1, but the flowers are falling, and I feel familiar. Yan returns to Huanxisha, Yan Shu.
-This is the most fascinating chapter in Yan Shu's ci. This joint work is skilled, smooth and implicit. It shows the poet's ingenious thinking and deep feeling of using function words to form a neat antithesis, which is also the reason why this word became famous for a while. But what is worth pondering is the meaning of this couplet.
The fading of flowers, the disappearance of spring and the passage of time are irresistible natural laws. Although it is useless to regret lingering, they all say "helpless", which is inherited as "the sun sets"; However, in this late spring weather, I feel not only helpless disappearance, but also gratifying reappearance. Isn't the returning swallow dancing like an old acquaintance who built a nest here last year? This sentence should be "when will you come back". Although Flower Falls and Yan Hui are also prospects, once they are associated with "helplessness" and "deja vu", their connotations become very extensive and have the symbolic significance of beautiful things. In the interweaving of regret and comfort, there is a certain philosophy of life: all the good things that are bound to disappear can't stop them from disappearing, but at the same time, there are still good things reappearing, and life will not become nothingness because of disappearance. It's just that this reappearance doesn't mean the reappearance of beautiful things intact, but "deja vu".
The fundamental reason why this word is popular and widely read is its thoughtful love. These words seem to inadvertently describe common phenomena, but they have philosophical significance and inspire people to think about the universe and life from a higher level. Ci involves such a profound thought that time is eternal and life is limited, but it is very implicit.
2, flying freely is as light as a dream, endless silk rain is as fine as sorrow, and the curtain is hung with a small silver hook. Huan Xi sha Qin Guan
The strangeness of this sentence can be said in two layers. First,' flying flowers' and' dreams',' silk rain' and' sorrow' are not similar, and there is no analogy. However, the poet found that there are two similarities between them:' lightness' and' delicacy', so he combined four unrelated things into two groups to form an appropriate and novel metaphor. Second, the general metaphor uses concrete things to describe abstract things, or uses elusive things to compare elusive things. But the poets here did the opposite. He doesn't mean that dreams are like flying flowers and sorrow is like silk rain, but that flying flowers are like dreams and rain, which is also very novel. "Indeed, these two sentences are unique, especially with a kind of musical beauty, poetic beauty and picturesque beauty.
The word is exquisitely conceived and beautiful in artistic conception, just like a delicate work of art. The author is good at showing the complex and delicate spiritual world of the characters with the help of atmosphere and environment, so that readers can appreciate a touch of sadness through the combination of environment and soul and the blending of emotion and scenery.
3, fog, a thousand miles of sunset. Countless mountains, red as rain, don't remember the way. Qin Guan is on Dian Jiang's lips.
-These two sentences outline a general twilight scene: "Outside the setting sun, there are ten thousand points in west Western jackdaw, and the water surrounds the lonely village" (Man Ting Square). "Wan Li" and "boundless" give people the feeling of wandering around the world. The latter sentence "countless mountains" echoes with "boundless smoke and water" from a distance, which constitutes the realm of "mountains and heavy waters are suspicious and there is no road", which is intrinsically related to the latter sentence "dust is doomed to be wrong", and the meaning of the upper and lower pieces is unchanged. At this confused moment, the wind suddenly fell and I saw "red as rain". One sentence and one scene, one after another, and the shortness of syllables just illustrate the danger of human feelings. Together, these words form a complete artistic conception of mountains and rivers, rising winds and falling flowers, and waking up in spring. Although there is no written reply, the intention of reply is everywhere. At the end of the sentence, there was an unexpected turn: "I don't remember the way I came." Just saying "I don't remember" makes people feel profound, because it reflects the author's inability to explain his depressed sadness in a tortuous way.
4, affectionate only spring court month, is still a matter of leaving people. Sender Zhang Bi.
A bright moon just sprinkled its cold light on the garden, and the falling flowers on the ground reflected a bleak color. The flowers have fallen, but the bright moon that once shone on the branches still shines so enthusiastically. It seems that the relationship forged by a couple here has not been forgotten! These last two poems are what the poet wants to tell her.
It is precisely because this poem is "for someone". The first two sentences are about the reasons in the dream and the scenes seen in the dream, in order to let the other person know how much he misses; In the last two sentences, I wrote that the amorous moon still shines on people, but I also blame this female fish for sinking geese. Although the "flowers" have fallen, the bright moon in the spring court is still affectionate, and the poet's implication is that he still hopes to talk to each other.
5, the decline of the orchid to send guests to Xianyang Road, if old and affectionate. Li He, the immortal song of gold and bronze in Han Dynasty
-"Xianyang Road" Outside the city, like the "Thirty-six Palace" in the city, it presents a bleak and sad scene. At this time, only the "Declining Orchid" on the roadside was seen off, and the old acquaintances in the same trade were just the exposed dishes in their hands. The word "failure orchid" is written in form and emotion, but it is mainly based on emotion. Orchids wither, not only because of the cold autumn wind, but also because of sadness. Here, I set off the sadness of the golden bronze immortal with the sadness of the declining orchid, that is, the author's own sorrow. It is more graceful and novel than "twenty is not enough, and worry is like a withered orchid" in the song of mourning.
The decline of orchids is caused by love. All sentient beings will grow old and wither. Don't look at the sunrise and the moon in the sky. The situation is always new and never changes. If it has feelings, it will still age. The sentence "If there is love in the sky, it will grow old" should be absurd, which Sima Guang called "absurd". Effectively set off the difficult situation and bitter feelings of Jin Tongxian (actually the author himself). The artistic conception is broad and lofty, and the feelings are persistent and deep. It's a famous sentence through the ages.
6, the fallen flower is independent, and the micro-swift flies. Ewong?, the remnant of spring.
Since spring is a remnant flower, there are countless natural flowers, and countless flowers easily make people feel that youth is fleeting and difficult to recover. Now, this woman, just in her prime, has an independent courtyard, and her youth is fading away, making it difficult to continue her happiness. Isn't her fate exactly the same as this spring flower? The author set off the fallen petal and missed the woman, which made him feel sad. The weather in late spring, slightly rainy, gives people the feeling of being depressed and dull, not to mention a woman with a lot of worries and depressed thoughts! Just then, a pair of ignorant swallows put them on in the drizzle, showing a very complacent look, which made her even more embarrassed. Swallows are ignorant, but they can still fly with me; People are affectionate and can only be lonely and independent. How can you stand this situation? The poet used Yan Shuangfei to set off people's independence and pushed the sadness of women's hearts to a climax. Flowers, rain, people and swallows are pure "landscape languages". Through setting off, contrasting and blending feelings, the author connects them into a harmonious and unified artistic picture, thus setting off the inner world of women in the poem and making "scenery language" completely become "love language". These two sentences are exquisite, profound, euphemistic, implicit, beautiful without being carved, and they are good sentences.
7. This river crosses the heavens and the earth, where the colors of the mountains are yes and no. Wang Wei, look at the Han River.
-Vision with landscape and water color as the frame. The Han River surged away, as if it had been rushing out of heaven and earth. There are many green hills on both sides of the strait, and the clouds are lingering, and they are hidden and present, as if nothing had happened. The first sentence says that the river is far and wide, and the second sentence sets off the vastness of the river with boundless mountains. The poet's pen and ink is extremely light, but it gives people a sense of grandeur and novelty, and its effect is far better than heavy oil paintings and colorful watercolors. And its "victory" lies in the vivid charm of the picture. No wonder Wang Shizhen said, "This river is beyond heaven and earth, and this mountain is colorless, which is the poet's kind words, but in Samadhi. "This is to the point. The first couplet is about the exchange of water, which is closely related to each other. The opening of this couplet is blank, and the picture is dense and complicated.
8. It's far from waking up at sunset, and it's raining all over the sky. Farewell to Xie Ting Xu Hun
-This is a poem written by Xu Hun after seeing his friends off in Xuancheng. Xie Pavilion, also known as Xie Gongting, was built in the north of Xuancheng, when Xie Tiao, a poet of Southern Qi Dynasty, was the magistrate of Xuancheng. This sentence describes the river scenery seen by friends after they set off by boat. It's already late autumn, and the green hills and frost forests on both sides of the strait are all dyed, and red leaves and maple trees are everywhere, reflecting a river of green autumn water, which is particularly beautiful. At first glance, this bright scene seems to be out of harmony with the feeling of parting. In fact, the former is a powerful contrast to the latter. The more beautiful the scenery, the more lovely it is to get together and the more embarrassing it is to leave. The great Qiu Guang has become a factor to add sadness and hatred. Jiang Yan's "Biefu" said: "Spring grass is green, spring water is green, and I will send you to Nanpu to feel sad!" Beautiful spring scenery reflects the sadness of parting, just like this. This is exactly the artistic dialectics revealed by Wang Fuzhi, that is, "write sorrow with joy, mourn with Syaraku, and multiply sorrow and joy with it" (Jiang Zhai Shi Hua).
This sentence does not directly refer to a friend's boat trip. However, through the depiction of "swift water", we can imagine the speed of the boat, and the scene of the poet watching the boat swim among the green hills and red leaves on the shore is also in sight. The word "urgent" secretly reveals the psychological state of the people who saw him off, and also makes the artistic conception expressed in the whole poem feel a little sad and anxious. This is consistent with the poet's discordant and carefree mood at that time.
9. When all the tourists left, they began to feel the spring sky. Hanging down the curtain, Shuang Yan returned to the drizzle. Picking mulberry seeds Ouyang Xiu
-This word is the fourth of ten poems by the author Yingzhou West Lake. The poem describes the quiet and clear charm of Yingzhou West Lake in late spring. Taking poetry as the word, the author makes the West Lake in the state of late spring beautiful and lovely, which reflects the infinite love and attachment to nature and real life.
These two sentences, describing indoor scenery, combine the dynamic description of characters with the background of natural scenery, and express the author's comfortable and indifferent state of mind. The last two sentences are upside down, which is the opening speech for the swallow, and "the return of the two swallows" is "hanging the curtain and listening to politics". At the end of the sentence, "It's drizzling in Shuang Yan" means implicitly and euphemistically, setting off the quiet atmosphere after the spring sky with drizzle, and creating a light and pleasant artistic conception with Shuang Yan.
This word describes the scenery throughout, without obvious subjective feelings, but elegantly reveals the author's broad-minded and calm state of mind between the lines.
The beautiful scenery of the West Lake described by the author is suitable for both dynamic and static, showing quietness with movement, penetrating meaning and orderly hierarchy, showing extraordinary artistic skill.
After the West Lake blooms, the fragrant flowers wither and the red remains are messy. Ordinary people feel dull about this, but the author is not sad in the face of this scene of "rushing away from spring", but appreciates the beauty of peace and tranquility in loneliness and cold. This carefree state of mind after an empty spring and this unique aesthetic feeling are the unique features that distinguish this word from the general Wing Chun Ci.
10, Emei Mountain is in mid-autumn and shadows into Pingqiang River. Li Bai, Emei Mountain Moon Song
-This poem was written by Li Baichu when he left Shu, with clear artistic conception, simple language and smooth rhyme.
The poem begins with "Emei Mountain Moon", pointing out that the season of traveling far away is in autumn. The word "autumn" is upside down at the end of the sentence because of its rhyme. Autumn is crisp and the moonlight is bright ("autumn moon is bright"). The word "autumn" also describes the beauty of moonlight, which is natural and wonderful. The moon is only "half a circle", which reminds people of the beautiful artistic conception of the castle peak spitting the moon. There is Pingqiang River in the northeast of Emei Mountain, now Qingyi River, which originates from Lushan County, Sichuan Province, flows to Leshan County and joins Minjiang River. The second sentence "shadow" refers to the shadow of the moon, and the verbs "enter" and "flow" form a linked predicate, indicating that the shadow of the moon is reflected into the river and goes with it. Life experience tells us that no matter how the river flows, the moon shadow in the water is fixed. "When the moon is gone, I will go." Only when the viewer goes down the river will he see the wonderful scenery of "shadow into the river" Therefore, this sentence not only describes the beautiful scenery of Qingjiang River reflected by the moon, but also describes the darkness of sailing in autumn night. Artistic conception can be described as ethereal and wonderful.