Source: Son of Egret-Tang Dynasty: Liu Yuxi
Egret, the tallest lattice.
Sweaters are thrown in the new snow, birds are screaming and lonely.
Sleeping alone in Ainny, standing on the gurgling stones for a long time.
There is no cloud in front of the mountain, flying into the distant blue.
Egret is the noblest character. The newly grown white feather snow can't compare with it. Many birds called loudly, but they stared at it alone. It sleeps alone in the lush weeds in the wild and protrudes from the stones for a long time in the gurgling spring. When the current mountain smoke clears, it spreads its wings and flies in the vast blue sky.
Extended data
1, the creative background of the son of the egret
In the autumn of Yongzhenyuan (805), Liu Yuxi failed to participate in the political reform movement headed by Wang, and the two kings and eight Sima were exiled to a remote place. Liu Yuxi went to Langzhou (now Changde, Hunan). Using poetry as a weapon, he sharply satirized and attacked eunuchs and dignitaries who harmed others and harmed things, and enthusiastically praised those exiles who were upright and virtuous, among which Egret was the most prominent.
2. Appreciation of the son of egret
This poem is an ode to things, but it is also self-contained. The poet praised the little egret for its purity, strong self-control and high style, and wished it a bright future.
This poem is classified as "Yuefu" in the Collection of Liu Mengde, which is one of the achievements of the author's research on folk songs. The language is clear and vivid, and three sentences, seven sentences and five sentences appear alternately, which makes the syntax appear changeable and not rigid. The whole poem uses rhyme and the sound length is short, which produces a straightforward effect and is very harmonious with the content.