Jin Xuqu? What emotion did Shouli Gong Jin express with Tongzhi?

I left it in the office by mistake. Looking around the world, it is still Chongyang, and the city is full of wind and rain. Tang Yin, an old man carrying his son, remembers singing and dancing during the Lantern Festival. Wu kotow, wu speechless. I have a thousand-year-old hatred for Huan Zheng to thank the public and show my respect. If you are unhappy, why bother?

Who can complain about my worries? Who knows, I am worried when I close the door, and I want to go from here. I heard that there was a god in the Ming Dynasty, so I had a glass of Luopu. I know where to recover and where to go next year. If the Xijiang River is sentient, the monarch and Ma Qi will lead the way. Fragrant petals are better than golden plumes.

The thoughts and feelings expressed in Guisishou are consistent with those expressed in Looking at the Sea. But Looking at the Sea is a poem about scenery, which expresses feelings with scenery. This article is a work full of life philosophy. This poem was written on the way home from the Northern Expedition in Wuhuan. At this time, Cao Cao was 53 years old, nearly in his twilight years in ancient times. Although he has just won the Northern Expedition in Wuhuan and embarked on the road of triumphant return, the poet's ambition of reunifying China has not yet been realized, and he thinks that he is old and his life is short. How can he not feel sorry for his limited life! However, the poet is not pessimistic. He still inspired himself with the spirit of continuous progress and made great achievements. This is a very positive theme, which is reflected in Ghost Nianshou.

The poem says: "Although the tortoise has a long life, there is still a time. The snake rides the fog and ends up in dust. " At the beginning, the author used the metaphor of these two images to explain that everything in the world does not exist forever, and metabolism is the fundamental law of nature. This is equivalent to telling people that although life and death are different, they are all dead in the end, which embodies the author's simple materialistic dialectical thought and atheistic concept, which was valuable at that time. Since people are always going to die, can we take a negative and pessimistic attitude towards life? The poet thinks this is impossible. To admit that life is limited is to make full use of this limited life, build a successful career and make a difference.

Then the poet, the poet, wrote along the meaning, "An old horse crouches in a tiger, aiming at a thousand miles, and a martyr is full of courage in his later years." The brushwork is vigorous and vigorous, with a heavy rhythm, which contains a heroic spirit of self-improvement and profoundly expresses Cao Cao's strong and enterprising spirit. "Strong Heart" expresses the never-ending pursuit of ideals and the spirit of positive progress, always optimistic about efforts, constantly striving for self-improvement, and maintaining ideological youth. Cao Cao revealed the significance of human spiritual factors to health through personal experience.

"The surplus and contraction period is not only in the sky; The blessing that nourishes grace can last forever. " It shows a deep and euphemistic amorous feelings, giving people a kind and warm feeling. Surplus is full, which can be extended to longevity; Shrinking is full-time and can be extended to death. In other words, whether a person's life span is long or short is not entirely determined by nature. As long as you take good care of yourself, you can maintain your physical and mental health and prolong your life.

The length of a person's life is not entirely determined by the sky. As long as he keeps his body and mind healthy, he can prolong his life. As Cao Cao said, "the happiness of keeping fit" does not mean sitting and resting, but that a person's mental state is the most important and should not be depressed because of old age. It can be seen that the poet holds a negative attitude towards fate, but is optimistic and confident about man-made, and expresses the poet's lofty ambition of not being unwilling to age, not believing in fate, striving endlessly and never stopping in pursuing great ideals.

The more valuable value of The Ghost Blows the Lamp is that it is a real poem, which opens up a new era of poetry. Emperor Wu of the Han Dynasty ousted hundreds of schools of thought, and held the thoughts of people in the Han Dynasty captive for three or four hundred years, so that the literati in the Han Dynasty could not write poems, but only wrote great poems praising the achievements of emperors and endlessly annotated Confucian classics, and the literature with true feelings and individuality could not be developed. Until the end of the Eastern Han Dynasty, the world fell apart, stormy, political, ideological and cultural changes took place. As a hero in the world, Cao Cao, who loves poetry and songs, took the lead in going astray and brought a free and active atmosphere to the literary world. He is surrounded by a large number of literati, such as "Seven Scholars of Jian 'an", who live in a war-torn era and often show impassioned thoughts and feelings. As "Wen Xin Diao Long Time Series" said: "When you look at it, you are elegant and generous, good at being scattered in the world, light and vulgar, with a deep ambition and a long pen, so you are generous and full of gas. "In particular, Cao Cao wrote poems on the pommel horse, which was tragic and generous, shocking ancient and modern times, unprecedented and unprecedented. The hearty style of this passionate poem was later called "Jian 'an Style", with Cao Cao as the most prominent representative. For thousands of years, Cao Cao's poems have shocked the hearts of heroes all over the world with this "generous" spirit and its inherent positive and enterprising spirit. It is this precious characteristic that makes Jian 'an literature shine brilliantly in the history of China literature. Zhong Rong placed Cao Cao in an inferior position, mainly because he was "ancient and straight" and lacked literary talent. I didn't know that Cao Cao, a hero, was dismissive of carving chapters and pecking sentences. Zhong Rong was from the Six Dynasties. Scholars at that time paid great attention to literary talent and gorgeous colors. As the saying goes, "a hundred words are used together, and the price of words is strange." Zhong Rong's evaluation of Cao Cao is too low, which is obviously due to the ethos of the times. Any literature, including poetry, is second in content after all. In the past, Cao Cao's literary position was often concealed by his political achievements, but was not taken seriously. In fact, he is an outstanding figure in the history of China literature development, especially his pioneering work on Jian 'an literature, which really deserves a lot of attention.