Poetry refers to the direct expression of thoughts, the use of symbols of feelings, and the blending of thoughts and concrete things. Should poetry have its own characteristics?
First of all, it is necessary to write the characteristics of object-chanting poems realistically, and deepen the charm and character of object-chanting poems, that is, to paint chrysanthemums like Zheng Sixiao, the minister at the end of the Southern Song Dynasty;
Flowers and flowers are independent and hedge.
Ning zhi holds incense to death and never blows the north wind?
Chrysanthemum is independent, fragrant, lonely, vain, and flowers adhere to moral integrity. Ao Shuang is in its heyday, radiant and full of enthusiasm. Chrysanthemum has a certain charm. Chrysanthemum depicts itself in the same poem, and the corresponding flowers allude to some condescension and officialdom, so it belongs to Steven Song.
The 342nd poem was translated into two sentences: Zhu's holding branches danced with the yellow leaves. Poetry of the West Wind accurately depicts Ju Ning's submission to the fragrance of the north wind and her withered branches and leaves, and her tenacious spirit is absolutely reflected in her loyalty, clanking iron bones and Yu Ning's broken tiles. The north wind pun literally means that the cold wind roared, but the north wind actually means that the rulers of the Northern Yuan Dynasty were destroyed by force. Although the Southern Song Dynasty conquered like a poem, the title of chanting chrysanthemum was quasi-handwritten, praising the arrogant character of chrysanthemum, and the image was expressed by himself.
When appreciating poems about objects, we should pay attention to the author's description of the feelings entrusted by things.
Yu Ming Qian 17 years old wrote Ode to Lime;
It's too easy to burn to death in the mountains.
I'm afraid I have to live in a blue and white room.
In the first sentence of the poem, it takes a lot of effort to establish a profound meaning. The first sentence intentionally changed hands, indicating that lime is in danger, which shocked the place. The third sentence is intended to change hands to show that lime is afraid of breaking and willing to die for virtue. The last sentence of the poem shows that poetry is afraid of sacrifice, and death is a hero's feeling. The first three sentences of the poem should be left in blue and white, and the finishing touch of the whole poem should be left behind. How does the lime sing in front of it? I said that the author wrote every word of Lyme with ambition and ideals.
In addition, we should also pay attention to the analysis of the writing skills of object-chanting poems, which can often reflect the degree of integration between object-chanting poems and poetry self-image.
Huang Chao Luo Di's Chrysanthemum;
I will kill you on September 8th in autumn.
Xiang Chong array filled the whole city with golden armor.
The author affectionately calls the chrysanthemum my flower, which symbolizes the widespread oppression of the people and the corresponding self-metaphor against the decadent feudal ruling group.
Poems 3, 4 and 2 describe the magnificent sight of chrysanthemum shining through the city. The whole city is covered with golden armor. Chrysanthemum flowers spread with a strong fragrance, soaring into the sky and soaking the whole city. The festive thoughts of chrysanthemum, chrysanthemum, king and chrysanthemum are profound in imagination, novel in metaphor, magnificent in rhetoric and broad in artistic conception. It is said that the chrysanthemum varieties of the former ancient authors are elegant. The static beauty shows that the species is bold and bold, full of fighting atmosphere. The beauty of the country is not isolated. Clusters of chrysanthemums occupy the whole city. Qiu Guang exudes a strong fighting atmosphere. this