The first floor is about the location of the sea, so it is very plain. The second layer describes the sea and mountain islands. The rippling of the sea is dynamic, while the mountains and islands are static. The contrast becomes interesting, showing the vastness and majesty of the sea: the vegetation is static, second only to "Hongbo", and it returns to the dynamic, showing the amazing power and magnificent weather of the sea. This floor is all about real scenes. The third layer expresses the spirit of the sea embracing the sun, the moon and the stars with the help of strange imagination. The running sun and moon and the starry milky way are all contained in the sea. These are imaginary scenes, that is, the poet's subjective feelings, which can be seen from the word "promise". The last two sentences were added during the chorus, attached to the poet, and had nothing to do with the content of the poem.
A berth at the foot of Beibao Mountain.
This poem is the author's homesickness, mainly about what the poet saw and felt on the river in the morning. The author stopped at the foot of Gubei Mountain in the south of the Yangtze River, intoxicated by the magnificent scenery under Gubei Mountain, and couldn't help but feel homesick, and wrote this famous piece that has been passed down through the ages. The first three lines describe the scenery and the last one is lyrical. The first two sentences first write the terrain of Beigushan, which is divided into waterway and land. In the early morning, the author looked at the scenery he saw on the river bank: the winding paths with overlapping green hills; The blue waves rippled and the boat galloped away. "Until the low tide, the two banks widened, and there was no wind to stir my sails alone." Write down that the tide rose aimlessly, the river widened, the wind was just right, the sails hung high and the sun rose. The author is in the green mountains and green waters, and has his own interest in it. "Broad" describes the momentum of the Yangtze River at high tide, and the water surface becomes broad. "Hang" reflects smooth sailing, smooth sailing. It shows the poet's broad mind and comfortable mood. These two sentences "... night gives way to the ocean of the sun, and the old year melts in the clear spring" capture the subtle characteristics of the rapid change of sunrise at sea and the turning point of spring on the river. Although it is the twelfth lunar month, Jiangnan is full of spring, and the poet personifies nature with "life", which is vivid and interesting. This shows that the poet's efforts in refining ci vividly express the interdependence between the old and the new, reflect the beginning of a new year, and also imply. These two sentences are popular poems. At the end of the couplets, the scenery of the journey causes homesickness, attracting geese to send them to books, expressing the poet's deep affection for the trip and his homesickness. The poet pays great attention to the refinement of words and sentences, and the words "Entering the Old Year" and "Night of Life" are accurate and concise, vividly and meticulously describing the moving scenery.
Spring outing in Qiantang River
"Gushan Temple is north of Jiating West, and the water level is low." The first sentence of the poem is the place, and the second sentence is the vision. The lonely mountain is located between the back lake and the outer lake of the West Lake, with overlapping peaks and emerald green hills, and there is a lonely mountain temple on it, which is beautiful to climb and see. Jia Ting, also known as Jia Gongting, was published in Tang Yulin for six years. During the Zhenyuan period, when Jia Quan was appointed as a historian in Hangzhou, he built a pavilion in the West Lake. The clothes rack is called Jiagongting, which will not be abandoned after 50 or 60 years. Zhenyuan is the national title of Tang Dezong, from 780 to 805. When Bai Juyi wrote this poem, his pavilion was still there and it was also a scenic spot in the West Lake. At first, Bai Juyi came to the north of Gushan Temple and the west of Jiagongting. Looking around, I saw spring water rippling, clouds hanging low, lakes and mountains. Chuping expresses Bai Juyi's unique feelings about the West Lake in spring. Due to the continuous spring rain, today's lake looks much higher than in winter, and seems to be at the same level as the line of sight. This feeling that the water surface is flush with the line of sight is only possible for people facing the vast water surface, and it is also a feeling that can be written by people who have a deep understanding and love for the West Lake. At this moment, the calm water at the foot and the low-hanging cloud curtain in the sky constitute a quiet ink painting of the West Lake. When the poet was silently watching the virgin charm of the West Lake, the crisp birdsong came from his ear, which broke his meditation, so he withdrew his sight from the intersection of water and clouds and found himself in a beautiful world full of spring.
"A few early warblers compete for warm trees, and young Ru Yan pecks at new mud. Flowers are more and more attractive, but weeds don't have horseshoes. " These four sentences are the core of Bai Juyi's poem, which is also the most striking sentence, and also the finishing touch of Bai's poems describing spring scenery, especially the spring scenery of the West Lake. A few places, that is, a few places, or even many places. Using "early" to describe orioles shows Bai Juyi's sincere love for these little life full of vitality: orioles in the trees are busy grabbing the "warm tree" that first sees the sun in the morning, for fear that they will not catch up soon. The word "struggle" makes people feel that spring is rare and precious. I don't know whose swallow is under the eaves. At this time, it is also busy making a nest with mud, and uses a word "peck" to describe the busy and excited expression of the swallow, which seems to bring life to the swallow. These two sentences deliberately describe the dynamics of Yingying Yanyan, thus making the whole poem full of vitality and vitality in spring. Huang oriole is recognized as a spring singer. Listening to their euphemistic voices makes people feel the charm of spring. Swallows are migratory birds. They returned to their hometown with spring, busy rebuilding their homes and welcoming a new life. Watching them fly around building nests makes people feel the beauty of life even more.
After anthropomorphic description of the birds in the sky, Bai Juyi turned his eyes to the vegetation under his feet. "Flowers are more and more attractive, and shallow grass can be without horseshoes." This is also an emotional and energetic description of the scenery, which fully shows Bai Juyi's careful observation of the object of description and accurate grasp of its characteristics. As far as flowers are concerned, they are chaotic and even confuse the eyes of flower watchers. In other people's poems, this kind of writing is rare, and this unique feeling is just Bai Juyi's personal experience when enjoying the scenery of the West Lake. Colorful flowers are blooming all over Shan Ye. Against the backdrop of lakes and mountains, Bai Juyi has no idea where to look and how to tell the difference between them. The phrase "flowers are getting more and more charming" means to stop and look closely, while "shallow grass can't have horseshoes" is already an outing on horseback. It is a pleasant thing to travel freely with two or three friends by the West Lake, where the grass grows and the flowers bloom. The horse seems to be aware of the relaxed and carefree interest of its owner on its back. Slowly, the poet inadvertently caught a glimpse of the scene of horseshoe ups and downs on the grass, which was particularly interesting. He couldn't help writing it into his own poem. Unexpectedly, it was a random stroke, but it added a lot of lively interest and elegant leisure to the whole poem. Belinsky, a famous aesthete, once said: "In any case, beauty emanates from the depths of the soul, because natural scenery cannot be absolutely beautiful, and this beauty is hidden in the souls of those who create or observe them." Bai Juyi's Spring Tour in Qiantang just illustrates this aesthetic of truth. Because no matter how beautiful the scenery of the West Lake is, there will be some unsatisfactory places, but in Bai Juyi's eyes, it is undoubtedly the most beautiful scenery in the world, because he is not only good at observing, but also good at discovering and experiencing. Nowadays, we often feel that it is better to visit the scenery than to listen to it, or to listen to friends' introductions, or in film and television scenery films. When we hear and see beautiful scenery, we can't help but feel infinite yearning. However, once we get there, we often feel that it is far from what we imagined.
Xijiang moon
The beautiful scenery of Shangque is written with familiar words such as "bright moon" and "breeze". However, when they are combined with "Parting Surprise Magpie" and "Three Nights of Chanting", they form a deep artistic conception with both melody and sound. Xian Yi is dynamic and static. People even ignore the levelness and stability of these two sentences. "Moon" and "Surprising Magpie", "Wind" and "Singing Cicada" are not simple things listed, but have internal relations and causal relationships. In the third and fourth sentences, the author grasps the most distinctive things in the countryside on summer nights and further promotes them. Due to the limited visibility at night, the author's feelings are not mainly absorbed by the eyes, but sometimes captured by the organs of smell and hearing. "In the fragrance of rice and flowers, it is said that the harvest is good and the frog sounds", which is described from two aspects: smell and hearing. This is the main brain between the lines, and it is the root of the cheerful mood that covers the whole article. Although the last movie was about a sunny night, it was already raining. People who have rich experience in rural life seem to be able to smell and hear the information that a shower is coming from the "fragrance of rice and flowers" and "frog sound".
I walked into the rain with a change of pen. But not in the rain, but before it. The first sentence is looking from a distance: "There are seven or eight stars in the sky", which means that there are dark clouds everywhere, and sparse starlight can be seen through the clouds. This realm is quite different from the atmosphere in the last movie. The second sentence; "There is rain before Zhongshan at two or three o'clock", which reads the message that showers are coming and heavy rain is coming. Since the raindrops have been sprinkled in front of the mountain, they should be sprinkled behind it. The author's mood became a little anxious, so he naturally wanted to hurry up or find a shelter from the rain. The third and fourth sentences describe this psychological activity: "In the old days, the Maodian was by the forest, and the road turned to the bridge." Because the author usually travels in Huangsha Road, I know there is a thatched shop next to the Woods, but at this time, because it is night, I am flustered and suddenly disappeared. However, after crossing the stone bridge on the stream and following a bend, the old acquaintance's maodian suddenly appeared in front of us. How happy it should be!
This word fully embodies the author's joy of harvest and his love for rural life.