Wrap the straw lightly and go to the secluded room at night.
The source of the trip has turned far away, and the situation is not exhausted.
It's cold and humid.
Wei Jian's water has been lost again and again, while Lin Jiong's rocks are denser.
As soon as possible, the west is called the beginning of the month, and Gu Dong suspects the sunset.
Practice late and choose dizzy, cover up the week.
It doesn't matter whether it's expensive or not. It's beautiful and auspicious.
A thoughtful person often walks frankly, but nobility is hard to beat.
What's the end of H, O? I silently give you a hug.
If peace has been handed over, it will naturally come out.
In 422 AD (the third year of Yongzheng), Xie Lingyun was demoted and released to Yongjia as a satrap. The poet ignored the government affairs in the county and wandered freely in the mountains and rivers. Wherever you go, poetry will win. This poem is one of them. According to the Record of Reading History and Geography, "Twenty miles northwest of Yongjia, there is green, and there is a big lake on it, which is the Seven Peak Mountain." This castle peak is like a castle peak. Most of Xie Lingyun's landscape poems are written in the form of Ji You. Generally speaking, the structure of his composition is to travel first, then write about the scenery, and finally realize the truth. This poem adopts this orderly development order. Write the first two sentences about his preparation and departure before departure. With enough dry food and a portable walking stick, the poet set off in high spirits. He climbed the winding mountain road to climb the beautiful and dangerous mountain peak. "Late pregnancy" is associated with Wei Yi, sui sui, sui sui and other words. "Quiet room", a quiet place, refers to the green hills. Lingyun is a traveler and adventurer. The scenery he chose was not those common rural areas or low mountains and shallow streams, and his appreciation of landscapes was not satisfied with Tao Yuanming's leisurely scene of "picking chrysanthemums under the east fence and seeing Nanshan leisurely". He always aims at high mountains and deep valleys, hoping to see the wonders of quiet scenery that people have never seen before. The words "wrapping grain" and "great strategy" in these two sentences show the distance and obstacles of this trip, and also reveal the poet's great enthusiasm for exploring secluded places. Poetry of the mind reveals the feeling of joy and yearning when recorded at the beginning, and it often makes people feel * * * when opened. In the second sentence, write that he went upstream to the source of the stream; When I got to the shore, my interest was still very strong. This is the first level of the whole poem, that is, Ji You. The brisk and agile poems bring readers into a good situation. The following eight sentences, that is, in the order of travel, describe the scenery of the trip. The poet walked along the stream, but he saw the waves on the stream, which gathered in the mountain bay and condensed into a deep pool. The smoke on the pool made him feel cold. Looking around the west beach shore, bamboo is neatly trimmed and swaying in the wind. Although it has been frozen by autumn frost, it is getting greener and more lush, which is refreshing and shows solid quality. "Chaos", also called "carbon chaos", is used to describe the shape of bamboo. "Cold posture" refers to water and "frost quality" refers to bamboo. The poet continued to enjoy the tour along the stream pool, only to see the stream winding like a snake in the distance, which made it difficult for him to tell the whereabouts of the running water. Looking up, the mountain forest extends into the distance, and the rocks also extend with the forest. The farther away, the denser the strata look. In this boundless dark green, the poet doesn't know whether it is day or night. He looked west, and the afterglow of the sunset leaking from the dense forest was mottled, which made people suspect that it might be night and the moon was rising. Looking east again, the dim moonlight shone faintly on the rock wall, which made him doubt that the sun was setting. Lingyun writes landscapes, and is best at realistic and delicate depiction. As Wang Fuzhi commented: "Shooting the scene to attack the witness's heart, the appearance is true" (Selected Ancient Poems, Volume 5). These six sentences, written in terms of vision, touch, feeling, illusion and so on, accurately represent the weather of the dense forests and streams in the deep mountains and valleys, and show the complexity, twists and turns, darkness and cold of the mountains and rivers by using the contrast of shallowness, darkness and distance, resulting in a deep, mysterious and unpredictable realm. Such mysterious and quiet primitive mountain scenery has never been seen or written before. Lingyun writes landscapes, in order to achieve the purpose of "writing things with extreme feelings", and strives to "seek novelty by exhausting words" and express novel images with new language and characters. The words "Wei", "Jiong", "Re-fascination" and "Overdense" in these sentences are extremely subtle and realistic. The combination of "Lian Lian Jie Zi Han, Tuan Luan Run Gao" creates the duality of the two overlapping rhymes "Lian Lian" and "Tuan Luan" in the upper and lower sentences, which produces a neat and sonorous sense of rhythm in hearing; The two verbs "knot" and "run" are placed in the middle of the third word in the sentence, which constitutes the "eye in the sentence", making the scenery more vivid and fresh, showing the poet's ingenuity. The sentence "practicing the evening" is a summary, saying that he was only interested in enjoying the secluded scenery in the mountains and forgot the passage of time. Unconsciously, he has swam from morning to dusk. I have also been to the deepest and most hidden place in Shilin, which is the second level. The poet describes the scenery with his beautiful feelings and dense algae, which constitutes the most wonderful part of the whole article. The following eight sentences are the third level, improvisation and understanding. This part is rather boring, as explained below. "Guashang" means Guashang wine. The Book of Changes says: "Ninth grade,' Don't be a prince, be a noble. """Fulfill the second" is to fulfill the hexagrams. The Book of Changes said: "In 1992,' Walking on the road is frank and honest, and you are sincere and auspicious. "Expensive" and "beautiful" both mean to admire and appreciate. The two sentences "You Ren" and "Gui Ren" are closely linked, and then they express their feelings, saying that hermits are open-minded. This kind of noble wind and lofty interest is really chinese odyssey. It is not difficult for readers to find that Lingyun has already called himself a "recluse". "Ah," is where the voice of the answer ends "means why. My body and mind are immersed in the barren mountain forest, and there is no reason to hear the sound of wandering again. The phrase "loneliness" also comes from Laozi: "The sage holds one for the world" and "holding the spirit, holding one is inseparable. "One" means Tao or Daquan, and holding one means keeping the Tao. I can only pin my thoughts and feelings on the metaphysics of Laozi and Zhuangzi in loneliness and keep myself calm. The word "Ru" in the last sentence should be "Zhi". "Zhuangzi Shu Xing Pian" said: "Those who ruled the Tao in ancient times cultivated knowledge by knowledge, and were born ignorant, which is called knowledge by knowledge. Knowledge and embarrassment complement each other and complement each other. "The general idea is that knowledge is harmful. If we want to pursue the' Avenue', we must quietism, let nature take its course and abandon knowledge. Abandoning knowledge is the real "knowledge". Static inaction cultivates this "knowledge", which in turn cultivates static inaction. The two complement each other and contribute to each other, resulting in "harmony" in human nature (meaning pure and peaceful spiritual realm). This method is "correction". To cultivate is to "govern" and to govern nature is to cultivate nature. Lingyun said here, in this natural embrace, he felt that he had reached the realm of "knowing each other and educating each other", and he could pay attention to the way of keeping in good health from now on. Although this poem has an obscure and boring "metaphysical tail", it is not only vivid and fresh in modeling landscapes, but also clearly explains the process, time, place and mood of travel, showing a kind of interest in lodging. Therefore, when reading this poem, readers will still unconsciously follow the poet's climbing and wandering in the mountains and rivers, thus obtaining the aesthetic pleasure of sympathetic communication with nature.