Poetry recitation for Eid al-Adha, not too long or too short

Ⅰ Dedication

You will be baptized in this land, the holy water of life

You will give the deepest sense of suffering

Divine writing, the pig iron element of Chinese poetry!

She is here, and her appearance is to find the master. When all poems raise the pioneer flag to package themselves, her sword of muse penetrates the dragon vein of history and points directly to the present. Sweeping away the decadence, collecting pots and tiles, and sacrificing blood to Xuanyuan; she came, when the whole of China's new poetry was pouring out but it was still young and had not really found its own mouth, she came, a kind of post-Nirvana Resurrection, after experiencing the blood of the land and the chaos of the city of Sodom, she will shine as a witness to the prosperous China. Any doctrine is superfluous; she is "One", and all things are the "One" that governs the universe from the beginning; she rejects mediocrity and vulgarity, and divine writers are a group of singers walking on the line between hell and death. .

Art has its own inherent laws, but no one tells you what they are, so you are the law yourself.

The greatest poetry exists in the national memory. It is the most profound and swaying. Apart from that, there is no so-called greatness because poetry is not a technology. Language coexists with life and the human soul. Pure poetic language does not exist, but we pursue it, and extremes often have vitality. Human beings have the double reconstruction of servility and pursuit of the lofty and sacred, and individual existence also has its own size; annihilating the subject means emptying oneself. Emptying oneself does not mean enlarging oneself to the entire universe, because the enlargement still has the existence of the individual self, which is at most It is the pan-theistic realm where all things are unified with me, and I am unified with all things. The highest state is that I am all things, and all things are me. This is China’s unique poetics. Poetry is created without form. Content and form need to go beyond unity. Because being and nothing are not always unified, they can also be transcended. True poetry is ultimately wordless. Any form or style is just the return and reshaping of form. The poet cannot be separated from the land and memory.

True poetry can connect with heaven and earth, become one with all things, and breathe.

Spirituality is the life of the poet. Heaven and earth are responsible for the movement of Qi. Heaven represents the emptiness of Qi, and earth represents the solidity of Qi. The changes in the two rituals, and the emergence of vacuity and solidity, are the pulse and Qi of poetry! If the two instruments are not supplemented, the virtual and the real will not be overcome, the energy will be extinguished and the spirit will be scattered, the meridians and bones will not be restored, and the spiritual energy will be lost! Therefore, poets stand between heaven and earth. Those who understand heaven and earth are great, those who stick to one end are stingy, and those who stick to one thing or another are mediocre. From classical Chinese to vernacular, there is a change in context, but people's thinking level has not improved. What has increased is the level of discovery and deduction; fire is still fire, and water is still water. The high realm of poetry should advance both into people's hearts and national memories. That is the only best way to gain enlightenment. Once enlightenment is achieved, it will be natural. Any doctrine is superfluous. Various isms only emphasize certain aspects of poetry and hinder people's pure eyes. Poetry, like culture, has only one, and that is the living environment of the nation. There is no so-called before and after. Therefore, the poet's feet must stand on the land of the nation and be inserted into the soil. Everything from the outside must be filtered and quenched through the national soil layer without careful discrimination. The elements that rise into the blood are pathologically distorted; hybridization and optimized species exist, but they are not universal. Dogma exists in poetry, but poets do not Dogma exists. Politics and poetry are related, and both pursue freedom, but the poet does not believe in either of them. What the poet needs is uncontaminated freedom, absolute freedom. Women's hormone secretion is always different from men's, so men's poetry and women's poetry will never be the same.

The greatest poetry is narrative, and the best poetry is lyrical.

So there is no such thing as the greatest and the best. People always understand the relationship between the two separately. Poetry should show wisdom. Without wisdom, there is no creation. Without creation, there is no art. Sliding into concepts, inertia, and logic is not the poet's fault, but the poverty and depletion of semantics. This kind of person deserves it. Language is the last magic weapon of the poet. The language of poetry should be different from any other language. It is not the language of all living beings, but the natural intuition of poetry. The real pretentiousness of the poet lies in the poet himself knowing how to be profound and shallow. Poetry is outside poetry, don't go to the garbage dump to pick garbage. A true poet is not alive, but dead. He is dead from the beginning. The so-called person who dies but does not die will live longer; the poet's creation is ultimate from the beginning. Poets do not need personality, but they need poetic style, because some people say that poetry is more important than people, and the text is more important than poets; this is a complete reversal of right and wrong. Good love is the soul of the poet; the poet must first transcend himself and then transcend others. The essence of poetry is tragedy and cosmic law. Analysis of the meaning of poetry: first, the literal level; second, the ideological level; third, the artistic level; fourth, the symbolic and mystical level; and finally, the moral level, if any. Music is the worship of the supernatural, abstract and mysterious, so modern poetry and music cannot be absent. Heaven and earth are formless, so poetry is formless. It takes shape according to thoughts, and forms form according to shapes. It is as vast as the water of a big river, as small as the stars and rivers fighting to turn the elixir into something invisible. The formal sense of poetry and verses integrates all issues of content and form. Form is content, content is form, and nothing is something, and something is nothing. The formal beauty of language is different from the formal beauty of lines, the formal beauty of colors, the formal beauty of spatial structure, and the formal beauty of time structure.

The external form of language is beautiful and easy to understand. We pursue an inner form of beauty, that is, an elevated, integrated sense of language form of lines, colors, time and space. Maybe it's not considered "beautiful", but it's unique. In short, a high-quality work should generally be able to peel off skin and retain liquid, be spiritual, have smooth texture, and be clear and natural in space.