What influence do the four classic novels of China literature have on Tibetan literature?

From the late 1950s to the mid-1960s, compared with, among the Chinese and Tibetan writers, Awang Rossan, Jiang Suolangjiebu, Gao Ping, Wang Chengdong, Yang, Xu Huaizhong and other poets and novelists emerged. Their works show the changes of an era, record the profound changes of Tibetan society, economy and thought, and become a mirror reflecting the development of an era. This writer became a eulogy of that era. Xu Huaizhong's novel "We Sow Love" expresses the lofty desire of young people to build a new Tibet and their love life, and reflects the social changes in Tibet after the peaceful liberation. Liu Ke's novels "Jin Yang", "Qugabo People" and "Gala Ferry" praised the flesh-and-blood ties between the Party and the People's Liberation Army and people in Xizang. It pioneered the contemporary Tibetan literature.

National writers go to the front desk of creation

In the early 1980s, the novel Lost Land and Survivors, written by Yi Xidan, came out, which made Tibetan literature attract the attention of the whole country. The novel Survivors, written by Yi Xidan, won the first national minority literature creation novel award. The greatest feature of Tibetan literature in this period is that minority writers stepped onto the front desk of literary creation and created a number of outstanding works with great repercussions, such as Turquoise by Ban Jue, Tomorrow's Weather will be Better than Today by Tashi Bandian, The Secret of Zhaisufu by Wang Duo, The Long Jingle Road by Dejikam and so on. Among them, "Turquoise" won the Xizang Autonomous Region Excellent Creation Award and the National Minority Literature Creation Novel. Their works show the darkness of old Tibet and the miserable life of serfs; The desire and resilience of Tibetan farmers for a better life after liberation. These works closely follow the real life background of Tibet, realistically describe the changes of social and political life, and show the unique national style of Tibetan literature in the connotation of the works. It was in the mid-1980s that Tibetan literature really became an important force and was valued by China literary circles. It is precisely because of Tashi Dawa, Ma Yuan, Sebo and Tongga's continuous exploration and innovation of literary narration that Tibetan literature has entered the forefront of contemporary literature in China. Tashi Dawa's works such as Tibet, Soul Tied on a Leather Knot, Tibet, Hidden Years, Three Ways of Ma Yuan origami, Ancient Himalayan Songs, Sebo's Bamboo Flute, Sobbing and Dreams, and Round Days show great pioneering courage. Poets such as Yang Tao, Yang Xiruo, Yan, Nuojie Lausanne Gyatso are unique in the poetic world, which has attracted the attention and recognition of domestic poetic circles. Ma Lihua's large-scale documentary prose "Walking through Tibet", "Soul Like the Wind" and "Going West to Ali" also contributed to the Tibetan cultural craze and played an immeasurable role in promoting Tibetan literature. Tibetan literature in this period showed vigorous development momentum and youthful vitality.