Before returning to Lefeng, the sand was like snow, and the moon outside the city was like frost. Li Yi, I heard the flute on the wall of Shouxiang all night.
Three thousand snows go to Zhong Qing, and the Yellow River in Wan Li goes around Montenegro. Liu is in "Complaining People"
The detention of the North Sea book is cut off, and the moon is above the head; The hungry sheep are back, and the vast grassland has been blackened by dusk. Wentingyun of Suwu Temple
Snow covered the cold, cold brightness, and the frontier light shone on the flag. Fighting on the battlefield is pro-Hu Yue,
The chairman of the mountain statue, Yun, bears the Great Wall from the sea. Zu Yong of The Book of Records
A gust of cold wind blows the tomb of Zhaojun, and the Maxview of the border town beam is warm with sunshine. On the edge of the book, Zhang Qiao
Camp in Wan Li without battlements until the thick sky joins the vast desert in the snow. With their plaintive cries, wild geese fly from night to night,
Tatar children have a lot of tears to shed. "An Ancient Warsong" by Li Qi
The desert in autumn is barren, the grass is decreasing, and a few surviving observers are by the lonely wall at sunset. Xing is of high quality
The north wind rolled the ground and flowers folded, and eight days passed in In the snow. Like a strong wind in spring, it blows at night,
Blow open the petals of ten thousand pear trees. A Song of Snow White Farewell to Tian Shuji Ng Wui
The wind in Jianhe River is sharp and the clouds are wide, and the sand mouth stone freezes the horseshoe.
Song of Wheel Tower Farewell to Feng, General of the Western Expedition
Have you ever noticed that the yellow ones fly to heaven on the snowy seashore and the sand in the desert? On the night of the ninth month, there was a cold wind blowing in the wheel tower.
A river is as big as a bucket. Song of Running Horse River Farewell to Feng, General of the Western Expedition
A bright moon rises from Qilian Mountain and crosses the vast sea of clouds. Guan Shanyue, Li Bai
Like a bird, she still flapped her wings and felt sorry for herself, leaving Beijing for more than ten years. "Don't move big" is of high quality.
The scenery in Qiu Lai is different, and Hengyang Goose is unknown. The four sides are connected with each other. Thousands of miles away,
Long smoke and sunset, isolated city closed. The Pride of Fisherman Fan Zhongyan
2. Looking at the Xuefeng in the South/Looking at the Canxue in the South describes the poems of Mei and Xue.
Tang Dynasty: Zu Yong
Looking south, the northern mountain is beautiful and snowy, like a cloud.
After the snow in Chu Qing, the afterglow of the sun shone from the forest. It was late, and Chang 'an was even more chilly.
Translation:
The northern part of Zhong Nanshan is beautiful, and the snow on the mountain seems to be connected with the clouds in the sky.
After the snow in Chu Qing, the afterglow of the sunset shines among the forest tops, and the city in the evening adds a bit of cold.
Chinese plum
Song Dynasty: Wang Anshi
There are some plums in the corner, and cold ling opens them alone.
I knew from a distance that it wasn't snow, because there was a smell coming.
Translation:
There are some plum blossoms in the corner, blooming alone in the cold.
I know from a distance that Bai Meihua is not snow, because there is a faint fragrance of plum blossoms.
Operator Yongmei.
Song dynasty: Lu you
Outside the bridge, the plum blossoms are lonely, no matter what. Twilight arrival, plum blossom is helpless, exhausted, and has to withstand the wind and rain. (use: use)
Plum blossoms don't want to compete for blooming, and the envy and rejection of flowers don't care. Even after autumn, when it is ground into dirt and turned into dust, plum blossoms still emit fragrance as usual.
Translation:
There is a broken bridge outside the post station, and the plum blossoms bloom alone, and no one asks. Twilight arrival, plum blossom is helpless, sad enough, but destroyed by wind and rain.
Plum blossoms don't want to try their best to compete for favor, and they don't care about the jealousy and rejection of flowers. Even if it withers, grinds into mud and turns to dust, plum blossoms still exude a faint fragrance as always.
3. Explain the following poem: 1 In spring, the Hutuo River has beautiful scenery in the south of the desert, with green willows and a large group of horses parked by the river. Li Yi, a poet in the Tang Dynasty, wrote many frontier poems, including five poems describing the willows he saw by the Hutuo River. Han family often make friends with each other. "2. The red building by the river reflects the clear sky after the rain, and the Xiqiao River ripples in spring. The willows in the west of Qiaodong Bridge are graceful, people come and go (vaguely) and there are songs. This is one of the nine Zhi Zhu Ci poems written by Liu Yuxi in Bashu. Zhi Zhu's Ci is Bashu folk songs and folk songs. It should express a scene and feeling of Vientiane's renewal. 3. Why did Qiangdi play the sad old song "Broken Willow"? This is because the spring breeze has never blown through Yumen Pass since ancient times. The content quoted by He Xue-Shenyin can basically express this meaning. There are no standard comments on the internet, and the answers are basically their own understanding and feelings. I hope it's helpful for your reference only.
4. The poem about Niushoushan "Seven Poems on Niushoushan the Day Before Cold Food"
Year: Song Author: Yang Wanli
The purple robe is unknown, and the grass is tender and green. It's a grasshopper in Changzhou. There are no grasshoppers and dragonflies.
Ye and Zhao Dezhuang visit Niushou Mountain.
Year: Song Author: Han Yuanji
In spring, the illness is cold, and this sunny day is idle. After years outside the cloud, I saw Shuangque, and the horse's head took advantage of the situation to count the front mountains.
The clear spring is on the rock, and the Buddha cave is purple. I didn't want to talk about Zen either, so I flew back with flowers and birds.
Interview with Niu Shoushan
Year: Ming Author: Jiang
I used to wander between mountains and rivers with a strange spirit. The mountains and rivers are not beautiful, and my heart is full of worries.
Now the veteran is here, traveling endlessly. The blue sky leans against the cliff, and the white stone hangs alone.
Take the little red car and return to the east at dusk. Dengdeng Niutouling, floating clouds around the sky.
Willow falls fine snow, peaches and plums blow spring breeze. There is a bird path in the sunset, and the pheasant hides Artemisia.
When you meet a blue-eyed monk, call me grandchild. Knock and stop talking, just pay attention.
niushou mountain
Year: Ming Author: Chong Wang
Looking south at Xianyang, Luo Jing has few rooms. Shen Yu is strong and energetic.
What happened to the mountain? Ling Chuan's embroidery is wrong. There are thousands of rocks and thousands of valleys.
Stars turn around, thunderstorms or solutions. The grain is unusually warm and cold, and the peak shape today is different from yesterday.
Yao grass snows in China, and the red spring breeze falls outside. Jiang film group internship, Rizhao Ying.
You Yan is mostly a sage, and Hunan dances to gather cranes. Build a tired pavilion by the mountain and embed an empty mushroom pavilion.
Fluttering and dragging the ribbon, the music is melodious Chen Ju and Taiqing, Longyanggen Wuzuo.
Only when you are alert can you see Lue Wang. When you were young, you set foot in famous mountains, and your ambition was related to Dan Yu.
Recruit the moon to stay for a long time, choose the show and cherish Woruo. Take me to the heart of the emperor and let me enter the mysterious desert.
Niu Shoushan reads cold words and sits at night.
Year: Ming Author: Yin Mai
One shaft is not finished, and four mountains are quiet and empty. Suddenly, I was able to enter the house in China, and I was proud that I was not poor.
The shadow of the tree wants to disappear in the clouds, and can listen to the moonlight through the sound. * * * Deer and birds are still integrated into the ceremony in Luo Yan after the spring blossoms.
5. Hello, the poem about Baidicheng!
Here are some examples:
There are only a few old trees by the wall of White God.
I don't know how you feel this time. Stop drinking horse wine and seek a place to be exiled. Wuxia, the ape is sad and tears, Hengyang Guiyan brings me the book. The breeze river in autumn is far away, and there are only a few old trees by the white God wall. The wise dynasty will now give more rain and dew. Don't hesitate to leave. .
Said by: "Li and Wang, the deputy governors, were relegated to Xiazhong and Changsha" Year: Tang Author: Gao Shi Gao Shi Poetry is only the result of Gao Shi.
Baidicheng side foot storm
There is a storm on the edge of Baidicheng. Who dares to cross the Qutang in May? There are many clues to remember you when the wheat in Jingzhou ripens into a moth. I can't help calling Gu Fei. .
From: "Song of Jingzhou" Time: Tang Author: Bai Juyi's poems as long as Li Bai's achievements
There are only a few old trees by the wall of White God.
What were you thinking when we broke up? Take our horse to get the stirrup cup. . Wuxia, the ape is sad and tears, Hengyang Guiyan brings me the book. In autumn, the sails on the river are far away, and Baidicheng is sparse along the Yellow River. The wise dynasty will now give more rain and dew. Don't hesitate to leave. .
Said by: "Li and Wang, the deputy governors, were relegated to Xiazhong and Changsha" Year: Tang Author: Gao Shi Gao Shi Poetry is only the result of Gao Shi.
The trees on the edge of Baidicheng are autumn.
Wushan pillow barrier draws high hills, and the trees beside Baidicheng are autumn. On a cloudy night, there is nowhere to go, and the water is stagnant. .
From: "Wushan Pillow Barrier" Time: Tang Author: Bai Juyi's poems as long as Li Bai's achievements
Braving the wind and waves, tinkering with Baidicheng.
The center of the river is flat, with peaches and bamboos, and the scale of cangbo spray immersion is sufficient. The daffodils in Jiang Fei must be cherished. Zitong asked you to open a string, and all the guests sighed. Have pity on my old illness, give me two rhizomes, and I can get in and out of my paws loudly. I'm going to the southeast, braving the wind and waves to drum up Baidicheng. You must fight for ghosts and gods, draw swords or fight dragons. The most important thing is to tell you: a stick is like a stick, and your life is upright. Be careful not to see water turn into a dragon. So much so that he couldn't support it and disappeared in Junshan.
From: "Peach-wood bamboo pole leads, leaving a chapter behind (bamboo pole can also be a bamboo pole, named)" Time: Tang Author: Du Fu's complete poems as long as Du Fu's achievements,
Penny in Xi Bay, Bai Di City
Yuexia is shrouded in mist on the top of Qutang, and there is no well in the rock. Yunan slave was sad, and the fish moved again. The west of Baidicheng is full of bamboo, but there is no water diversion pipe. It is difficult for the body to stay in life, so it is difficult to compete for water. .
From: "Water Diversion" Year: Tang Author: Du Quanshi As long as Du Fu's achievements
Gee Baidicheng Dongxi
On the east and west sides of the rugged Baidicheng, there is Tiger Creek in the north of Longqiao in the south. My grandson rides Cao instead of riding a horse. He studies corpse breeding to increase the number of chickens. Pang Gong went to his room when he was hiding, and Wuling Haruki fell in love with someone else. I haven't missed the chance with the Confucian scholars, and I have been carrying medicinal liquor for a long time. Shepherd boys are hooligans, too. Don't cut the green ladder. .
From: "Sticking to Sun Chongjian" Time: Tang Author: Du Quanshi As long as Du Fu's achievements
Gongsun baidicheng
Meet today after troubled times, and travel in autumn. Dust is a guest day, and rivers and seas send you feelings. Danyang Yin and Gongsun City in Jin Dynasty. After taking care of yourself, don't talk about soldiers. .
From: "Song Yuan Er Shi Jiang Zuo" Time: Tang Author: Du Quanshi As long as Du Fu's achievements,
Move to Baidicheng
Fu Zhen Yun 'an County, moved to Baidicheng. Spring knows to urge Liu to leave, and Jiang Zhouqing. It is said that birds who farm can see the scenery in the mountains. Yugong saved stones and the soil leveled off. .
From: "Move Kuizhou Guo" Time: Tang Author: Du Quanshi As long as Du Fu's achievements
What is the drizzle in the lonely Baidicheng?
Jiangge invited guests to welcome guests and sat down from noon to dawn. Clouds live up to youth, drizzle lonely Baidicheng. It is better to drown your sorrows with flowers than to get drunk. It is doubtful that the bald head dare not rush into the mud, but it is not so dangerous to walk beside the silver saddle. .
From: "Xu Xiang, Ping Cui's brother, can't see you. I should be worried that the old man will see mud and rain ... I will become beautiful. " Time: Tang Author: Du Quanshi As long as Du Fu's grades
6. Describe Zhong Nanshan's poem Zhong Nanshan.
Author: Wang Wei
Its huge height is close to the city of heaven, from the mountain to the corner of the sea.
The white clouds merged behind, and the blue mist melted into the mountains and disappeared.
The central mountain peaks separate the southwest, and the valleys are also different.
Want to find a house to live in the mountains, is it convenient for the water guide to ask the woodcutter?
I think the necklace is good, and the questioner can refer to the following appreciation: the artistic creation of poetry is to show the general with the individual and seek perfection with the imperfection. Liu Xie's so-called "less is more" and ancient painters' so-called "meaning is greater than image" all mean this. As a poet and painter, Wang Wei knows the mystery well, so he can describe the vast Zhongnanshan vividly with a five-character poem with only 40 words.
The first couplet, "Its huge height is close to the city of heaven, connecting Qian Shan to the corner of the sea", first exaggerates the outline of Zhong Nanshan. This rough outline can only be obtained from a distance, not from strong light. So this couplet is obviously about writing a vision.
"Taiyi" is another name for Zhong Nanshan. Although the south is high, it is far away. To call it "near the sky" is of course an artistic exaggeration. But this is to write a long-term vision. Looking south from the flat ground, its peak is indeed connected with the sky. So to say that it is "near the sky" is to exaggerate the truth. The same is true of the corner of the sea where thousands of waters converge in Qian Shan. Zhong Nanshan starts from Tianshui, Gansu Province in the west and reaches Shan County, Henan Province in the east, far away from the cape. It is not true that it "meets the corner of the sea", but it is also true that it "connects with other mountains until the corner of the sea". However, this is a long-term vision. Looking from Chang 'an to the south, there is no end in the west and no end in the east. Writing the final vision of South China with "connecting Qian Shan to the corner of the sea" is exaggerated but more and more true. For more appreciation of Tang poetry, please pay attention to Guo Xuexi's 300 Tang poems in Gutang. com。
In the second couplet, I wrote a close-up view, "Cloud, when I look back, it is close behind me". "Looking back" and the next sentence "Looking back" are dual, meaning "looking back". When Wang Wei entered Zhong Nanshan, he wrote "Looking Back" and looked at the road he had just walked. The poet is in the middle of Zhongnanshan Mountain, looking forward, white clouds are everywhere, and there is no road or other scenery, as if he could float in the ocean of white clouds after a few more steps; However, moving forward, the white clouds continue to be divided into two sides, which is beyond our reach; Looking back, the white clouds on both sides closed again and merged into a vast sea of clouds. This wonderful realm will not be unfamiliar to anyone who has experience in traveling mountains, but who can show it so vividly in just five words except Wang Wei?
The sentence "Fog disappeared when I entered them" and the previous sentence "Cloud, when I look back, is behind me" are intertextual, they are intertwined and complement each other. The poet walked out of the vast sea of clouds, and in front of him was a misty blue haze, as if he were moving forward and could touch the blue haze; However, when I walk in, I am not only invisible, but also invisible; Looking back, the green is closed again, hazy and long, but I can't reach it.
This pair of couplets is full of pregnancy, and it is written that it has vanished and changed shape. In other words, Zhong Nanshan has thousands of rocks and valleys, pines and cypresses, strange rocks and clear springs, exotic flowers and plants, and many scenic spots worth watching. Everything is shrouded in "white clouds" and foggy "green haze", which is invisible and unreal. Only in this way can we be more fascinating and eager to "see" further. On the other hand, the beautiful scenery we saw still makes people nostalgic and can't help looking back. Just now, the combination of white clouds and green haze put the scenery in front of Yumei's eyes with green gauze or ice gauze, from clear and hazy to hazy and hidden, which is even more memorable. The poet didn't say all this, but he left us a vast imaginary world in the "image" he had outlined.
The third high generalization, scale Wan Li. The first couplet wrote the height of Zhong Nanshan and the distance from west to east, which was seen from the north of the mountain. As for the width of the south from north to south, it is expressed by the phrase "a central mountain divides the wilderness" If you have the knowledge that "a central peak divides the wilderness" when crossing the mountains, the poet can stand on the "central peak" and look around. The east and west of Zhong Nanshan are far apart, while the north and south are so vast. Only based on the "peak" of "near the sky" can we have a panoramic view; And "harmony and weathering into many valleys" is a panoramic view. The so-called "sunny and rainy with the valley" does not mean "rising in the east and setting in the west", but uses the intensity of sunlight, with or without it, to show the Qian Shan Wangu.
There have always been different understandings and different evaluations about termination. Some people think that it is not unified and commensurate with the previous trinity, thus holding a negative attitude. Wang Fuzhi argued: "I need a place to spend the night. I called a woodcutter crossing the river. The vastness of the mountain is far from being known. This is the same as the first six sentences. The subject and object are clear, and the sense of non-monopoly is also described." Shen Deqian also said, "The last two sentences are not suitable for the whole body. Today, playing with its semantics, seeing that the mountains are far away and there are few people, the extraordinary scenery is comparable. " ("Don't Cut Tang Poetry" Volume 9)
These opinions are all good, but it seems that more can be understood by "playing with its semantics". First, the sentence "Need a place to spend the night" obviously has an omitted subject "I". Therefore, with this sentence, we can see "I" traveling in the mountains and there are "I" everywhere. We look at things with "I" and express our feelings because of the scenery. Secondly, "I need a place to spend the night" and "I call a woodcutter crossing the river", then "I" will stay in the mountains and travel tomorrow. The mountain scenery is pleasing to the eye and it is not difficult for poets to avoid the noise. Thirdly, the "water" of the poet "I call a woodcutter crossing the river" is actually a deep ditch and a big stream; So, how did he find the woodcutter? A "woodcutter" has to chop wood, have wood and have a stereo. It is not difficult to imagine that the poet happily found the woodcutter from the Woods "across the water" If there is a "woodcutter", we know there must be a "place for people" not too far away. So it's not hard to imagine the scene where the "woodcutter" answers and the poet looks away when he asks where to live.
Generally speaking, the main feature and advantage of this poem is that it is good at "seeking perfection with imperfection", thus receiving the artistic effects of "getting twice the result with half the effort" and "meaning is greater than image".