Explanation:
What a spring rain, as if knowing the change of seasons,
In spring, it comes naturally.
With the gentle wind blowing quietly at night,
Moisten everything gently and silently.
Dark clouds shrouded the path in the wild,
Only the boat on the river has a solitary light on.
Looking at spring flowers everywhere in the morning,
Beautiful Chengdu is full of flowers.
poet
Du Fu (A.D. 7 12-770), a beautiful Han nationality, was originally from Xiangyang (now Xiangfan City, Hubei Province) and later moved to Gongxian County (now Gongxian County, Henan Province). Along with Du Gongbu and Du Fu, they are called Shaoling Night Old. He is a great realistic poet, poet saint and world cultural celebrity in Tang Dynasty, and he is also called "Du Li" with Li Bai. Du Fu himself was born in Gongxian County, Henan Province (now Gongyi, Zhengzhou). Du Fu once used the names Zuo and Yuan Wailang as school supervisors, and later called him Du and Yuan Wailang. Du Fu lived in the historical period of Tang Dynasty from prosperity to decline, and his poems were mostly about social unrest, political darkness and people's sufferings, which was called "the history of poetry". Du Fu was concerned about the country and the people, with noble personality and exquisite poetic skills, and was honored as a "poet saint" by later generations. Among them, the "three officials" are Shi Haoguan, Xin 'an official and Tongguan official, and the "three farewell" are newly married, homeless and resigned. Du Fu's poems have a far-reaching influence on later generations.
Du Fu is good at using many systems of classical poetry and creatively developing them. He is the pioneer of the new Yuefu poetry style. His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His 1957 novel, which is also a history of poetry, begins to narrate and focuses on the whole story, marking the high achievement of China's poetic art. Du Fu also showed extraordinary creativity in the 1957 law, and accumulated information on temperament, antithesis and poetry.
The core of Du Fu's thought is the Confucian thought of benevolent government. He has the ambition of "making the monarch obedient first, then making the vulgar pure". He loves life, people and the great rivers and mountains of the motherland. He hated evil, criticized and exposed the corruption of the imperial court and the dark phenomenon in social life. He sympathized with the people and even fantasized about making self-sacrifice to save their suffering. Therefore, his poetry creation always runs through the main line of worrying about the country and the people. Taking the most ordinary people as the leading role shows Du Fu's greatness. His poems are rich in social content, rich in the color of the times and distinctive in political inclination, which truly and profoundly reflect the political current affairs and broad social life prospect of a historical era before and after the An Shi Rebellion, and are called the "history of poetry" of a generation. Du Fu's poetic style is basically "gloomy and frustrated", with various language and text structures, emphasizing the refinement of words and sentences. In addition to Five Ancient Poems, Seven Ancient Poems and Five Laws and Seven Laws, he also wrote a lot of rhymes and styles, and his artistic techniques were varied, so he was a master of the thought and art of Tang poetry. Du Fu also inherited the spirit of "feeling sad and happy, getting rid of the shackles of the ancient Yuefu" and created many new Yuefu poems that were "famous for a while, and no one can rely on it again". Such as the famous Three Officials and Three Farewells, were greatly praised by Huang Fan, Han Yu, Yuan Zhen, Bai Juyi and others after their death. Du Fu's poems had a profound influence on Bai Yuan's literary thought of "New Yuefu Movement" and Li Shangyin's recent satirical current affairs poems. However, Du Fu's poems were widely valued after the Song Dynasty. Yu Wang, Wang Anshi and Su Shi.
Three Officials and Three Farewells are the representative works of Du Fu's realistic poems. They truly describe the thoughts, feelings, actions and language of county officials, customs officials, old women, old men, brides and husbands in a specific environment, vividly reflect the social reality of that period and the profound disasters and sufferings of working people, and show people tragic life tragedies. In these descriptions of the hardships of life, on the one hand, he supported the counter-insurgency war of the dynasty, hoping that the people would suffer and cooperate with the dynasty to put down the rebellion. This complex and contradictory thought accords with the poet's thought of worrying about the country and the people.
To annotate ...
Good rain: refers to spring rain.
Yes, right away.
Occurrence: Promote plant growth.
Secretly, quietly.
Moisturizing: Nourishing plants through rain.
The road to the wilderness: the road to the field.
All: all, all.
Red wet place: flowers wet by rain.
Flower weight: flowers are full and heavy because of rain.
Jinguancheng: another name for Chengdu.
Delighting in Rain on a Spring Night was written by Du Fu in the spring of last year (76 1). Background and ideological content of Delighting in Rain on a Spring Night: This poem was written in the spring of the second year of Shang and Yuan Dynasties (76 1). At this time, Du Fu came to Sichuan and settled in Chengdu for two years because of the drought in Shaanxi. He grows vegetables and flowers by himself.
Interpretation of poetry: Good rain seems to know how to adapt to the season. In spring, rain urges plants to germinate and grow, and drizzle falls quietly with the breeze at night, nourishing everything. The sky is gloomy, and the country roads are all dark, except for the flashing lights on the boats on the river. The next morning, there were wet and bright flowers everywhere, and Chengdu was decorated with rain-soaked flowers.
Delighting in Rain on a Spring Night expresses the poet's love and admiration for the selfless dedication to the drizzle on a spring night.
The whole poem reads: "Good rain knows the season, when spring comes. It sneaked into the night with the wind, quietly nourishing everything. The wild path is dark and the river is bright. Seeing the wet river, flowers are more important than Jinguancheng. " One or two words of "good" are affectionate and praise the spring rain. "Knowing the season" endows it with human life and emotion. In the author's opinion, Chun Yu is considerate and knows the season. The first couplet not only expresses the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood of eagerly looking forward to the arrival of the spring rain. Couplets are obviously the poet's auditory feelings. When the spring rain comes, it comes quietly with the wind, nourishing everything, not seeking "good", but seeking dedication. You see, the author observes the rain scene so carefully that even the spring rain is sprinkled silently by the poet. The poet couldn't sleep all night. He has couplets tied tightly around his neck. The poet only hopes that the spring rain will last all night, but he is afraid that it will suddenly stop. He pushed the door out and stood there overlooking, only to see that the usually distinct field paths were also dissolved into the night, and it was dark, showing how dark the night was and how dense the rain was. The dazzling fishing fire on the river boat reflects the vastness and darkness of the spring night and the complexity of the spring rain. Jinguancheng will be a colorful spring scenery. Full of flowers and vitality, it is the result of silent drizzle moistening baptism. Therefore, writing flowers is the selfless dedication of Chunyu. Through the analysis of the above poems, it is not difficult to see that Du Fu conceived his writing according to such an emotional train of thought, that is, looking forward to rain-listening to rain-thinking about rain. As the saying goes, ". So are poets. When the spring rain floated down, the poet was even more surprised, even lying in bed listening, completely sleepless, eager to have a good play, lest it suddenly stop, so he opened the door and looked out, looking at the boundless spring rain in the dark, and seeing the dense spring rain, the author was pleasantly surprised to associate it with the spring scenery of Jinguan City the next day. This poem aims to praise the noble quality of Chun Yu's obscurity and selfless dedication. The description of this love for the spring rain is so delicate and vivid that one can't help but marvel at Du Fu's artistic skill in observing the feelings of objects in the cave. In addition, the capture and description of the details of poetry can also reflect the superiority of the poet's body in observing the feelings of the object. " Sneak into the night with the wind, moisten things silently. The word "latent" is personified, imitating the silent and invisible modality of spring rain, which is quite interesting and induces people to observe the spring rain. Accurately and vividly wrote the characteristics that spring rain moistens everything and moistens things silently. It can not only draw shapes, but also express feelings. Both profound and unique. "Flowers are more important than Jinguancheng" and wrote the word "heavy". It accurately describes the blooming pattern of flowers in Jinguan City after a night of spring rain baptism, and reflects the author's admiration for the spring rain. "The wild path is dark, and the river boat is on fire. "In short, Du Fu's Delighting in Rain on a Spring Night embodies the superiority of observing others' feelings and being meticulous in tempering sentences, capturing images and describing details. By comparing and appreciating the style of Du Fu's poems, we will certainly have a deeper understanding of another life interest of Du Fu's poems. This is to describe the rainy scene on a spring night. A masterpiece of joy. Praise "rain" with a "good" word from the beginning. In life, "goodness" is often used to praise people who do good deeds. Nowadays, "good" is used to praise rain, which has aroused the association of good people. Next, personify the rain and say it "knows the season" to meet the objective needs, right? Spring is the season when everything germinates and grows. As long as it rains, it begins to rain. Look how "good" it is! The second couplet further shows the "good" of rain. Rain is "good" because it is timely and "moistens things silently". Spring rain usually moistens everything with gentle winds. However, there are exceptions. Sometimes it changes from rain to snow with the cold wind. Sometimes, it rains violently with strong winds. Although it rains in spring, it is not typical. It is impossible to get a "good" evaluation. Therefore, just knowing the season in the first couplet is not enough to fully express the "good" of rain. It was not until the second couplet wrote a typical spring rain accompanied by gentle drizzle that the word' good' was implemented. " Sneak into the night with the wind, moisten things silently. "This is still anthropomorphic." Sneak into the night "and" silence "It has no intention of seeking" goodness ". If you are interested in seeking "good", then come during the day to create a little momentum so that people can see and hear clearly. Only when it intends to "moisten things quietly" and has no intention of seeking "goodness", it chooses a time that does not hinder people's work and labor, and quietly and carefully drills into the ground at night when people are sleeping. I hope it will be as good as rain. Looking around, you can see that "the wild trails are all black and the rivers and boats are all bright." "Only the ship's lights are on. Besides, you can't even see the river and you can't tell the path clearly. The sky is covered with dark clouds and the ground is as black as clouds. Very good! It looks certain that it will rain until dawn. This couplet describes an imaginary scene. After such a "good rain" for one night, everything will be moist and prosperous. The flowers that best represent the spring scenery in all things will bloom with the rain and be dazzling. Wait until tomorrow morning! The whole Jinguan City (Chengdu) is a peanut tree, "red and wet", red and heavy, and merged into a sea of flowers. So, what about the seedlings in the field? What about the Woods on the mountain? Everything. Everything? Pu Qilong said: "It is easy to write rain into the night, but difficult to cut into the spring. "This poem" Delighting in Rain on a Spring Night "not only cuts into the night, but also cuts into the spring, and writes the noble character of a typical spring rain, that is," good rain ",which shows the noble personality of the poet and all" good people ".
Make an appreciative comment
This poem is about "rain". The poet keenly grasped the characteristics of rain and described it from all aspects. The first sentence describes the rainy season and exaggerates the timely rain. It seems that he knows people's minds very well and came quietly when he needed it most. The last three sentences focus on "rain at night". The fields were dark, and only a little catch was looming. The poet then excitedly guessed that it should be in Jinguan City until dawn.