Su Shi commented on Wang Wei's works in the Tang Dynasty in the second volume of Dongpo Inscription: "There are pictures in the poems, which are fascinating; Look at the picture, there are poems in the picture. "
It means: savor Wang Wei (the word "Mowa" belongs to Wang Wei), and there is a kind of painting charm in his poems. Look at Wang Wei's paintings. There seems to be a poem hidden in them.
Wang Wei is both a poet and a painter. What he achieved is not only poetry and painting, but also integrating poetry and painting into art through his other works. The organic combination of this painting is the tradition and characteristic of Chinese painting.
Wang Wei's poems mentioned in the Picture Book of Xuanhe, such as "The fallen flowers are silent in Tonamiyama, and the willows are green over the water", "I will go to the water to stop my path, and then sit and watch Yun Qi" and "The clouds, when I look back, are close behind me, foggy, when I enter it, I have gone", are all painted.
Wang Wei's paintings are fresh and refined. Elegant style, conveying a poetic realm; Su Shi established a theoretical system of the relationship between poetry and painting from three aspects: literary essence, creation and works, with the core ideas of "uniformity" and "similarity" of poetry and painting.
His comments on Wang Wei's "Painting in Poetry" and "Poetry in Painting" are based on this theoretical system. At the same time, this comment is also closely related to the concept of "literati painting" proposed by Su Shi.
By combing and explaining Su Shi's theory of the relationship between poetry and painting, this paper comprehensively defines the connotation and extension of "painting in poetry" and "painting in poetry".
Extended data:
Wang Wei's landscape poems are picturesque, and many of them are full of affection. Many of Wang Wei's landscape poems are full of strong local flavor and life interest, showing his leisurely life and quiet state of mind.
Wang Wei's landscape poems are mostly written in the later period. Compared with his predecessors, he expanded the content of this kind of poetry and added its artistic style, which made the achievements of landscape poetry reach an unprecedented height. This is his outstanding contribution to China's classical poetry.
Among them, the pastoral poems describing rural scenery and farm life are full of pastoral sentiment, showing his leisurely interest and calm and comfortable state of mind. Such as farmhouses on the Wei River and pastoral songs in spring.
Autumn Night in the Deep Mountains describes the beautiful scenery of the mountain village when it rains at dusk. Those landscape poems in Wang's poems that depict the beauty of natural tranquility have high aesthetic value.
Throughout, the heart shines on the water, the heart is lined with the water, and things and I blend, which embodies an inherent pursuit of beauty. While some pastoral poems focus on rendering ethereal artistic conception and lonely feelings.
For example, Zhuliguan and Wu Xinyi are all weak, and they are designed to be quiet and interesting. This will undoubtedly have a certain negative impact on later landscape poems.
Wang Wei is brilliant, and the infiltration of different arts has had a far-reaching impact on his poems. He put painting into poetry, which made his landscape poems poetic.
The language of Wang's poems is implicit, fresh and lively, with varied sentence patterns and rhythms, loud and harmonious phonology and musical beauty. In a word, Wang Wei's landscape poems have a far-reaching influence on later generations, both in subject matter and artistic style.
Baidu Encyclopedia-There are pictures in poems and poems in paintings.