1. A complete collection of 4-character calligraphy idioms
Falling from the peak, changing the style, embodying the theme in the center, powerful and vigorous, having mistakes, elegant and charming, thunderous, hard, soft and clumsy, similar Fluid and smooth, mighty and mighty, full of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped with iron, round and smooth, natural, delicate and rich, sideways and graceful, beautiful and clear, natural and interesting. , Thick and strong, sincere and powerful, steep momentum, dangerous writing power, strong and powerful, rich in the strengths of others, meaningful and handsome, straightforward and simple, powerful and majestic, vigorous and powerful, flying with dragons and phoenixes, vivid charm, profound skills, smart and flowing, graceful Ruo Jinglong, majestic, natural, gorgeous and natural, thousands of miles of clouds, self-contained, pleasing to the eye, majestic, graceful, graceful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and frank , tight structure, straight and strong, a masterpiece handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting and silver hook, lifelike, round and smooth, simple and peaceful, free and smooth, all muscles and bones. Preparation, tightness and release, pen strength, retraction and expansion, smart and delicate, hearty and unrestrained, charming and strong, beautiful structure, unique personality, tight and steep, handsome and elegant, three-point dense and plump, rich and graceful, smart Natural and unrestrained, the pen moves like a snake, soft yet strong, strong and simple, penetrating the back of the paper, dignified and simple, round and round, vigorous and powerful, hearty, free and unrestrained, smooth and subtle, strong and straight, steep and clear, combining hard and soft, external teacher good fortune. 2. The four-character idiom of regular script calligraphy writing brush
龙飞风五
lóng fēi fèng wǔ
The explanation originally described the winding and majestic mountains, and later also described the powerful calligraphy strokes. , flexible and stretchable.
From "Tokyo Fu" by Zhang Heng of the Han Dynasty: "My ancestor's dragon flies over the white water, and the phoenix flies over the ruins." Su Shi of the Song Dynasty "Biao Zhongguan Monument": "On the mountain of Tianmu, the Tiao River flows out, and the dragon flies and the phoenix dances. Collected in Lin'an"
Structural combination.
The usage is mostly used to describe the momentum of calligraphy strokes. Generally used as predicate, object, and attributive.
The correct sound is phoenix; it cannot be pronounced as "fēnɡ".
Distinguish the shape of phoenix; cannot write "wind".
Synonyms: free and unrestrained
Example: He was sitting in his seat; he had a big red paper spread out in front of him; he was holding a brush; he was getting ready. 3. What are the four-character idioms in calligraphy?
A wandering cloud scares the dragon, three-quarter penetration into the wood, the facial muscles and willow bones are as straight as a startled dragon, the luan flutters and the phoenix floats, the dragon and the snake fly, the force penetrates the back of the paper, the iron painting is made of silver hook, the flowing clouds and flowing water, The pen walks like a dragon and the snake flies and the phoenix dances
1. The pen walks like a dragon and the snake [bǐ zǒu lóng shé]
Basic explanation: describes calligraphy as vivid and powerful.
2. Silkworm head swallowtail [ cán tóu yàn wěi ]
Basic explanation: describes calligraphy that starts with a dignified stroke and finishes with a light stroke.
3. Fēng jīn duō lì [ fēng jīn duō lì ]
Basic explanation: Feng: plump, substantial; Jin: tendons or ligaments on bones; Duo: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
4. Jiao Ruo Jīng lóng [jiǎo ruò jīng lóng]
Basic explanation: Jiao: vigorous. It is often used to describe vigorous calligraphy strokes or graceful dancing postures.
5. Lipen paper back [ lì tòu zhǐ bèi ]
Basic explanation: penetrating: passing through. The calligraphy is described as strong and powerful, with the strokes almost reaching the back of the paper. It also describes poems with profound ideas and concise words.
6. Three-thirds of the wood [ rù mù sān fēn ]
Basic explanation: It is said that Wang Xizhi was writing on a wooden board, and when he was carving, he found that the writing penetrated three-thirds of the wood. The calligraphy is described as extremely powerful. The problem of multi-metaphor analysis is very profound.
7. Iron painting silver hook [ tiě huà yín gōu ]
Basic explanation: painting: strokes; hook: hook. Describe calligraphy as strong and soft.
4. Handwritten four-character words
Idioms containing hands
Describe quickness (smart eyes and quick hands) Describe cleverness (dexterity)
Describe happiness (dancing)
To describe diligence (not letting go of the book) To describe smoothness (handy)
To describe despicable (unscrupulous) To describe cleverness (to rejuvenate)
To describe panic (in a hurry) To describe indifference (stand by) To describe bossy (Covering the sky with one hand)
Describes intimacy (feeling like brothers and sisters) Describes incompetence (helpless)
Wandering and lazy (idle about) Trying to imitate (enjoy and pursue) Presumptuous or carried away (gesticulating)
Excellent medical skills (can make a difference with one's hands, cure the disease at hand) Rich experience (experienced in wheel-pulling) Overly cautious (tied hands and feet)
Weak and weak (unable to tie a chicken) Movements are chaotic (seven Hands and feet) Powerful (hot)
Rely on power and play tricks (one hand covers the sky) Weak strength (one hand and one foot) Proficient in business (connoisseur)
Skilled in skills (heart and hand) Corresponding) easy to describe (easy to get) Reconciliation (shake hands and say good things)
Rejoicing (adding forehead with hands) Acting according to the situation (lead the sheep with ease) Unrealistic (high-minded but low-handed)
Freedom Pure (easy to pick up) Skillful (easy-minded and quick-handed) 5. A collection of four-character calligraphy idioms
The word "dragon and snake" at the bottom of the pen is like a dragon and snake at the bottom of the pen, describing calligraphy as vivid and powerful.
Source: Chapter 31 of "Jin Ping Mei Ci Hua" written by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has extensive records, and his pen is like a dragon and a snake. He is a true genius."
The pen is like a dragon and a snake. Describes calligraphy as vivid and powerful.
Source: Tang Dynasty Li Bai's "Cursive Script Song": "Every now and then, I see dragons and snakes walking around, and people frowning and shaking."
Silkworms The head and the tail describe the calligraphy that starts with a dignified stroke and ends with a light stroke.
Source: "Xuanhe Painting Book·Yan Zhenqing" written by Zhao Ji of the Song Dynasty. It is unique and comprehensive. ... Later, the popular school sought the end of its shape, so it was called silkworm head and swallow tail. "
Calm, happy, strong and fluent, vigorous and smooth. Descriptive poems and calligraphy are powerful and fluent.
Source: Volume 1 of "Book of Laws" quotes Yang Xin of the Southern Dynasty, Song Dynasty, "Able to Write People's Names from Ancient Times": "The emperor of Wu is famous for his ability to write grass. Calm and happy. "
Calm and happy, strong and fluent, vigorous and hearty. Describes poetry and calligraphy as vigorous and fluent.
Source: "Canglang Poetry Talk·Poetry Debate" by Yan Yu of the Song Dynasty 》: "There are probably two kinds of them, one is to swim leisurely without any pressure, and the other is to be calm and happy."
Fengjin Duolifeng: plump, plump; tendons: tendons or ligaments on bones; Duo: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and some commentators said that it had strong muscles and strength, and was able to travel in the clouds and rain Sudden trend. ”
Feng Boluan drifts, moored: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for a couple being separated or a writer being frustrated.
Source: Tang Dynasty Han Yu's poem "Xunji Mountain": "Ke Douquan's body is covered with sage, and the luan is floating on the phoenix and holding the tiger and chi."
The phoenix dances and the dragon flies to describe calligraphy The writing style is strong and flexible.
Source: Chapter 10 of "The Biography of Heroes of Sons and Daughters": "This calligraphy can also be written in such a way that the phoenix dances and the dragon flies. It is really admirable."
Feng Zhuluan returns to Zhu. : Goofy. It is a metaphor for the flying and stretching of calligraphy strokes.
Source: Lu Ji's "Fu Yun Fu" of Jin Dynasty: "Luans soar and phoenixes fly, cranes fly in fear, whale salamanders trace the waves, sharks and crocodiles rush along the road."
Ancient and modern times The different styles of calligraphy are metaphorical.
Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called fatness in ancient times, and Zijing is called barrenness today. Both ancient and modern times are different, but fatness and thinness are quite opposite."
Crane's knees and wasp's waist ① This refers to two of the eight diseases of poetry's rhythm. Generally refers to the mistakes made in the rhythm of poetry. ②Two kinds of diseased pens in calligraphy.
Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is called wasp's waist, the second word must not sound the same as the fifth word...the fourth is called crane's knees, the fourth is called "Crane's Knees" The five characters must not have the same sound as the fifteenth character. "
Hu Fei Zhong Shou Hu: Hu Zhao during the Three Kingdoms period; Zhong: Zhong Yao during the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Each person is good at describing calligraphy in its own way.
Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao also learned from his method. The Hu style was fat, and the Zhong style was Thin, each has its own beauty."
The calligrapher's method of painting with sand seal clay is a metaphor.
Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "The pen should be like a cone to draw sand, like sand and clay."
Painting worm graffiti describes poor calligraphy or writing. Often used as a word of modesty.
Source: Ming Dynasty Song Lian's "Preface to Han Bo in Kuaiji": "Gu Yu is not sensitive and practices useless learning. He only writes empty words to meet the needs of the times, draws worms and graffiti, and has no time to give." 6 . A collection of four-character calligraphy idioms
The pen moves like a dragon and a snake, the Yan muscles and willow bones, the iron painting and the silver hook, the power penetrates the back of the paper, and the brush moves freely bǐ zǒu lóng shé Definition: Describes the calligraphy that is very beautiful and skillful Yan Jin and Liu Gu yán jīn liǔ gǔ Definition: Yan: Yan Zhenqing, a calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher of the Tang Dynasty.
It means that the calligraphy of the Yan and Liu families is strong and powerful, but their styles are different. Also generally known as excellent calligraphy.
Iron Painting and Silver Hook tiě huà yín gōu Definition: Describes the strength and softness of calligraphy that penetrates the back of the paper lì tòu zhǐ bèi Definition: Describes the strength and power of calligraphy, and the strokes almost penetrate to the back of the paper. It also describes poems with profound ideas and concise words.
huī sǎ zì rú Definition: describes painting, writing, composing, being able to use the pen as one pleases.