Kang Youwei and Tan Sitong are pioneers of new style. Kang Youwei's literary creation, poetry and part-time job were famous in his time. Apart from academic monographs, his prose can be roughly divided into three categories: political essays and travel notes, among which political essays have the greatest influence. Kang Youwei consciously got rid of the shackles of traditional ancient prose, especially Tongcheng ancient prose. His thoughts are bold and unrestrained, his words are sharp, his enthusiasm is full, his views are straightforward and lively, and he has a distinct flavor of the times and a tendency to break through the shackles and strive for liberation. His prose, whether prose or parallel prose, is more unique, simple and natural, which makes his prose have a unique style of opening freely, Wang Yang wanton, hearty and magnificent, and is the forerunner of Liang Qichao's "new style". Tan Sitong's main energy is engaged in the theoretical writing and practice of the Reform Movement, and his literary creation is only a "residual matter". However, he still works as a poet and writes many excellent poems. In the aspect of prose creation, Tan Sitong tried to break the absolute boundary between parallel prose and prose, and tried to create a new style prose with his own distinctive characteristics. Tan's political essays are Wang Yang's wanton, clear-cut, concise and fluent, with strong appeal, paving the way for the formal formation of Liang Qichao's new style. Qiu Jin, Chen Tianhua, Zou Rong and Huang Xiaopei are the representative writers of early vernacular Chinese. Qiu Jin has written many essays with rich contents and simple words, such as Introduction to China Women's Daily, Dear Sisters, Dear My Compatriots and Dear 200 Million Women Compatriots in China. Chen Tianhua wrote many political papers criticizing feudal monarchy, propagating anti-imperialist patriotism and advocating bourgeois democratic revolution. He also created works such as "Looking Back" and "Jing Shizhong" in the form of rap that the general public loved, which had a great influence at that time. Zou Rong wrote revolutionary army with strong bourgeois democratic revolutionary thought. His articles are free and unrestrained, and his language is more simple and popular than the new style. Huang Xiaopei wrote a long reportage "Five Days Wind", which marked the birth of China reportage.