An analysis of Bian Yujing's piano poems.

In March of the seventeenth year of Chongzhen (1644), the peasant uprising army led by Li Zicheng invaded Beijing, and Emperor Chongzhen hanged himself in Jingshan Park. When Wu was at home, he cried after hearing the news and wanted to hang himself. Fortunately, he was felt by his family. Wu was seriously ill. His good friend Wang Hanguo asked him to become a monk together, but Wu refused because he couldn't bear to be separated from his family. Wang Hanguo burned books and became a monk alone. In fact, becoming a monk at that time was a good opportunity for the whole festival. Wu's failure to become a monk is mainly determined by his weak Confucian personality, which is exactly the same as his admiration for Bian Yujing, but he is worried about the consequences of marrying her.

In May of the same year, Wu worshiped Shao Zhan and served as assistant minister in Nanming. Because of disagreement with Ma Shiying and Ruan Dacheng, after only two months in office, he thought that "what's going on in the world is impossible" and resigned. Many years later, Wu lived a semi-secluded life in his hometown of Taicang.

In the second year of Shunzhi in Qing Dynasty (1645), at the turn of spring and summer, Nanjing fell and the small court in Hong Guang fell. The Qing court immediately recruited singers from Jiao Fang in Nanjing, and all women engaged in music were among the latter, while Bian Yujing, whose reputation is far-spread, faced the possibility of being recruited at any time.

"Last night, ChengTou blowing baby, Jiao Fang was paged. I dare not stay in Jasper Class, and Lu Jia is crying outside Leyingmen. " If Bian Yujing, like an ordinary woman, only felt sorry for herself and resigned herself to her fate, there would probably be no Bian Yujing in history. However, it was at this critical moment when the sky was about to fall that Bian Yujing showed extraordinary courage and composure. Although she was in a brothel, she didn't want to be a fun tool to bully and kill her compatriots, so she quietly changed into a costume and brought only a small amount of money and a favorite guqin to avoid the attention of the Qing army and came to the river.

There, Bian Yujing met a civilian ship from Danyang, so he climbed the mountain and went downstream, wisely pulling himself out of the fate of going with the flow. Exactly: "I went out of the river in private makeup and happened to meet a ship in Danyang." After cutting it, Huang Wei greedily entered the Tao and took Qilu to tell Shan Juan. " "Huang Zhe" is a Taoist costume, and "Green Qi" is the name of Qin. From then on, Bian Yujing became accustomed to the Taoist costume and called himself "Taoist Yujing", which is the origin of "Bian Yujing".

It can be seen that Bian Yujing's consciousness was obviously forced out by the Qing army, not that he was trying to escape the legendary love. Bian Yujing's costume was put on for emergency, but he didn't want to take it off for a long time, which contained the determination that the country would be ruined and the country would rather be an outsider than a Qing people. "Peach Blossom Fan" brings history into the play, and writes that Bian Yujing broke away from the secular world because of the pain of national subjugation and became a monk. Although there is artistic fiction, it conforms to her original intention of pretending to be a female Taoist.

Therefore, it is purely for her and Wu Meicun's children's affair to say that Bian Yujing entered the Taoist temple, which really belittles Bian Yujing and obliterates her noble sentiment wrapped in this costume. This gentle and beautiful talented woman, in order to resist the call of the Qing army, resolutely ventured out of chaos with extraordinary courage and expressed her dissatisfaction and resistance to the cruelty of the Qing Dynasty. Her courage and integrity are really incomparable to Wu. He owed a lot to the Ming Dynasty and was called a talented person in the society, but he finally succumbed to the enemy.

It has been five years since Bian Yujing left Qinhuai River, and even Wu hasn't heard from her. In the seventh year of Shunzhi, it was an accidental opportunity to visit Fushui Mountain Villa in Yujing, and the host gave a banquet. Because Qian is a close friend of Wu and knows the complicated relationship between him and Bian Yujing, he intends to fix them up and invite him to dinner. Wu has been homesick since he left Qinhuai, and he is eager to read it. After receiving the invitation of money, I came over soon.

This time, however, Bian Yujing went into the back room to talk to Liu. Qian Qian B sent several people to ask for an extension. First, Bian Yujing changed clothes and put on makeup, which was soon called a sudden attack of an old illness. Later, he visited Wu again, but in the end, he didn't show up.

Wu was disappointed, sorry and helpless, and felt dejected. He only pinned his love for acacia on four poems, in which he wrote all the regrets of "knowing that she should hate her fickle fate, but being deeply affectionate and ashamed". This is the origin of the four famous sentences "Qinhe Love".

A few months later, Bian Yujing took Qin for a spring outing and met Wu in Tiger Hill to express his feelings of parting. At that time, Bian Yujing wore a long yellow dress and made a cassock, which was graceful and graceful. When she talked about the scene of burning, killing and looting after the Qing people entered the customs, she said: "I was demoted and divided. Who can complain?" Then untie the piano and play a song for Wu.

Bian Yujing poured out his personal experience before and after the fall of Nanjing by playing the pipa, and gave a deep sigh-the whole land of China was destroyed, and it is not worth lamenting that he fell alone. "When I was young, I came to the Tao, and I brought Green Qi with me to sue Shan Juan". This song is full of emotion, rhymes with the green, but is not limited to personal grievances and blood and tears. It is saturated with the heartfelt feelings and deep feelings for the rise and fall of the nation, and the thoughts of the motherland and the sadness of parting are all in the five strings, which deeply shocked Wu. "Listening to a female Taoist priest playing the piano in Yujing", a melancholy and profound sad song of the times, came from this.

The poem tells the scene of the Yujing border in ten years, pointing out the bleak situation of the Qing army going to Jiangnan and Yujing. In this poem, Wu also depicts his sentimental love songs with Bian Yujing in a regretful and sad style.