Find out the main contents of the brig.

Shu Ting, formerly known as Gong, 1952 was born in shima town, Quanzhou, Fujian, and grew up in Gulangyu, Xiamen. 1966 (14 years old) was criticized for reading foreign literary works and expressing lyricism in his composition. 1969 (17 years old), went to the countryside without graduating from junior high school, and settled in Shanghang County, a mountainous area in northwest Fujian. 197 1 began to write poems and essays, and was guided by Cai Qijiao, a Fujian poet who was exiled to the mountainous area of northwest Fujian at that time. His poems are also circulated among educated youth. 65438-0972 returned to the city and worked as a bricklayer, starcher, car stopper, statistician, interpreter, welder and other temporary workers in Xiamen.

From 65438 to 0977, she met northern poets such as Beidao and became a writer today, and her poems began to spread in the society. 1April, 979, To Oak was published in Poetry magazine, which was her first work. During the period of 1980, Fujian literature held a special discussion around Shu Ting's works with the topic of "On the Creation of New Poetry" for more than one year. Although her works "The Assembly Line" and "The Wall" have also been criticized, they still push her to the position of a representative figure in misty poetry. 1980, Fujian Federation of Literary and Art Circles was transferred to engage in professional creation.

1982, Shanghai Literature and Art Publishing House published the first book of poetry, The Double Mast Boat, which won the second prize of the first national new poetry (poetry anthology) selected by Chinese Writers Association (1979- 1982). In the same year, Selected Lyric Poems of Shu Cheng was published (1982, Fujian People's Publishing House). After 1982, she also stopped for a while with the pen stop of North Island. Three years later, I started writing again, and the number of works decreased. He has published Singing Iris (1986) and Selected Poems of Five People (1986), but his interest gradually turned to prose creation.

Mast top ship

The fog wetted my wings.

But the wind won't make me hesitate any more.

Coast, dear coast

I just said goodbye to you yesterday.

You came again today.

Tomorrow we will be at

Meet at another latitude

This is a storm, a lamp.

Connect us together.

This is a storm, another lamp.

Let's divide things up again.

Not afraid of the ends of the earth

Is it morning or evening?

You are on my voyage.

I'm in your sight.

A beautiful poem is often a fusion of scenes. This is especially true of Shu Ting's brig. It seems that Shu Ting likes this little poem very much, and her first collection of poems is named after Mast Boat.

Mast Boat is a masterpiece in which the poet uses vague poems, symbols and images to express people's subjective feelings, thus developing human nature. The whole poem shows the poet's dual mentality and complex emotions. On the one hand, it is the "lamp" of ideal pursuit, on the other hand, it is the "shore" of love yearning. In the process of persistent pursuit of ideals, we sometimes meet with the other side, and sometimes we leave the other side, which is harmonious and contradictory. At the same time, in the process of pursuing ideals, poets sometimes feel the difficulty and heaviness of progress, and sometimes they feel a sense of urgency of the times without letting themselves stop. "The fog has wet my wings/but the wind won't make me hesitate." The emotion and mentality expressed in poetry are not only the poet's own and individual things, but also the things that young people in that particular era generally feel and cannot describe. The poet expressed it perfectly with her delicate heart and symbolic skills, making it a well-known masterpiece.

An important artistic feature of this poem is symbolism. In misty poetry, symbols mostly replace people's subjective feelings and social attitudes with concrete things and images that people can directly feel. In short, it is to express abstraction with concreteness. The poem entitled "Mast Ship" is a symbol. The purpose of the whole poem is not to describe an objective schooner, but to express the poet himself and his dual mentality and complex emotions through the concrete image of schooner. In other words, the poet thinks I'm like a schooner. The "double mast" in a brig has some profound meaning. The coexistence of two masts means that love and career in the poet's heart coexist but are different. In addition, "shore", "wind", "storm" and "lamp" in the poem all have obvious symbolic significance. "Shore" symbolizes the love destination of women, "wind" means that the urgency of the times gives the poet strength, "storm" implies the unusual times experienced by the poet and his contemporaries, and "lamp" carries bright faith.

The use of images is another important artistic feature of this poem. The so-called image is to express the poet's subjective mentality through external scenery. It is different from the "artistic conception" in traditional poetry. Artistic conception is generally touching the scene and expressing emotions through the scene, so as to achieve the artistic purpose of expressing emotions through the scene. In misty poetry, poets mostly take subjective feelings and people's various mentalities as the objects of expression, and imagine and construct some concrete pictures and scenery from subjective feelings, so as to visualize abstract emotions and achieve the effect of artistic expression. What the poet wants to express in "Double Mast Ship" is a state of mind, an emotion and an emotional process. On the other hand, it is the concrete images such as "ship", "shore", "storm" and "lamp" that fall on the language, and these concrete images are combined to form a complete picture of the dynamic process. Under the picture, the author's heart and true feelings are implied, beating. The poetic image is fresh and natural, which enables the poet to express his strong feelings freely.

What a sincere and delicate feeling. Sometimes I cry, sometimes I shake hands. Care for each other, remember each other and never forget. The whole poem gives people a crystal clear and bright feeling from every sentence. But on the whole, it is unpredictable, leaving readers with infinite room for aftertaste.

Because feelings hit the most appropriate attachment, every sentence of the poem can be said to be a pun. This is one of the most obvious artistic features of this poem.

In addition, the language of this poem is natural and fluent, and the feelings contained in the poem are dignified and delicate, with deep personal sighs and open feelings of the times. The last four poems: "Don't be afraid of the ends of the earth/seize the day/you are on my voyage/I am in your sight" are widely circulated and quoted as aphorisms.