Refers to the contrast between two emotions (joy and sadness), which is mainly manifested as "joy versus sadness".
Su Shi's "Butterfly Loves Flowers": "Flowers are small, swallows fly, and green water people are around. There are few willows blowing on the branches, but there are many herbs in the sea. Swing in the outer wall of the road, laity in the wall, beautiful woman laughing in the wall. The laughter gradually disappeared, but the passion was ruthlessly annoyed. " The beauty's "smile" in the poem reflects the poet's "worry", and the technique of "happiness against sadness" is used here.
Third, dynamic and static contrast. It means that two "dynamic" scenes or situations and "static" scenes or situations are set against each other in order to highlight and emphasize one of them. Its forms can be divided into dynamic contrast and static contrast, among which dynamic contrast is a common technique used by poets.
Liu Zongyuan's "Looking at the West Garden from Midnight and Worthing the Moon": "I feel that I am falling. I open an account in the West Garden. A Leng Yue is rising in Dongling, and the crystal sound of the air is that the water is flowing against the sparse roots. The sound of stone springs is getting louder and louder, and the sound of birds is noisy. What will you say when you are alone? " From the perspective of the whole poem, the author uses the method of static contrast (contrast) to write the sound of springs and birds.
Fourth, contrast between light and shade. It refers to the contrast between two colors with light and shade, with the purpose of highlighting and emphasizing one of them.
Chai Lu by Wang Wei: "There seems to be no one on the empty mountain, but I think I heard a voice. Sunlight, entering a small forest, reflected from the green moss to me. " The first two sentences in the poem are filled with sound, and the third and fourth sentences turn color, and the faint afterglow shines into the dark forest, bringing a ray of light. When the light shines on the moss, that small piece of light and shadow forms a strong contrast with the vast darkness. Here, darkness contrasts with light, highlighting the darkness of the forest, which is the contrast of light and shade in color. Li Bai's "Qingxi Journey": "Qingxi clears my heart, and the water color is different from water. Excuse me, Xin 'anjiang, what is it? People in the mirror, birds in the screen. Crying to the dead orangutan, wandering sadly far away. "In the poem, the clear water color of Xin 'anjiang is used as a foil (positive contrast), and the water flowing out of Qingxi is clearer, which is also a contrast between light and dark in color. Du Fu's Two Poems (Part Two): "The birds in the river are too white, and the blue flowers in the mountains are burning. See you again this spring, when is the year of returning home? " The first two sentences in the poem contrast the blue of different rivers with the white of birds, which is also the contrast of light and shade in color.
Appreciation of ancient poetry is a compulsory part of the Chinese language in the college entrance examination, and foil is a common means of expression in classical poetry, which must be understood and mastered.
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