Changsha expresses the revolutionary youth's feelings about the fate of the country and their lofty sentiments of taking the world as their responsibility, despising reactionary rulers and transforming old China. "Snow" expresses the love for the mountains and rivers of the motherland, expresses the unprecedented lofty aspirations and firm beliefs of today's revolutionary heroes, and is even more magnificent.
Changsha Qinyuanchun 1
Modern: Mao Zedong
Independent cold autumn, Xiangjiang River north, Orange Island.
You see the mountains and plains, and the layers of forests are all dyed; The river is full of water, and hundreds of people compete for the flow.
The eagle strikes the sky, the fish is shallow, and all kinds of frost fight for freedom.
Lonely, ask the boundless earth, who is in charge of ups and downs?
I took a hundred couples on a trip to reminisce about the past years.
Just a classmate and teenager, in full bloom; Scholar spirit, Fang Qiu.
Pointing out the maze, inspiring words, the dirt in Wan Huhou that year.
Remember hitting the water in the middle stream and the waves stopped the speedboat?
On a crisp autumn day in late autumn, I watched the clear water of Xiangjiang River slowly flow northward. I stood alone in orange island. You see that thousands of peaks have all turned red, and the layers of trees seem to be stained with color. The river is crystal clear, and the big ships are racing against the wind and waves.
The eagle flies briskly in the vast sky, the fish swims briskly in the clear water, and everything competes for free life in the Qiu Guang. Facing the boundless universe, I want to ask: Who will decide the rise and fall of this boundless earth? In retrospect, my classmates and I often come here hand in hand to play.
Talking about state affairs together, countless extraordinary years still haunt me. Students are in their youth and prime of life; Everyone is ambitious, unrestrained and strong.
Commenting on state affairs, writing these turbulent and clear articles, treating the warlords and bureaucrats at that time as dirt. Do you remember when we were swimming in a place where the river was deep and fast, the waves almost blocked the speeding boat?
2. Spring snow in Qinyuan
Modern: Mao Zedong
Look at what the northern countries have shown: a hundred miles of frozen Go; Thousands of miles of snow.
Behold! Within and without the Great Wall, the boundless land is clad in white. And up and down the Yellow River, all the endless waves are lost to sight.
The mountains are like dancing silver snakes, and the highlands are like advancing wax elephants, all trying to match the sky in height.
When the weather is fine, look at the sunny market. What a charming sight!
This land is so beautiful that countless heroes bow to their knees.
Unfortunately, Qin Shihuang, Han Wudi, literary talent is slightly inferior; Emperor Taizong, Song Taizu, slightly less civil servants.
Genghis Khan, the hero of the throne, only knows how to draw a bow and shoot arrows.
These characters are gone, a few heroes who can make contributions, look at today's people.
The scenery in the north is frozen for thousands of miles, and snowflakes float for thousands of miles. Looking inside and outside the Great Wall, there is only boundless whiteness left; The Yellow River, which is wide up and down, suddenly lost its surging water potential. Mountains are like flying silver pythons, and hills on the plateau are like many white elephants running. They all want to try to compare with God.
On a sunny day, it's especially nice to see red sunshine and white ice and snow complement each other. Jiangshan is so charming that countless heroes compete for beauty. Unfortunately, Qin Shihuang and Han Wudi were slightly inferior in literature.
During the reign of Emperor Taizong, Song Taizu was a little less than Sandwich. Genghis Khan, the hero of my life, only knows how to shoot an eagle with a bow. These characters are all in the past. Counting the heroes who can make contributions depends on today's people.
Extended data
1, the creative background of Changsha Qinyuanchun
Qinyuanchun Changsha was written by Mao Zedong in the late autumn of 1925. At the age of 32, he left Shaoshan, his hometown, and went to Guangzhou to preside over the peasant movement workshop, passing through Changsha and revisiting Orange Island. He was deeply moved. By describing autumn scenery in Changsha and recalling the revolutionary struggle life in his youth, he expressed the revolutionary youth's feelings for the fate of the country and their lofty desire to take the world as their responsibility, despise reactionary rulers and transform old China.
/kloc-in the autumn of 0/925, Zhao Hengti, the governor of Hunan, wanted Mao Zedong again. Mao left Changsha for Guangzhou. This word was probably written when he left Changsha.
Mao Zedong's autumn scenery Ci "Qinyuanchun Changsha" has always been praised by the world, and it is a unique Qiu Ge. The word broke away from the sad autumn of the old people, swept away the laziness and bleakness of the past, and with its colorful autumn scenery of Xiangjiang River and magnificent and lofty realm of late autumn, led readers to feel the broad-minded feelings and revolutionary aspirations of poet Mao Zedong, thus becoming a unique poet.
2. The creative background of "Spring and Snow in Qinyuan"
1936, the red army organized troops to March eastward, preparing to cross the yellow river eastward to fight against the Japanese army. When the Red Army set out from Zichang County and advanced to Yuanjiagou, Alex Gao Village, Qingjian County, the troops rested here for 16 days. From February 5th to 20th, when Mao Zedong lived here, it snowed heavily. The Great Wall is covered with snow, and the uplifted Qin Jin Plateau is covered with ice.
The weather is so cold that even the roaring Yellow River is covered with a thick layer of ice, losing the waves of the past. Late at night, Mao Zedong lives in the home of farmer Bai Zhimin. Seeing this scene, I was deeply touched and filled in this word. Qinyuan Spring Snow was first published in Chongqing Xinmin Daily Evening News magazine on June1945+065438+1October 14, and then officially published in poetry magazine on June 1957.