The first two sentences are the modality of the protagonist just getting up. These two sentences highlight the image of the protagonist in a close-up way. The second sentence is the subject and the first sentence is the background. "Mountain" is the painting scene of the couch screen, and "gold" is the color painted on Pingshan. "Twilight" means that the sun shines through the window screen, and Pingshan is gloomy. Or think that the scenery on the painting has fallen off, either bright or dark, in order to see the image of Xiao Suo in the boudoir after a long separation. Both theories can be used, the latter has a deeper meaning, while the former has a bright side. "sideburns cloud" is black hair with drooping sideburns, and women's sideburns curl and blow like clouds, so it is often described as clouds. Desire is conceived from the flowing clouds, and its description is frivolous. "Sweet Cheek Snow" describes the greasy white of the protagonist's cheeks. The whole sentence highlights a delicate and casual woman's face, because "the desire for clouds" is the shape of messy hair, and the sentence also implies the time process of sitting and getting up. These two sentences show the reader a scene: a young woman has just sat up on an embroidered couch surrounded by overlapping golden screens on the mountain, and messy bangs will pass over her snow-white face and cheeks like flowing water.
Three or four sentences began to write about her activities after getting up. The word "lazy" reveals the hero's mood, and the word "late" in the next sentence is the key to understanding the meaning of the whole poem. "Get up lazily" means get up lazily. "Laziness" and "procrastination" are very obvious, and their forms of expression are very different from "after washing and dressing, leaning on the Wangjianglou alone" ("Looking at the South of the Yangtze River") because of hope and urgency. "Make-up" means to do it frequently and repeatedly when dressing up. The word "late" always carries the tasks of "makeup" and "grooming". In these two sentences, we can see that the hero is careless now.
Next, write down his continuous activities. Write the words "according to the flowers" to write the flowers in the mirror. In the objective description of the characters' activities, it is implied that they admire and regret themselves when looking in the mirror. Self-appreciation: people are like flowers; Self-pity: being alone in the prime of life. This "flower" should be an ornament inserted in a bun, not a metaphor for a human face. From the second sentence of Hua, we can know. Compared with the front and rear mirrors, the flowers in the back of the head are reflected in the front mirror, which is in harmony with Byakki Smoker's face, and his face is radiant. The last two sentences say that he wears clothes after dressing, but he doesn't write actions, but points out the painted clothes in the protagonist's eyes-a pair of partridges embroidered with gold thread. Imagine her full of worries and trying to dress herself lazily. Just as she was getting dressed, she saw the "double golden partridge". How can she feel!
The whole word does not clearly describe women's feelings from the front by writing about women from getting up and getting dressed to getting dressed. However, readers can understand the author's meaning from the word "double" in the sentence "double gold partridge". The author uses a contrasting brushwork, and the word "Shuang Shuang" reflects the loneliness of this woman. Seeing the "golden partridge" on the clothes was both right and wrong, which moved her and made her feel sorry for herself. The crowning touch of the whole article is the word "Shuang Shuang", which is the root of Shangjuan's laziness and lateness.
The writing of this word has its own characteristics:
One is that the author only selects the most characteristic dynamic or object images in the process of life fragments and sketches them slightly to avoid the superficial connection between clouds. For example, the first sentence only wrote the scenery of the screen around the bed, omitting the screen and couch attached to this scenery. The second sentence only highlights the face of a sleeping woman, and the rest are hidden in moving ambiguity. When two sentences are read together, they can be imagined and supplemented according to the outlined image, forming a complete "morning".
Secondly, the expression is hidden. The author only gives an objective description of the character dynamics and related scenery, but reveals or implies human feelings in it, giving readers as much imagination and experience space as possible.
As for rhetoric, the warmth of words is a common phenomenon. Therefore, all kinds of things often make readers feel obscure, but if you play with the rope carefully, you will get its artistic ingenuity and feel more emotional.