The stream of the river has been flowing for less than a day, and white stones are exposed on the riverbed. The weather is getting colder and the red leaves on the branches are becoming scarce.
There is no rain on the winding mountain road, the smoke is misty in the dense pine trees, and the water vapor is heavy, as if to flow, and then the clothes of passers-by.
This little poem depicts the scenery in the mountains in early winter.
The first sentence is about a stream in the mountains. Jingxi, whose real name is Changshui, also known as Lianshui, originated in the Qinling Mountains in the southwest of Lantian County, Shaanxi Province, and flowed northward to the northeast of Chang 'an to enter Lianshui. What is written here is probably the upper reaches of the mountain. Mountain roads are often close to streams. Walking in the mountains, it is easy to notice the winding Qingxi, as if it were a companion. The weather is cold, the water is shallow, and the mountain stream becomes a trickle, exposing the white stone of phosphorus and phosphorus, which is particularly shallow and lovely. Grasping the main features of the mountain stream in cold winter, readers can not only see its clear color, winding shape, but even seem to hear its gurgling sound.
The second sentence is about red leaves in the mountains. Gorgeous frost-leaf mangroves are the characteristics of Qiushan. In the cold winter, red leaves become scarce; This used to be a rather unremarkable sight. But for Wang Wei, a poet and painter who is particularly sensitive to the color of nature, the red leaves dotted here and there are sometimes more conspicuous on a lush mountain background (as can be seen in the following two sentences). They may arouse the poet's reverie about the gorgeous autumn scenery that has just passed away. Therefore, the "rare red leaves" here do not give people the feeling of bleak and withered, but arouse people's cherish and nostalgia for beautiful things.
If the first two sentences describe one or two parts of the mountain scenery, then the last two sentences show the whole picture. Although it is cold in winter, the whole Qinling Mountain is still green and luxuriant, and the mountain road runs through the boundless thick green. Castle peak color itself is ethereal and bright, unlike tangible things that can be touched, so it is called "empty green". "Kongcui" naturally does not "wet clothes", but it is so thick that it can almost overflow the water of jadeite, so thick that almost the whole air is filled with jadeite molecules. People walk in the empty green, just like being shrouded in a green fog. The whole body and mind are influenced and nourished by it, but they feel a slight coolness like drizzle and wet clothes, so although there is no rain on the mountain road, they can feel it naturally. This is an unreal feeling, a spiritual pleasure produced by the complex effects of vision, touch and feeling. The contradiction between the word "empty" and the word "wet" came together in this spiritual pleasure.
Zhang Xu's "Stay in the Mountain" said: "Mysteriously, even if there is no rain, you will get clothes in the depths of the clouds." Touching clothes is a true writing, which shows another beautiful realm where clouds lock the mountains; The "wet clothes" in Wang Wei's Shan Jutu is an illusion and an illusion, which expresses the poetry of dark green mountains. The same scenery in the mountains, the same clothes, but the same works and different songs are wonderful. True art never repeats itself.
This mountain winter scene, which is composed of white stone, red leaves and boundless thick green, is full of poetry and painting, without bleak and lonely artistic conception. Compared with some poems written by the author, it is inevitable that there will be cold nothingness if they are devoted to the realm of tranquility. This poem seems to be healthier in emotion and aesthetic taste.
Appreciation of Wang Wei's Autumn Night in the Deep Mountains
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
This famous landscape painting embodies the poet's noble feelings and pursuit of the ideal realm in poetry and painting.
"An empty mountain after the rain stands in the autumn evening." It is clearly written in the poem that there is a female fishing boat. How can the poet write that it is an "empty mountain"? It turned out that the lush trees in the mountains covered up the traces of people's activities. It's called "There seems to be no one on the empty mountain, but I think I hear a voice" (Chai Lu)! Because there are few people here, "no one in the cave knows about foreign affairs, and outsiders only see empty mountains and thick clouds" ("Peach Garden Tour"), most people naturally have rich mountains and people. The word "empty mountain" points out that this place is like a paradise. In the early days of Shan Yu, everything was new. It was early autumn evening. It is conceivable that the air is fresh and the scenery is wonderful.
"Moonlight in the pine forest, crystal stone in the stream." It was dark, but there was a bright moon in the sky. The flowers have withered, but there are pine trees covered. The mountain spring is clear, flowing through the rocks, like a pure white practice, shining in the moonlight, what a quiet and clear natural beauty! Wang Wei's "Four Sages on the Classics" once praised the noble sentiments of the two hermits, saying that "there is no evil wood in the shade, and drinking water must be extreme." The poet himself is such a noble-minded person. He once said, "If you live in a wild forest, you might as well drink the water instead of sitting on the beam and watching the princes." ("Dedicate the Beginning to Prosper the Duke") Isn't it the ideal state that he pursues when the pine tree falls and the clear spring falls on the stone this month? These two sentences are picturesque, casual and out of tune. Such touching and natural scenery writing has reached the level of artistic perfection, which is beyond the ordinary people's ability to learn.
"The bamboo whispers that the laundry girl returns, and the lotus leaves bend in front of the fishing boat." A burst of joy and laughter broke out in the bamboo forest. It was some innocent girls who washed their clothes and came back with a smile. The graceful lotus leaves spread out to both sides one after another, overturning countless pearl-like crystal drops. It's a fishing boat going down the river, which cuts the tranquility of the moonlight in the lotus pond. There are such a group of carefree, hardworking and kind people under the bright moon and among the bamboos and violets. This pure and beautiful picture of life reflects the poet's ideal of living a quiet simple living, and at the same time, it shows his aversion to dirty officialdom from the opposite side. These two sentences are cleverly written, but the pen does not show traces, which makes people feel unique. The poet wrote "Bamboo Noisy" and "Lotus Moving" first, because the Huannv was hidden in the bamboo forest and the fishing boat was covered with lotus leaves. At first, I didn't see it. It was not until I heard the noise of the bamboo forest and saw the lotus leaves in full bloom that I found the Huannv and the Lotus Boat. This writing is more realistic and poetic.
The two couplets in the middle of the poem are all about scenery, but each has its own emphasis. Zhuan Xu re-writes, fragrant and clear; Neck ties focus on writing people and hope for political communication with people. At the same time, the two complement each other. Spring water, pine, bamboo and purple can be said to be a portrayal of the poet's noble sentiment and an ideal environment for the poet.
Since the poet is so noble, and he found a satisfactory paradise in that seemingly "empty mountain", he couldn't help saying, "My friend's prince, spring has passed, and you are still here. What does it matter? ! "Originally," Songs of the South ". Call a hermit and say, "When the king comes back, you won't stay in the mountains for long!" " The poet's experience is just the opposite. He felt that "in the mountains" was better than "in the DPRK", clean and simple, and he could stay away from officialdom and lead a totally clean life, so he decided to retire.
An important artistic technique of this poem is to express the poet's personality beauty and an ideal social beauty with natural beauty. On the surface, this poem only uses the method of "Fu" to shape mountains and rivers, and gives a detailed and touching description of the scenery. Actually, it's full of comparisons. The poet expresses his ambition through the description of the scenery, which is rich in content and intriguing.
Appreciation of Wang Wei's Farewell in the Mountains
Seeing friends off in the mountains, Chai Men is half hidden at sunset.
Spring grass will grow green next year, my friend, will you come back?
This poem "Farewell in the Mountain" did not write a farewell scene from the pavilion, but was ingenious and chose a completely different point from ordinary farewell poems.
The first sentence of the poem, "Friend, I have watched you go down the mountain", tells the reader to say goodbye at the beginning, and uses a seemingly unemotional word "ba" to brush off the farewell scene and feelings. Here, from farewell to sending away, we skipped for a while. The second sentence, "I still closed my thatched door until now", was written during the day when pedestrians were sent away, and it took longer. What are the feelings and thoughts of the people who saw me off during this time? When the poet cuts life into poetry, he cuts it all out as a dark field.
Anyone who has experienced parting knows that the moment when pedestrians are about to leave is really depressing, but a sense of loneliness and disappointment often becomes more and more intense in the evening after parting. There must be a lot to write in this most difficult moment of parting and sorrow; But only one gesture of "Gai Chai Fei" is written in the poem. This is a very common thing that mountain people do at dusk every day, and it seems to have nothing to do with the farewell during the day. The poet links these two unrelated things together, so that the repeated actions every day show different meanings from the past, thus expressing feelings between the lines and seeing sadness between the lines. Readers will see the lonely expression and melancholy mood of the people in the poem; At the same time, I will also think: Night falls after sunset. After the closure of Chai Men, how will this long night be spent? The blank left outside this sentence makes people daydream infinitely.
Three or four sentences in the poem "The grass turns green again in spring, but ah, my friend Prince, what about you?" From Song of the South. Recruit a hermit, "Wang Sun wanders away, spring grass grows and grows". However, Fu lamented that the wanderer had been gone for a long time, and these two poems would never come back when they broke up with pedestrians. Tang Ruxun summed up the content of this poem in the Interpretation of Tang Poetry: "The title of the poem is hidden in the dusk, and people think far; Sometimes the grass is green and pedestrians are hard to return. " And "difficult to return" is one of the reasons for "deep thinking". As a question, "return" should have been raised to pedestrians at the time of parting, but it floated to people's hearts here when pedestrians had gone and closed at dusk, becoming a suspense that no one cared about. This is not the usual farewell speech, but the heartfelt expression after "farewell", which shows that the people in the poem are still shrouded in thoughts until dusk. Although I just broke up, I am looking forward to coming back soon, but I am afraid that I will not come back for a long time. As I said before, there are two periods from farewell to farewell, from "farewell" to "shielding Chai Fei". Here, I bid farewell to the evening of Sunday, think of the spring grass in the coming year, and ask if I will come back then. This is another jump from now to the future, and the jump time is longer.
Wang Wei is good at extracting seemingly ordinary materials from life and expressing deep and sincere feelings in simple and natural language, which is often fascinating. This is the poem "Farewell in the Mountains".
The judges of Liangzhou Pavilion appreciate Cen Can's Night Collection.
The crescent moon climbed into Liangzhou city, city to city, and the sky was full of Liangzhou.
There are 700,000 people around Liangzhou, and the conference semifinals here know how to play the pipa.
The touching pipa pipa piano is very heartwarming, only feel the wind, oh, the night is long.
There are many old friends in Hexi shogunate, so don't come on March 5.
Looking at autumn grass in front of the flower gate now, how can you watch each other grow old and poor?
You can laugh several times in life, and you must get drunk when you meet everyone today.
Liangzhou, mentioned in this poem, is now located in Wuwei, Gansu Province, where Jiedu House in the west of the Tang Dynasty is located. Pavilion, guest house. Judging from the poems such as "There are many old friends in Hexi Shogunate, and they will not come in March and May", Cen Can is visiting Liangzhou at this time. In the shogunate of our time in the west of Liangzhou River, the poet had many old friends and often got together to drink at night.
"The crescent moon hangs on the head of the city, and the head of the city shines in Liangzhou." The first thing that appeared was the crescent moon at Chengtou. Then, with the rise of the bright moon, the silver light poured down and Liangzhou City appeared in the moonlight. The first sentence "Moonrise" means that the moon rises from the horizon, and the second sentence "Moonrise" means that the moon continues to rise over the city.
"There are 100,000 households in Liangzhou, and the Hu people are half-solved." This is through the moonlight shining, more clearly showing the whole picture of Liangzhou. "Liangzhou", some books are called "Liangzhou" (now Hanzhong, Shaanxi). This is because later generations saw "100,000 households in seven miles" and thought that Liangzhou in Gansu did not have such a scale, which made a mistake. In fact, Liangzhou in the early Tang Dynasty was a first-class metropolis alongside Yangzhou and Yizhou. "Seven miles and 100,000 households" is a wonderful sketch of this important town in northwest China. The next sentence is even more obvious in Liangzhou, Gansu. Liangzhou is located in the frontier fortress, and there are many ethnic minorities among the residents. They can sing and dance, and most people can play the pipa. Needless to say, a lute is rippling in the moonlight of Liangzhou City. Here, the songs and dances in Liangzhou City are prosperous, peaceful and stable, and at the same time, there is a strong frontier feeling.
"The pipa can be broken, and the wind is rustling and the night is long." I still write the pipa, but I have slowly transitioned to the party. This "one pipa" is no longer the voice of "Hu people can't play the pipa" in the city, but refers to the performance at the banquet. "The intestines are broken" describes the pipa as touching. "The wind is rustling and the night is long" is the feeling that the northwest region is empty and windy at night. This feeling is enhanced by the performance of A Pipa.
The above six sentences mainly focus on the environmental background. The poet absorbed the artistic factors of folk songs, used thimble syntax, rhymed each sentence and turned two sentences, formed a light singing artistic conception, and wrote the grandeur, prosperity and local color of Liangzhou. The last sentence "The wind is rustling and the night is long" uses the word "Xi" and the word "rustling" and "long" to slow down the rhythm. The last six sentences describe the banquet in a positive way, without rhyme or thimble syntax.
"There are many old friends in Hexi curtains, so I won't come on March 5." The repetition of the word "old friend" in two sentences shows a profound friendship. Because "there are many old friends", the time of separation from everyone is naturally different, so consider saying "March 5 th Spring".
"How can you look down on being old when you see autumn grass in front of the Huamen Gate House?" The "Huamen Building" here refers to the building of Liangzhou Pavilion. The second sentence is followed by "an old friend doesn't come to March 5", saying that time flies and it's autumn again. Time urges people, how can we watch each other grow old in poverty? The implication is to build a successful career quickly.
"You can laugh several times in life, and you must be drunk when you fight." The word "smile" describes the true colors of Cen Can and his friends. Laughter broke out from time to time at the banquet. It is rare to have such a party and such a laugh. Old friends seldom drink together in life, so they can't get drunk!
This poem combines the frontier fortress life sentiment with the rich flavor of the times. The poem begins with the bright moon shining in Liangzhou. While focusing on the scenery of the border town, the moonlight rippling in 700,000 households and the pipa in the city also clearly revealed the vast pattern and peaceful and stable atmosphere of Liangzhou at that time. If we compare it with the Fisherman's Passion written by Fan Zhongyan in Song Dynasty, we can see that they are also writing about border towns, autumn seasons and music of ethnic minorities, but the descriptions of "the sunset closes the city" and "the Qiang tube is covered with frost" show completely different times.
As for the banquet written in the poem, it is even more splendid and heroic, which is beyond the reach of people in the prosperous Tang Dynasty. "How can you look down on being old when you see autumn grass in front of China?" Not because of the passage of time, but because of the heroic feelings of being able to master one's own destiny, showing a vibrant attitude towards life. "Laugh a few times in your life" is a hearty and healthy smile. It comes from confidence in the future and life. Similarly, the last sentence "must be drunk" is not to drown my sorrows by drinking, but to entertain by drinking, which is a heroic and optimistic drunkenness. Readers can feel the pulse of the prosperous Tang Dynasty from the characters' demeanor.
Appreciation of Cen Can's "Zhai Zhong Zuo"
Riding west, almost to the horizon, I have seen two full moons since I left home.
I don't know where to stay tonight, and Pingsha is deserted.
In the Tang Dynasty, Cen Can's frontier poems were unique with their strange feelings and interests. He went to the frontier twice, and he has a deep understanding of frontier life and deep feelings for frontier scenery. This poem "Work in the Sea" wrote down the poet's poetic sentiment in the desert of Wan Li.
The poet carefully captured a silhouette on his way to the desert to show his turbulent life to readers. When describing the scenery, poetry skillfully contains subtle psychological activities, including but not revealing, and touching.
"Red Star over China", from space, is magnificent. Riding and running shows that the journey is tense. "From the West" indicates the direction of progress. Looking up to the sky not only shows that the frontier fortress is far from home, but also shows the momentum of high yuan and low wild in the northwest. The poet wrote a magnificent poem "Feeling the sky is too low" in "Meeting Beijing Judge Li at the west end of the bridge". The vast desert, towering and straight, looking around the world, really gives people a feeling of "hard to fill". "When I say goodbye to my family, I will look at the moon twice", but I will look at the time as gentle as water. On the surface, it seems that the poet only pointed out that he had been away from home for two months and explained that the time was just May. However, on closer examination, the poet's infinite yearning is included in it. A round of group? The bright moon in the sky touched the poet's feelings, and he could not help thinking of leaving his "home" for two months. The time is so clear, which shows his eager yearning for his hometown and relatives. Now, the full moon is not round, why not make people feel very sad? Maybe he wants to use this bright moon that shines thousands of miles to bring his thoughts to his hometown and relatives? The poet just opened a gap in our hearts and revealed this little inner news, but immediately returned to reality from daydream-"I don't know where to stay tonight, Pingsha is deserted." The first sentence is not a positive answer, but a question, leaving the reader with room for full imagination. The latter sentence describes the hazy scene of the desolate desert under the bright moon. The scenery is desolate, but the feelings are not low and sad. In the poet's works, the hardships of military career and the desolation of frontier fortress show the poet's lofty aspirations and lofty sentiments of joining the army and frontier fortress. As the poet said, "Wan Li served the monarch with nothing to ask for. I also know that the wall is bitter and I don't want to work for my wife! " (Judge Yuwen on the first trip to Longshan Road).
This poem creates a vivid image to write feelings, blends with the scenery, has profound and rich meanings and has a unique charm to read.
Appreciation of Du Fu's Song of Drinking Eight Immortals
Zhang Zhi rode a horse like a boat, dazzled, and fell asleep at the bottom of the well.
Ruyang fights three times in the sky, and the road is salivating at the door of the car.
I wish I could seal it to Jiuquan. It will cost thousands of dollars.
Drinking is like a whale sucking a hundred rivers, and a cup of music is called avoiding the virtuous.
Zong Zhi's handsome and beautiful boy looked up at the sky with white eyes.
As bright as Yushu before the wind, in front of the embroidered Buddha in Sujin Changzhai.
When you are drunk, you often love Yi Chan, and there are hundreds of poems by Li Bai.
Chang 'an went to a restaurant to sleep, but the son of heaven didn't get on the boat.
Self-proclaimed Brewmaster, Zhang Xu three cups of grass.
Before taking off his hat and revealing the top of the maharaja, he waved a piece of paper like a cloud.
Jiao Sui's five buckets of rice are outstanding and have amazing eloquence.
Song of Eight Immortals Drinking is a unique and distinctive "portrait poem". Eight Brewmaster were contemporaries and all lived in Chang 'an. They are very similar in drinking, both generous and open-minded. The poet wrote them into a poem with refined language and characters' brushstrokes, forming a vivid group image.
He Zhangzhi first appeared in the Eight Immortals. He is the oldest of them. In Chang 'an, he used to "solve scarabs for pleasure" (Li Bai's Preface to Celebrate Wine). The poem says that after he was drunk, he rode like a boat from side to side and felt dizzy. He fell into the well and fell asleep in it. According to legend, "Ruan Xian was drunk and rode on a horse, and people said," An old man was swimming in a boat. "("Wang Ming Si Yan Ben Du Yi "Volume 1). Du Fu vividly used this allusion to describe He's drunkenness and drunkenness when riding a horse after drinking, full of humorous and cheerful emotions, and vividly showed his broad-minded and reclusive character.
The second character is Wang Lixian of Ruyang. He was the nephew of Emperor Xuanzong of the Tang Dynasty and was very popular for a while. The so-called "frequent kindness from the Lord" and "multiple flesh and blood" (Du Fu's "Gift to the Prince's Taishi Ruyang County King"), so I dared to drink three fights before going to court to visit the son of heaven. He has a different drinking mentality, too. Did you see it on the road? The car (that is, the wine car) is drooling and wants to move his fief to Jiuquan (now Gansu). Legend has it that "there is Jin Quan at the door, and the spring tastes like wine, hence the name Jiuquan" (see Three Ji Qin). It was not until the Tang Dynasty that the royalty was qualified to attack the fiefs. So, among the eight people, only Li Xian will arouse the idea of "moving fiefs", and no one else will dream like this. The poet grasped the characteristics of Li Xian's royal birth, and described his hedonic psychology and drinking behavior in detail, which was true and measured.
Then Li Xianzhi. In the first year of Tianbao, he succeeded Niu Xianke as the left prime minister. He was a good guest and was rewarded in the evening. He spent thousands of dollars on drinking, and the amount of alcohol he drank was like a whale swallowing a hundred rivers. In one sentence, he pointed out his luxury. However, the good times did not last long. After five years of pioneering work, Li is very suitable for being excluded. After the strike, I will have a drink with my relatives and friends at home. Although the wine is still rising, I can't help complaining. I wrote a poem: "Avoid the sages and strike at the beginning, enjoy a cup. In order to ask the guests in front of me, how many will come today? " (Old Tang books. "Li Xi 'an Biography" "A cup of music is called avoiding sages", which uses Li Xian's poems. "Le Sheng" means that he likes to drink sake and "avoid being virtuous", that is, he doesn't drink turbid wine. Combined with the fact that he went on strike, "avoiding sages" is a pun, which means satirizing Li. Here, grasping the important aspect of power gain and loss, portraying characters' personalities and meticulously depicting Li Xianzhi's portrait contain profound political content, which is very intriguing.
After the three dignitaries were shown, two handsome celebrities Cui Zongzhi and Su Jin followed closely. Cui Zongzhi is a charming and handsome romantic figure. He drank too much, so he raised his glass, looked up at the sky, and looked at everything, but no one looked. Drunk, like Yushu swaying in the wind, I can't help it. Du Fu described Zongzhi's handsome figure and chic drunkenness with "Yushu facing the wind", which was very charming. Then write Su Jin. Sima Qian's Historical Records is good at expressing characters' ideological character with contradictory plots. Du Fu is also good at grasping contradictory behaviors and describing characters' personality characteristics. Su Jin indulged in meditation and fasted for a long time, but at the same time he was addicted to alcohol and often got drunk. He was in a contradictory struggle between fasting and drunkenness, but the result was often that "wine" defeated "Buddha" and he had to "escape meditation while drunk". In two short poems, Su Jin's personality characteristics of drinking like a dog, indulging in excess and having no scruples are humorously displayed.
After the above five minor figures were presented, the central figure made a grand appearance.
Poetry wine has an indissoluble bond with Li Bai. Li Bai himself said that "36,000 cups must be poured every day for 36,000 days in a hundred years" (Xiangyang Song) and "Xing Han put pen to paper to shake the five mountains" (Song on the River). Du Fu's description of Li Bai's poems highlights Li Bai's hobby and poetic talent. It is not surprising that Li Bai is a heavy drinker and often sleeps in restaurants in Chang 'an when he is drunk. The phrase "the son of heaven doesn't board the ship" suddenly makes Li Bai's image tall and strange. After Li Bai was drunk, he was even more bold and unrestrained. Even if the emperor summoned him, he was not so respectful and afraid, but proudly shouted, "I am Brewmaster!" " It strongly shows Li Bai's character of not being afraid of powerful people. Although it may not be true, The Son of Heaven Never Boats is very consistent with Li Bai's ideological character, so it has high artistic authenticity and strong artistic appeal. Du Fu is Li Bai's confidant. He grasped the essential aspect of Li Bai's thought and character, and romantically exaggerated it, and shaped Li Bai into such an artistic image of being unruly, wild and unrestrained, and despising feudal princes. This portrait, full of vigor and vitality, has both form and spirit, and shines with the ideal brilliance of beauty, which is unforgettable. This is the romantic image of Li Bai that people have loved for thousands of years.
Another important figure who keeps pace with Li Bai is Zhang Xu. He is good at cursive writing and drinking. Every time he gets drunk, he screams and walks wildly, and his pen is full of changes. If God helps him "(Du Yi, Volume I). At that time, they were called "Cao Sheng". After three cups of drunkenness, Zhang Xu's lofty sentiments were unrestrained, and wonderful cursive script flowed from his pen. Ignoring the dignity of the dignitaries, he took off his hat and showed his head in front of the prominent princes. He writes freely and freely, and his words are like flowing water. How disdainful and informal it is to "take off your hat and show your face in front of princes" It shows Zhang Xu's unrestrained and independent personality.
The figure behind the house in the song is Jiao Sui. Jiao Yuan called Jiao Sui a civilian in Ganze Ballad. Jiao Sui got drunk after drinking five times. At that time, he looked even different, talking a lot, and talking a lot, which alarmed the people present for dinner. The poem depicts Jiao Sui's personality characteristics, emphasizing his outstanding knowledge, eloquence, accuracy and prudence in writing.
Song of the Eight Immortals has humorous artistic conception, bright colors, brisk melody and cheerful artistic conception. From the phonological point of view, it is a rigorous and complete, rhyme to the end, in one go. Structurally, each role has its own chapter, and the eight roles have distinct priorities. Each character has similarities and differences, differences and similarities, diversity and unity, forming a whole, which is like a group of sculptures. It is really unique in art, as Wang Siyuan said: "This precedent has no cause." It is really a unique work in classical poetry.