The author brought us into the world of willow with poetic language. Willow belongs to poets, but it belongs not only to Bai Juyi and Wei Zhuang, but also to Li Bai, Liu Yong and all their lovers. Therefore, there is a saying that "the spring breeze knows that it is not bitter, but it does not send willow green", so there is a saying that "Yang Liuan, the breeze is dying"-the magnificent and peculiar imagination is the biggest feature of this paper.
The first four paragraphs are not only comparison, but also parallelism. At the same time, they also give natural phenomena a humanistic color, and the beauty of imagination is amazing. In this clever and poetic text, our hearts can only be intoxicated.
Zhang Xiaofeng is a famous essayist in Taiwan Province, and critics praised her for her "pen is like the heat of the sun, the chastity of frost and snow, the fragrance of cold plum in writing and the words like ice". Yu Guangzhong once called his article "graceful and powerful" and listed it as "the third generation famous essayist". It can be said that the magnificent imagination and poetic language are the most basic features of Zhang Xiaofeng's prose.
2. "Liu" original:
All the trees are painted with dots, only the willow trees are painted with lines.
Other trees always have flowers or fruits, only willows, and some useless white catkins are scattered blankly.
Other trees are all messages with tight passwords, only willows are loose knots.
Other trees are suitable for flower arrangement or decoration, and only willow trees are suitable for folding willows in Baling to bid farewell.
Willow is out of date, willow is getting old, and willow has no practical value-except beauty.
Willow is not a tree of craftsmen, but a tree of poets and lovers. There are fewer and fewer willows. Every time I see a willow tree, I hold my breath nervously-I'm afraid I'll forget it one day. I'm afraid that one day when I read Bai Juyi's Where to Think Before Spring, Wicker Can't Mention to the King of Wei or Wei Zhuang's Wandering Willow, I will also look it up in the dictionary.
Willow can never make a forest, and it is destined to be a plant on the shore. However, it is useless to look up some things in the dictionary. How can we understand the willow in Su Causeway and sort out the spring breeze in the south of the Yangtze River in February? How beautiful the willow in Suidi is, just like a misty jade curtain.
Wicker stripes are used to reaching into the water and winding the quiet clouds and moonlight in the water. It often catches a complete water moon skillfully, which is much more clever than Li Bai.
There are countless leaf buds called "green eyes" hidden on the soft strips of spring willow. When those eyes are happy, they spit out several veins of green leaves. A few days later, all the green eyes like wheat grains opened.
Some people suspect that there are gems under the roots of rainbows, but I always suspect that there are emeralds under the roots of willows-otherwise, where can willows absorb so much pure green?
Extended data:
Zhang Xiaofeng was born in 194 1 and is 77 years old (20 18). China Taiwan Province Province famous essayist, Jiangsu Tongshan people. He graduated from Soochow University in Taiwan Province Province, taught in this university and Hong Kong Baptist College, and is now a professor at Yangming Medical College in Taiwan Province Province.
Zhang Xiaofeng wrote many different genres, such as prose, new poetry, novel, drama and prose, among which prose is the most famous. Her famous work "The End of the Carpet" expresses the joy before marriage, and her feelings are delicate and touching, but her achievements are not limited to this. Her later works are constantly developing and breaking through in content and skills, from describing trivial matters of life to expressing feelings about home and country and the social world, integrating into philosophy and constantly exploring.
Zhang Xiaofeng's prose works not only lament the nothingness of life, but also do not indulge in the obscurity of words. Between the lines, there is a plain and unyielding heroic spirit and chivalrous style, and there is no lack of delicate tenderness of women's elegance and sadness. In Zhang Xiaofeng's articles, there are heroic teenagers who are sad at the top of an independent mountain, Mei Fei who is standing in the dense plum fragrance, and a quiet and peaceful girl at the other end of the red carpet.
In her works, we can read the historical biography of Han Dynasty, poems and songs of Tang Dynasty, essays of Song Dynasty and operas of Yuan Dynasty. Her writing makes good use of intellectuality to enhance sensibility, and also extends herself to the self in the field of vision. She has a pair of discerning eyes to see through the ordinary, and she will taste the trivial and ordinary life into beauty, elegance and gentleness. At the same time, he also made great contributions in the field of drama.
From 197 1 to 1977, Zhang Xiaofeng wrote eight plays, such as Painting Love, The Fifth Wall, Wu Lingren, He, The Third Harm, and Cooking. She not only wrote the script, but also took part in the performance herself. Her plays are strongly "modern".
References:
Liu _ Baidu encyclopedia _ Baidu encyclopedia