Shou shòu Yangqu qū Jiang jiāng Tian tiān Dusk Mi-Ma mù to Zhi Yu m ú n: Tian tiān will dusk jiāng Mi ě, snow xuě disorderly luàn dance, half a bar of beautiful Mi Hua huā half a bar of floating piāo Liu night Jiang jiāng went to Lai Kan.
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It was getting late and suddenly it began to snow heavily. Flying snowflakes are like plum blossoms and catkins. The night view on the river is picturesque. On the river, a fisherman in hemp fiber is rowing home.
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Kan: It's worth it. Fishermen will go home in one breath. Liu Zongyuan's Jiang Xue: "Lonely boat Weng, fishing for the old man in the cold river-snow." Zhang Fisherman: "Green bamboo hat, green clothes, oblique wind and drizzle don't have to be returned." This sentence is a poetic combination of the above two sentences. A funeral, a burial suit, that is, a person.
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This poem is one of the "Eight Scenes of Xiaoxiang" suites created by Ma Zhiyuan in Yuan Dynasty. Eight Scenes of Xiaoxiang, named after Song Di, a painter of the Song Dynasty, wrote Eight Scenes of the Plain with the scenery of Xiaoxiang. These eight scenic spots are: Sunshine Mountain City, Fan Guiyuan Pufan, Pingsha Wild Goose, Xiaoxiang Night Rain, Night Bell in Rock Temple, Sunset in Fishing Village, Twilight in the River and Autumn Moon in Dongting.
Later, many painters and poets used this theme to create, and Ma Zhiyuan's Shouyang song "Eight Scenes of Xiaoxiang" was a suite created with this theme. This poem begins with "It will be dusk", points out the time, paves the way for the whole picture and lays the tone of the whole song. The second sentence "Snow is dancing wildly", follow the previous sentence with a pen, and the word "dance" implies that there is wind.
The word "chaos" highlights the strength of the wind and has the sound of whistling. The author uses the "high wind" of snow to convey the beautiful weather and create a white landscape, which can be described as "a word is not harmonious, it is romantic." Snow is blown by the wind, which makes it more snowy and fierce.
If it is said that "the snow dances wildly, depicting the dynamics of the snow", then "Ban Mei Semi-floating Catkin" further creates two virtual images of "plum blossom" and "catkin" through a series of "floating", expanding the aesthetic space of imagination and expanding the artistic capacity from the visual image. The author vividly depicts the sound, tomb shape and charm with the brushwork of virtual and real.