1. Poems describing willow trees
Qingmen Willow by Bai Juyi of the Tang Dynasty A green tree with a sad look has been the subject of separation and hatred for several people.
In order to say goodbye to many people near the capital, the long strips are folded to reduce the spring breeze. New Willows in Chang'an by Chen Guang of the Tang Dynasty The clouds in Jiumo are beginning to rise, and the willows in Huangqu are already new.
Different Tianyuan scenery, first get the sun and spring. The color is light and slightly revealing, and the silk is light and not dusty.
One branch is about to be broken, and it’s time to return home in the morning. Seeing New Willows in Linchuan by Tang Cui Ou I haven't seen the willows at the head of the river for three or four days, but the old willows and golden threads beside the bridge.
From the south bank to the north, the branches are covered with rain and smoke. Wherever my hometown holds my dreams, I see the prosperity and decline of other countries.
The color of the grass in Tingzhou is also the same, and no one knows how far away I am. Liu Tang Cui Ou The wind is slow and the sun is late, dragging smoke across the water.
Provoke the hatred of thousands of generals and tie them to short and long branches. The bones are soft and the man is thin, the waist is light and the woman is hungry.
It is heartbreaking to think that I have not returned to my hometown. Title Liu Dihuan of Tang Dynasty The shadows are whirling here between the south and the north.
There is no end to the green color, but there is more to it than love. The rain lingers on the bank of Ba, and the mist covers the Sui River.
He has a good reputation, can Qin Song succeed him? Xinliu Tang Du Mu is unable to shake the wind and the dawn is new, and the thin waist is often jealous.
The green shade has not covered the water of the long embankment, and the golden ears are the first to greet the spring in the garden. A few sad memories of the long journey, a branch and the rain send the dust off.
There are many farewells outside the east gate, and people are worried about killing people day and night. Liuquatrains by Du Mu of the Tang Dynasty Several trees have newly bloomed and their green shadows are in full bloom, leaning against the wind and being fascinated by the spring.
I hate my hometown Fanchuan, half covering the village bridge and half brushing the stream. Liu Tang Fangqian is swaying in the wind, and is softer than silk near the embankment.
Who knows if you have a strong attitude? If you are weak, it will be difficult to maintain it. Learn to dance with branches, turn your sleeves, and spread your eyebrows with makeup leaves.
How can I climb up and down, and my friends will write poems again. Liu Tang Han Xie A cage of gold thread brushed against the curved bridge, and the waist was almost damaged by children.
Unfortunately, Linghe Biaoge is still there, but the spring is still long and thin. Liu Han Cong of the Tang Dynasty. I broke the willow tree and got green strips in the song, and moved it far away to the golden palace to plant the green sky.
The Shangyang palace maid said goodbye with a voice, but she was not angry and returned to dancing with her thin waist. Liu Tang Han Gai The snow is gone and the shadows on the green gate are faint, and the warm wind returns late and early in the morning.
If you want to rely on thin leaves to retain the spring color, you must tie the long strips with Luohui. Peng Ze was sentimental and depressed, but Sui Di had no one to rely on.
This is the kind of thing that is spared when it comes to anger in the world, but it is rare for passers-by to give away gifts. Ode to the Willows by Han Xie of the Tang Dynasty The rain and the wind are uncontrollable, and the whole body is weak and hangs down to others.
The jade fiber is broken and given to each other from afar, just like when it is in the hands of Guanyin. Ode to the Willow by He Zhizhang of the Tang Dynasty The jasper tree is as tall as a tree, with thousands of green silk ribbons hanging down.
I don’t know who cuts out the thin leaves. The spring breeze in February is like scissors. Liu Li Qiao, Tang Dynasty The willows are lush and green, and the golden embankment has a green atmosphere.
The flowers in front of the courtyard are like snow, and the leaves between the buildings are like clouds. The columns are divided into dragon shadows, and the Fangchi is written with phoenix characters.
Why is the short flute played? Climbing and folding is to miss the king. Weeping Willows by Li Shangyin of the Tang Dynasty In the small garden of Pingting, there is a graceful and graceful place in the east of the pond.
The court robes are all hanging down to the ground, and the fairy clothes are full of wind. The Seven Sages would rather occupy the Bamboo, and the Third Rank would prefer the Pine.
Heartbroken Linghe Hall, the late emperor’s jade throne is empty. Liu Tang Li Shangyin The snow in the south and north of the Yangtze River has just disappeared, and the desert is light and yellow, stirring up tender strips.
Ba'an has already climbed up to the guest's hand, and Chu Palace is the first to ride on the waist of the dancing concubine. It rains on the official road during the Qingming Festival, and the wind blows on the wild bridge in the evening.
Like a thread, it is like a thread that leads to hatred, and the way back for the king and his grandson is far away. Li Shangyin of Liu Tang Dynasty once danced in the east wind and enjoyed the spring garden in the heart-breaking sky.
How can I be willing to arrive on a clear autumn day, with the setting sun and cicadas already there? Inscription on the Willow by Li Zhong of the Tang Dynasty Turning towards the edge of the pavilion, the spring light fills your hands.
How beautiful are the flowers? They are soft and affectionate. The moon is caged in the stream between the banks, and the wind shakes the wild orioles.
At dusk of March in Sui Dynasty, the catkins are flying freely. Liu Tang Luo Yin A cluster of green smoke locks the jade tower, half hanging down the wall and half hanging down the ditch.
There will be new news next year, and the spring breeze will continue to cause chaos. Liu Tang Muyou In ancient and modern times, with a gift from you, you will be reborn after many times of failure.
Five trees are leaning against Yuanming's house, and thousands of trees are hanging down at Taiwei's camp. The emeralds are hidden in the smoke near the water, and the orioles are nestled in the wind and rain.
In the Sui Dynasty, the embankment was surrounded by the sound of singing and playing. Pei Liu of Tang Dynasty said: "The whisk is high when the building is in danger and the dust is low, how often the Ba Bridge climbs and folds."
Thinking is like a heartless tree. It doesn’t know how to welcome people but only gives them away. Ode to the Willows by Wu Rong of the Tang Dynasty He and the orioles are the ground, and he does not teach flowers to be matchmakers.
The fineness is the same as the rain, but the lightness only loves the style. It's good to brush the brocade steps, but don't cover the bronze sparrow platform.
There are thousands of trees in Baling, and I will leave at dusk. Liu Tang Xu Wei The gold bars in the desert have a slight lead, and they are green every year to announce the return of spring.
Release the cage and let the flying mist extend the fragrant scenery, instead of chasing away the scattered flowers and floating sunset. The chirping birds and the noisy cicadas are depressing, while the dancing smoke shakes the water.
After the Tao family became famous after the five plants were planted, it was rare to see those who were proud of their cultivation. Ode to the Willows by Xue Feng of the Tang Dynasty The weak plant is frightened and hurts itself due to the wind, but at dusk it is time to turn over the leaves and have melodious thoughts.
Once upon a time, the purple road floated along the high and low roads, and I dared to brush against the red lanterns to compete with each other. The lingering jade flies and dances, and flutters into the pond like snow and frost.
Mo Lingqi Road has many twists and turns, and gradually we are about to reach the painting hall in the shade. Willows in the Courtyard, Yao Department of the Tang Dynasty. The willows and poplar branches are curled up, and the hanging branches are hanging down.
Jiaoyin is always secret and can be divided into separate sections. Because attachment seems to be forever, it hurts even more to get married and leave.
Love this spring scenery, don’t let the autumn wind blow suddenly. Liu Tang Zhangxu The cigarette sticks are hanging on the ground, and spring thoughts are forming beside the buildings beside the city.
Please take a closer look at Feng Liuyi, before she loses her spirit and is in the palace. Liu Zhenggu, Tang Dynasty Half smoke and half rain beside the river bridge, the apricots reflect the Taoshan road.
You will have no intention of leaving others, and thousands of threads will stir up the spring breeze. 2. Sentences about the pavilion
1) The red spire pavilion is like a peony, dotted in the green sea, but also has the uniqueness of "a little red in the green bush".
2) The pavilion is surrounded by ancient trees covering the sky, flowers and plants growing in abundance, and the flowers blooming in full bloom. It is really beautiful.
3) Walk into Jingshan Park and look up. The tall Wanchun Pavilion with its red columns and yellow tiles is among the dense cypresses, dotted with vines and green bamboos. The scenery is beautiful and is better than a fairyland.
4) In the distance, there is an antique octagonal pavilion. The shining sunlight falls on the top of the pavilion, and the golden glazed tiles shine. The vermilion column glowed red and looked particularly dazzling.
5) This pavilion stands on a protruding corner of the rock. It is empty from top to bottom, as if a goshawk is floating in the sky with its wings spread.
6) Among the green bushes, stands the magnificent Xiang Pavilion, shining with dazzling golden light under the sunlight.
7) The ancient observatory has withstood wind and rain for more than 500 years. It stands proudly among modern buildings and is particularly conspicuous and spectacular.
8) The Drunkard Pavilion is built on the mountain, with white walls and green tiles, cornices and columns, and alternating pavilions and terraces. It is quiet and elegant. 3. Poems about the pavilion must have an author and source
1 , "Spring Journey to Qiantang Lake"
The author Bai Juyi was in the Tang Dynasty
North of Gushan Temple and west of Jia Pavilion, the water surface is initially flat and the clouds are low.
In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud.
The wild flowers are becoming more and more charming, and only Asakusa has no horse hooves.
My favorite part of the lake is the east side of the lake, where there is a white sand embankment in the shade of green poplars.
Vernacular translation:
Walking around the north of Gushan Temple and west of Jiagong Pavilion, the lake water has just risen and is level with the shore, and the white clouds are hanging very low.
Several early yellow warblers are vying to perch in the sunny trees, and the newly arrived swallows are busy building nests and carrying mud.
The wildflowers are dazzling when they bloom, and the spring grass has not grown tall enough to just cover the horses' hooves.
My favorite scenery in the east of the lake is unforgettable, with rows of willows passing through a white sand embankment.
2. "Huanxisha·A new song and a glass of wine"
Author Yan Shu, Northern Song Dynasty
A new song and a glass of wine, the weather is the same as last year. When does the sun set?
There is no choice but the flowers fall away, and the familiar swallow returns. The fragrant path in the small garden wanders alone.
Vernacular translation:
Listening to a new song and drinking a glass of wine, or the same weather as last year. When will the setting sun come back?
There was nothing I could do about the fallen flowers. The returning swallow seemed familiar to me, wandering alone on the flower path in the small garden.
3. "Ru Meng Ling·Chang Ji Xi Ting Sunset"
Author Li Qingzhao, Dynasty Song Dynasty
Chang Ji Xi Pavilion Sunset, intoxicated and not knowing the way back.
Returning to the boat late after all the fun, I strayed into the depths of lotus flowers.
Fighting for the crossing, fighting for the crossing, startling a pool of gulls and herons.
Vernacular translation:
I think I often think of an outing, and it will be late at night as soon as the sun sets, and I will be so intoxicated that I don’t want to go home.
I played until I lost interest and then returned by boat, but got lost and entered the depths of the lotus root pond.
How to get out? How to get out? The sound of chirping and screaming and the sound of rowing boats startled a group of screech herons.
4. "Spring Outing at Fengle Pavilion Part 3"
The author was Ouyang Xiu of the Song Dynasty
The sun is setting over the mangroves and green mountains, and the grass in the long suburbs is endless green. .
Visitors, no matter whether they are young or old, come and go in front of the pavilion and step on the fallen flowers.
Vernacular translation:
The trees are full of red flowers, the green mountains are faintly visible, and the sun has turned to the west. In the vast countryside, the grass is green and the edges are invisible.
People on spring outings are very interested, no matter how spring is about to end. In front of Fengle Pavilion, people were coming and going, and fallen flowers were everywhere.
5. "Jade House Spring·Spring Hate"
Author Yan Shu, Song Dynasty
Green poplars and fragrant grass pavilion road. It's easy to leave people behind when you're young. The lingering dream at the top of the building is five o'clock in the morning, and the March rain is leaving the flowers behind.
Being ruthless is not as painful as being passionate. One inch becomes thousands of strands. When the ends of the earth are endless, there is only endless love.
Vernacular Translation:
On the ancient pavilion road with green poplars, weeping willows and luxuriant grass, he seemed like a couple who easily left me behind and walked away. The bell above the building awakened the lingering dreams of the fifth night, and the sorrow in my heart was like the March spring rain falling on the bottom of the flowers.
How can a heartless person understand the troubles of a passionate person? An inch of lovesickness and sorrow turns into thousands of strands. No matter how far away the world is, there will be an end to it, but the sorrow of cherishing someone is infinitely long and has no end.
4. Who knows the poem with the word "pavilion"?
There is another sentence that I like very much...
Wherever the world is sad, there is a pavilion to see off guests.
The spring breeze knows no pain, and does not send away the green willow branches.
Laolao Pavilion was built during the Wu Dynasty of the Three Kingdoms. Its original site is in the south of today's Nanjing City. It was a place of farewell in ancient times. When Li Bai wrote this quatrain, the spring breeze had just arrived and the willow branches were not green yet. It should be early spring. However, what the poet wants to write about is not the spring scenery of this ancient pavilion, but just inspired by the place, using the scenery to express emotions, and using the pavilion as the title to express the pain of parting in the world.
[]
The first two sentences of the poem, "Where the world is sad, I will see you off at the pavilion", use extremely refined writing and highly summarized techniques to get to the point directly. Click on the title. As far as the meaning of the sentence is concerned, these two sentences are what Qu Yuan said in "Nine Songs: Shao Siming" "Sorrow is not the result of separation" and Jiang Yan said in "Farewell Fu" "Those who are in ecstasy can only say goodbye" . But since the poet takes the pavilion as the title, he goes a step beyond and goes through a layer. He does not say that the sad things in the world are parting, but only says that the sad things in the world are leaving the pavilion. In this way, we can get straight to the point, and go beyond the things of parting to write about the place of departure, and go beyond the people who see off to write about the pavilion where we see off guests. The words will be more sublime, and the thinking will be more detached, and the readers will naturally follow the place and the events. And people.
[]
However, the power of this poem is not the above two sentences, but its last two sentences. In the last two lines of the poem, in order to effectively display the theme, the poet talked about the pain of parting, which has pushed the poetic meaning to its peak. It seems that there is nothing left to say and there is no room for further maneuvering. If the last two sentences are just a straightforward extension of the previous two sentences, the whole poem will be weak and boring. The poet suddenly thought about the scene of the ungreen willows outside the pavilion, and suddenly turned his pen and wrote two sentences such as "The spring breeze knows how to avoid suffering, and does not send the willows green" to create a new meaning and invigorate the whole article.
This unexpected stroke of genius comes from the poet's rich associations. "Wen Xin Diao Long·Wu Se Pian" says: "Poets feel things and make endless connections." Poetic thoughts are often associated with associations. Poets must be good at moving from A to B, and from B to C when conceiving. The broader the connections, the more turns and levels, the more profound and thought-provoking the poem will be. In ancient times, there was a custom of breaking willows to say goodbye, so some poets often thought of willows and wrote about willows when writing farewells. For example, Wang Zhihuan's "Farewell": "The willow tree is in the east wind, and the green is sandwiched between the river. It has been hard to climb up and down recently, which should be due to the many partings." Even from the willow business, the idea is also very profound; but as far as the poet's association is concerned, it is just a farewell. The two things that are originally related to the willow are connected together. Although the willow is said to be an "east wind tree" in the poem, the farewell is not associated with the east wind. Li Bai's two poems not only think of breaking willows because of farewell, but also because willows think of the spring breeze blowing the willow eyes, thus connecting two unrelated things, farewell and spring breeze. If Wang Shi's association is still direct, then Li Shi's association is indirect, and its wings of association fly farther.
[]
It should be said that among ancient poems, poems written from farewell to broken willows, and then from willows to spring breeze are not unique. Yang Juyuan's "Breaking Willows": "The willows by the water are bent with dust, and I immediately ask you to break a branch. The spring breeze blows my dearest, and my diligence blows into my hands." The writing is also full of ingenuity, but it is different from Li Bai's two sentences. Compared with poetry, it seems clever but not surprising, while Li Bai combines association and fantasy into one. The poet had a fantasy because the willow branches were not green and there were no branches to break when he said goodbye. He thought that the spring breeze deliberately did not blow the willow branches and did not let it turn green. The reason why the spring breeze did not let the willow turn green was because he knew the pain of parting well. , I can’t bear to see the scene of farewell in the human world. From the perspective of the poet's conception, this is association and fantasy; and from the perspective of artistic techniques, this is to express emotions and empathize with the scenery, making the originally ignorant and ruthless spring breeze knowledgeable and affectionate, making it more relevant to other people. With the same feeling of farewell and sorrow, the thing turned into me, making it the poet's emotional incarnation. Li Wei praised these two lines of poetry in "Shi Fa Yi Bian Lu" and pointed out that "the beauty lies in the word 'knowledge' and the word 'buqi'", which is a perfect comment.
The first poem of Li Shangyin's poem "Ode to Broken Willows when Leaving the Pavilion" has the same theme and the same meaning as Li Bai's poem: "For the time being, I can send you no hope with a bottle of wine, don't hurt your frown and thin waist." "There is only separation before death, and the spring breeze strives to cherish the long life." In contrast, the two poems are all about leaving the pavilion. They think of willows from farewell, and think of spring breeze from willows. They also write about the spring breeze that is deeply aware of parting. Suffering, full of sympathy for the separation in the world. But the starting point of the two poems is the same, but the conclusion is completely opposite: Li Bai imagined that the spring breeze would not let the willows turn green because he did not want to see the scene of farewell; Li Shangyin imagined that the spring breeze would let people break the willows and send them gifts when they say goodbye. Express a piece of affection and get some comfort, without hesitation to have the wicker broken. This shows that the same theme can have various ideas and writing methods. The poet's imagination can fly freely, and the world of imagination is infinitely broad.