original text
Prelude to water melody
(Gift from Huangzhou Kuaizai Pavilion)
The sunset lifted the embroidered curtains and looked out, the pavilions and blue sky under the river, the sunset and pavilions in the distance, and the endless space. In order for me to come, you specially painted the windows with bright red paint. This reminds me of the time when I was in Pingshan House, leaning against the pillow, enjoying the misty rain in the south and looking at the horizon in the distance. Know the drunk's language: the color of the mountain there is yes and no.
The endless water surface is crystal clear, reflecting the green shadow of the mountains. Suddenly, the river was rough, and a fisherman was sailing in the wind and waves. Seeing this, I can't help but think of Song Yu's Song Yu. It is impossible for such a ridiculous person to understand that the wind in Zhuangzi is the voice of nature, saying that the wind has a daughter. As a matter of fact, as long as a person has the noble spirit of ambition and wisdom, he can be poised in any occasion and enjoy the infinite comfort of thousands of miles.
Edit the epigraph explanation of this passage.
Melody, melody, melody, melody, melody, melody, melody, melody, melody, melody, melody, melody, melody.
[Textual research] There is a saying in Sui and Tang Dynasties: "Yang Di cut the Bianhe River and made his own [water adjustment]." I said, "[Water control] and [River biography] were made by Emperor Yang worshipping Jiangdu." Ming Taizu Miscellaneous Notes: "Lushan made a mistake and wanted to move his wealth. The emperor set up a restaurant to have some fun. Those who entered [Shuidiao Song] asked who wrote this song and said it was Li Qiao, saying it was a real genius. " Recent situation in the Southern Tang Dynasty: "Yuan Zong asked Yang Huafei, a musician, to play [Shuidiao Ci] as wine, and Huafei only sang' The son of heaven in the Southern Dynasty was very romantic'." Bai Letian listened to the word [Water Tone]: "Five characters are the most frequently used, but there are many reasons for adjusting less." Biji Manzhi: [Shuidiao Song], the essence of orthodoxy contained in the music of the Tang Dynasty, the palace, the time number Shuidiao. "The world for Yang-ti to make this" water tune ",this song for the palace lu tune. "Look at the above, this song originated in the Sui and Tang Dynasties, and it is a five-character song. There are seven words in the Five Dynasties. In the Song Dynasty, it began to evolve into a new tune, which became the current tune. It was the most popular at that time, and many poets filled it in. Wu Mengchuang's name is 【 Jiangnan Good 】, and Jiang Baishi's name is 【 Huajian Crime 】. The following sentence is a different name. The so-called "Song Tou" is one of the explanations in the first chapter. (See "Broken Story in the Sea")
[Exercise] This piece of music has 94 words, focusing on difficult sentences. The first sentence is five words, the last three words are even, and the frame is fixed. The second sentence is five words, which is the usual five-word sentence. The first word of these two sentences is flat and informal, and there is no way. The third sentence is eleven characters, syntactically, six times five times, or four times seven times; This word consists of six times and five times. The first and third words are flat and informal.
The French word is also flat in the sixth word, not necessarily. Gaiwei's syntax is four sentences and seven sentences, the sixth word is sometimes flat, while the syntax of six sentences and five sentences is absolutely flat. The fourth sentence doesn't rhyme. The fifth sentence is also six characters, and sometimes it can be paired with the previous sentence; The fifth word is flush. The sixth sentence is five words, just like the second sentence. The seventh and eighth sentences are all five words, just like the first and second sentences. After the head change. The first sentence is three words and three sentences, just like the first three sentences after Huihuan. The first sentence of the word notation is flush, and the second sentence is flush, which is not valid. And the third sentence must be flat, covering this annoying sentence, and the last three words are flat, which is the freeze frame. The fourth sentence is exactly the same as the first half.
When is the bright moon,
⊙●●χ● (sentence)
I take my glass from a distance.
⊙●● ○△ (even rhyme)
I don't know what year the palace in the sky is tonight.
⊙⊙⊙⊙⊙⊙⊙⊙⊙⊙⊙⊙⊙⊙⊙ (Xie Pingyun)
I want to go home in the wind,
⊙⊙⊙⊙⊙ (sentence)
I'm afraid of Qionglou Yuyu,
⊙⊙⊙⊙⊙ (sentence)
It's too cold up there.
⊙●●○△ (Xie Pingyun)
Dance to see the shadows,
⊙●●χ● (sentence)
What is it like?
⊙●●○△ (Xie Pingyun)
Zhuge,
● ⊙● (sentence)
Low-level families,
●● (sentence)
Take a sleepless photo.
●○△ (Xie Pingyun)
There should be no hatred,
⊙⊙● (sentence)
What is biased towards other times.
○○○○○○○○○ (Xie Pingyun)
People have joys and sorrows,
⊙⊙⊙⊙⊙ (sentence)
The moon is cloudy and sunny,
⊙⊙⊙⊙⊙ (sentence)
This matter is ancient and difficult to complete.
⊙●●○△ (Xie Pingyun)
Wish people a long time,
⊙ ● ● (sentence)
Thousands of miles * * * ChanJuan.
⊙●●○△ (Xie Pingyun)
Edit the introduction of the author of this paragraph.
Su Shi (1037 ~110/) was born in Meishan, Northern Song Dynasty. He is a famous writer, one of the eight masters in Tang and Song Dynasties. He is knowledgeable and versatile, and has high attainments in calligraphy, painting, poetry and prose. His calligraphy is called "Song Sijia" with Cai Xiang, Huang Tingjian and Mi Fei; He is good at painting bamboo and strange stones, and also has outstanding opinions on painting theory and calligraphy theory. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose is as famous as Ouyang Xiu. Poetry is like the name of Huang Tingjian; His words are magnificent and bold, and his words are graceful and restrained. Known as "Su Xin" with Xin Qiji in the Southern Song Dynasty, * * * is an uninhibited poet.
In the second year of Jiayou (1057), he was a scholar, and was appointed as the master book of Fuchang County, and the bookmaker of Fengxiang Prefecture was called the History Museum. In the second year of Yuanfeng (1079), when Zongshen knew Huzhou, he was appointed as the censor. In the third year, he was demoted to Huangzhou Yong ying ambassador, built a room in Dongpo, and was named Dongpo layman. Later, the money was transferred to the United States. In the first year of Yuan You (1086), Zhezong returned to Korea, where he worked as a calligrapher in China and obtained a bachelor's degree in Hanlin. Know the patent. He was dismissed in nine years and exiled to Huizhou and Danzhou for three years (1 100). He was recalled to the north and died in Changzhou. The existing Complete Works of Dongpo 1 15 volumes.
Appreciate editing this paragraph
This poem was written in the fourth year of Dongpo's exile in Huangzhou, and it is one of Su Shi's representative poems. Through the description of the magnificent mountains and rivers around Kuaizai Pavilion, the whole poem expresses the author's broad-minded and heroic life spirit.
The object described by the author is mainly the vast scene around the "Kuaizai Pavilion". The first four sentences, first with real pen, describe the river and blue sky under the pavilion, the sunset in the distance and the beautiful picture of the pavilion, showing a vast and boundless realm, full of boundless feelings. The sentence "Knowing You as Me" explains the creation of the new museum, points out the close relationship between the owner and himself, humorously describes that the Kuaizai Museum built by Zhang Yong was specially built for himself, and writes that the windows of the museum are painted in green and red, with fresh colors. The word "wet" describes the wet paint and is quite vivid.
The five sentences "I remember the scene of Pingshantang for a long time" are not only the scene in memory, but also an imaginative profile description of the scene in front of me. The author used the word "long record" to evoke beautiful memories of misty rain in the south of the Yangtze River and lonely beauty in Pingshan Hall, Yangzhou. He also compared the scenery he witnessed on Kuaizai Pavilion, and integrated Kuaizai Pavilion with Pingshan Temple, forming a beautiful and unique artistic conception. This kind of brushwork, in which scenery is recalled, not only adds twists and turns, but also strengthens the ethereal movement of words. The above five sentences are novel, unique and fascinating. Through the author's carefree dripping, he conveyed the joy of seeing victory in front of the Kuaizi Pavilion today.
The first part is the combination of reality and reality, describing the scenery under the Kuaizi Pavilion and its distance. In the following film, the following five sentences were changed, showing the spectacular scene of sudden changes, rough waves, clouds opening and closing and bright eyes in front of the pavilion with superb artistic techniques. The poet came into being and expressed his lofty ideal and life pursuit. "A thousand hectares, the mirror is clean, the blue peak is upside down", which describes the vast and clear river surface, and the crystal green peaks are reflected on the river surface, forming a beautiful and moving picture of calm landscape, which is a static description of water and mountains. "Suddenly" two sentences, write a huge wind, the river suddenly changed, the waves were rough, the clouds opened and closed, and a fisherman was driving a boat and dancing in the stormy waves. At this point, the author's description of the strange peak suddenly changed from a static state to the focus of the whole word-a white-haired old man struggling to fight the wind and waves. The image of this Pulsatilla is actually a symbol of Dongpo's own personality. In the following sentences, the author naturally leads to his comments on Feng Fu written by Song Yu, the commander-in-chief of Lantai in Chu State during the Warring States Period. In the author's opinion, Song Yu's statement that the wind is divided into "the wind of kings" and "the wind of Shu Ren's femininity" is absurd, and it is a blunt sermon that does not understand the principles of nature, as evidenced by the magnificent wind god of Pulsatilla. In fact, there is no distinction between nobility and inferiority in nature as Zhuangzi said. The key lies in the level of people's spiritual realm. He told the world with the shocking words of "a little awe-inspiring, a thousand miles fast": as long as a person has the supreme awe-inspiring spirit, he can be extraordinary, upright and carefree, and he can be at ease under any circumstances and enjoy the glory of thousands of miles that makes people feel infinitely happy. It is obviously of positive social significance for Su Shi to maintain a noble spirit and an open attitude towards life in adversity.
From the artistic conception and structure, this word has the characteristics of ups and downs, colorful, open and closed, ups and downs. The description and discussion in the next film are magnificent, and the image of Pulsatilla between the lines is like a hundred rivers flowing into the sea, which implicitly explains the theme of the whole article and gives readers a strong shock.
The whole poem is a combination of scenery, lyricism and discussion, which not only describes the vast and magnificent natural scenery, but also injects a kind of magnanimous and lofty spirit into it, showing the poet's leisurely and upright spirit in adversity and fully embodying the characteristics of Su Ci.