From poetry to the amplification of the whole person, there is no trace of utilitarianism at all. It's purely for the sake of dismissal, lyricism, irregular walking, and words that are spoken and rhymed. You can't find absolute rules and order in his poems, but there is a faint sense of superiority between the lines:
Who speaks elegant and tacky * * * exceptional? The result is vulgar.
I don't make enemies? The enemy in the tree.
Qin and Han dynasties also have my readers.
Endless green spans Qilu and Qilu. ...
Artists are good at cultivating the spirit of integrity. As far as Yu Xiansheng is concerned, who is more lazy and ashamed than you politicians? ..
I'm happy to live here, but I don't care if the land is too clear and I'm tired, and I don't care if the elk rises to the left and Mount Tai collapses in front. My writing, sometimes like the stars shining, the wind blowing on the willow (18 clear nights), sometimes like the muffled thunder and complaints, the ground waves surging (Black Sea). If my husband comes to his "Larks Cry All Day: Series B", it will be thousands of miles away.
Since the Tang Dynasty, the blood of the Tuoba family in Xianbei has given the poetry world a new look. Famous mountains and rivers are bold and unconstrained, beyond the reach of the whip. Until the Song Dynasty, the country enjoyed the old days, with gentle songs and soft words. In this new era, with the May 4th Movement and the prosperity of vernacular Chinese, the overall temperament of poetry circles has joined the influence of the West.
Under this circumstance, Mr. Wang introduced the old sonnets and haiku from the beginning, created a new style of The Book of Songs (the only isolated example of China's modern poetry returning to China tradition, The Book of Songs Performance p308), and put forward a brand-new meter, which has its own strengths in the two major schools of ancient vernacular (Huanhuaxigui, Sijue and Quren), and the poetic style is slack and decadent.
Romantic poems such as "I once lusted after each other", "Once Slow", "Love is a Tree", "Golden Divorce" and "How could you do this" are meaningful and well described, which is exactly what young people want. Of course, they can be praised by the general public, but when it comes to Zhou Nianji, a tree is in the wilderness, David, as before,
It's not that I don't like allusions (for example, I was in Denmark yesterday, is it worth a mass) or literary and vernacular (for example, On Things and Architecture by the River). It's just that, in contrast, I prefer my husband's witticism to his bosom friend, stripping away the dazzling music structure, just like a family gathering to make a joke, holding it well and being very happy. Send it back to Copenhagen, Gowasu. We were young once, Baron.
As one of the thieves, I shamelessly imitated the title, words, sentence patterns, rules, etc. of the plagiarist's teacher more than once, euphemistically called variations and idioms. Therefore, while I admire him, I really feel that when reading poetry, there is a tendency to collect all the strange peaks and draw them up. Just like Mr. Shi's works of art rarely have meticulous brushwork, long ink-splashing scrolls and beautiful landscapes, his poems are always moving in the details and seeing the big ones in the small ones.
Mr Mu Xin's capricious and peculiar use of allusions can be called a phenomenon. Throughout the ages, all hints are eulogies, quotations, expressions, feelings, hints, inferences, usages and so on. And the word "Mu Xin" is used in the Book of Changes, which has the function of expressing records. In addition to the above, according to my personal statistics, Mr. Mu Xin has three unique ways to use allusions (personal judgment refers to the situation of the article and whether the allusions handed down from generation to generation are reasonable):
1, purify (from the extreme literal sense, produce a brand-new dictionary)
2. Waist chop (using out-of-code codes, expressions can exist in allusion topics, first half sentences, second half sentences, etc. As the case may be)
3, dialogue (dialogue and even debate with the canon in order to achieve the purpose of lyricism or ideographic, approximate use, but the degree of freedom changes, this method has been used in small paragraphs such as Li Ao, Lu Xun, Guo Moruo, etc.)
2
An analysis of the fallacy of "four musts"
Trapped in a hut, tottering like a boat and as thin as sand, Ganoderma lucidum and Xiancao are traditionally compared with each other, but they can't be robbed. Pillow reed flowers also pillow autumn frost, white and dew, sad and confused. Where did Du Yu's voice go? Cuckoo wept blood, grief to the extreme. "Zi Guizi returns!" The voice of sadness reached the residence of the Queen Mother of the West, and the first family heard my sadness. Did the Queen Mother, who sheltered all sentient beings, ever know the disaster in this world? The key word "return" seems to be focused again in the code of Yushantou, but it is for the theme of meeting at the top of the mountain and returning to the moon.
Thinking is the starting point of the proposed topic, which is bound to remind people of "thinking for a long time, hating for a long time, hating endlessly, and waiting for no one." Adding the word "Jue" is a word used with caution by literati (except for the genre name "Jue"), and the profound "Jue" involved is actually collected with five words and two crosses, ranging from few words in Chinese news to major events to the analysis of Wu Zetian's wordless tablet.
Judging from the thinking of traditional people in China, what this poem says is by no means ordinary, while judging from the traditional aesthetics in China, the bird's goodness is heard at its end, the ape will touch the petticoat when crying, and the bird will feel hate when crying. The young one was taken when it was hungry, empty and chaotic. Before and after the hunger strike, Zhong You, Wen, Qu Yuan and many others were desperate, but in the end.
Let's just say that the poet's attraction to people who think about things often dies with the dust, or he may be dormant waiting for a magnificent return, or he will only give up his life to remember after returning home.
three
postscript
There are hundreds of poems written by Mr. Wang, and this one can't win. The composition director is too embarrassed, please criticize and correct me. (End)
Xuziqun island
note:
Before his death, Mr. Wang sincerely imagined that his readers would cross the times, regardless of occupation. Today, a young reader born after 1999, Xu Ziwei (nickname: a quiet and handsome boy), read Teacher Wang's works at the age of 13, and wrote How to Evaluate Mu Xin at the age of 17. ",look at these vigorous and insightful words, really awesome. Liang Qichao wrote young chinese, not just China, but the hope of the whole world lies in these young generations.
Crane has no food.