Guangweiran's works include the collection of essays "Realism in Drama" (1957), "Collection of Literary Debates" (1958) and "Talks on Storm" (1982). Since the founding of the People's Republic of China, * * * has published a collection of poems, including Mayflower (196), and * * * has collected more than 3 masterpieces of the author before and after liberation, including Qu Yuan, The Yellow River Cantata, and Sanmenxia Chorus. Other works that are not included in the collection include political lyric poem "Grand Festival of the Revolutionary People", "Soul-stirring 1976" and long narrative poem "Hero Drilling Team". Lyrics of Flowers in May, lyrics of The Yellow River Cantata, essays of Wind and Rain, Youth, Selected Works of Guangweiran Drama, Jiang Hai Diary, Xiangyang Diary, Chronicle of Literary Rejuvenation, Guangweiran Poetry, a collection of poems and songs, and the paper "Socialist Literature Strides Forward in the New Period". Guangweiran engaged in literary and artistic activities in Chongqing in 194, and wrote a long narrative poem Qu Yuan. Under the white terror, he expressed the people's strong demands of persisting in the war of resistance, opposing capitulation, separatism and retrogression in the form of poems. After the "Southern Anhui Incident", he was forced to leave Myanmar to unite overseas Chinese cultural circles and overseas Chinese youth to engage in anti-fascist cultural activities. He returned to Yunnan in 1942, and from March 1943 to September 1944, he wrote a long narrative poem "The Song of the Asi People" based on popular folk songs, and at the same time created a long lyric poem "Green Irava Bottom". In 1984, he was elected as the vice chairman of the Chinese Writers Association. On December 3, 1984, he gave a keynote speech entitled "Socialist Literature Strides Forward" at the fourth general meeting of the Chinese Writers Association. He is the author of the collection of essays "Realism in Drama" (1957), "Literary Debate Collection" (1958) and "Wind and Rain Talks" (1982).