I'm not talking about fighting for spring. With a poster of Kirin Drama Club, Mr. Guo's favorite thing to do is to post these short sentences with unknown directions on Weibo, and then let fans interpret them to mourn. After all, there is a person who is admired and persecuted by the whole world, so as his fans, he must always be ready to fight and fight to the last drop of blood to protect Mr. Guo.
What's the news about Kirin Drama Club? That is of course Wang Peiyu, the mainstream of Beijing Opera. In an interview with Yang Lan, he mentioned the contribution of Degang Guo and Deyun Society to Peking Opera.
Yang Lan's original words in the interview were that some people were interested in Peking Opera because they heard the interpretation of Peking Opera in cross talk jokes, so some people said that "cross talk saved Peking Opera".
Wang Peiyu's response is that cross talk to save Peking Opera is an extreme and one-sided statement. At that time, in the era of Hou and Ma, the vines of Peking Opera performers were much larger than those of crosstalk performers, and many crosstalk performers were smashed by Peking Opera masters. The art of Peking Opera gave a lot of material to the art of crosstalk. At that time, Peking Opera actors were so popular that they could borrow vines.
Before Degang Guo performed with a dozen famous Peking Opera artists in the North Exhibition, it was hard to get a ticket. This is a good cooperation. If Degang Guo and the famous Peking Opera performers perform separately, then only the crosstalk audience can see Degang Guo, and only the Peking Opera audience can see the famous Peking Opera performers. However, the cooperation between the two groups will increase the number of people in the two groups.
Finally, Wang Peiyu also thanked actors such as Deyun Society and Degang Guo for their support of Peking Opera.
In this conversation with Wang Peiyu, I didn't make any comments on the level of Peking Opera in Degang Guo, and I didn't belittle the fact that Kirin Drama Club is an amateur. She just said tactfully that Degang Guo always attracts cross talk audiences, because he is a cross talk actor, not famous for Beijing opera, so he is different from Beijing opera audiences in audience.
Such a simple and neutral evaluation, with the help of Deyun's media processing and rendering, turned into Wang Peiyu's shelling of Degang Guo and touting a concept that Degang Guo must bring out, "mainstream and non-mainstream", so Wang Peiyu also became a mainstream Peking Opera actor and Degang Guo became a non-mainstream Peking Opera actor.
Brainless fans naturally burst into tears, cursing Wang Peiyu for kicking down the ladder and waving flags and shouting for Guo Shengren who saved Peking Opera. Just like after smashing Zhang Lishiqi last year, some fans went to lambaste the Chengpai Peking Opera Association, saying that they had failed their painstaking efforts.
However, unlike Zhang Yunlei who finally bowed his head and apologized, what Degang Guo is best at is to conform to the fans' psychology and make things more hyped. After all, after several rounds of elimination mechanism over the years, these fans basically have little IQ left, and their worship for him has reached the extreme. Mr. Guo still has a plaque of contemporary saints hanging on his forehead, which fans worship every day.
At this time, he said "no intention to fight for spring", and fans will naturally think of the next sentence "all people are jealous." In other words, Mr. Guo was forced to suffer again. He sings Beijing Opera much better than Wang Peiyu, and it is hard to get a ticket to Kirin Theatre. As a result, it attracted the envy of mainstream Wang Peiyu, and Wang Peiyu became the Jiang Kun in Peking Opera and became Guo Fen's new goal.
This practice is called "strike up a conversation" in crosstalk terminology. Wang Peiyu was bound by Deyun Society from the media, and Degang Guo attacked by innuendo. Now Deyun religion is high again ~