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Selected Poems of Shu Ting-Archaeopteryx
Overlooking us from the ancient city wall.
There is no shadow in the sky.
The jungle wilderness is in the shadow of his wings.
It is dumb among songbirds.
Birds just imitate in complicated ways.
His simple silence
Ugly, dull and lonely.
Suffer from strong enemies and hunger and cold.
Destroy in the wild
Legends in the wilderness
His falling posture is vague.
It's a brightening background.
A chaotic dawn, a primitive dawn
His name is Rainbow Mian.
Let him go.
Handcuffed in evolutionary history, it is said that this is eternal life.
No autobiography, no feelings.
Appreciation: No one has seen Archaeopteryx. The archaeopteryx model in biology class is made of fossils.
Biologists and even archaeologists have never seen Archaeopteryx alive. In the poet Shu Ting's Archaeopteryx,
We can see a living archaeopteryx.
A group of woodcuts of archaeopteryx;
Picture 1: Spread your wings in the air. The main body of the picture is the wings of Archaeopteryx. Poets mainly choose cool colors.
Shadow puts the "jungle wilderness" in the shadow, and even the "background"-the dawn of the sky is his.
The wings are covered.
The second picture: towards eternal life. At this time, the main picture is the fall of Archaeopteryx, and the picture is blurred, like a painting.
A fast-moving photo taken with a camera with a low shutter speed. At this time, the background has a "chaotic dawn, the original dawn."
Light ",but the main color of the picture is still cold.
The third picture: the picture of eternal life. At this time, Archaeopteryx became a fossil, which may be exposed on the surface of the earth, or it may
Buried in the ground, all we saw was the last scene of his life. This scene was solidified by historical and geological evolution.
Turned to stone. At this moment, Archaeopteryx will not be resurrected, nor will it age again, so it will "no longer feel". This painting is related to
The first two pictures are continuous, and the cool color is still dominant. But the author didn't elaborate on the third painting, because he was facing.
This is the third painting-a painting or a fossil.
These three paintings are mainly in cool colors, giving people a dignified and heavy feeling, such as three interlocking boards.
Painting makes people feel cold and thoughtful.
Second, finely crafted knives. The poet's description of Archaeopteryx is very detailed. Have an overview of Archaeopteryx's life.
Attachment: "Repeatedly suffered from hunger and cold by strong enemies/destroyed in the wild/legendary in the wild", refined and accurate; There are also pairs of archaeopteryx
Close-up of a detail: overlooking, dumb, silent, ugly, dull, lonely, falling down and one.
Blurred ",meticulous and vivid. .
Third, the contrast technique is outstanding. The poet compared Archaeopteryx with "bird". "Birds are complex.
In imitation of his simple silence, the poet combined the superficial ignorance of "many birds" with the beginning with "complexity" and "simplicity".
The profundity and richness of ancestral birds are highlighted. Therefore, this is also the poet's ideological intention. contradistinctive
The application shows that the poet's emotional color to Archaeopteryx is praise rather than belittle.
Fourth, the use of the third person and personification. In the third person, the poet uses "he" to describe Archaeopteryx.
Personize and use "overlooking", "silence", "dull", "loneliness", "falling down", "autobiography" and "feeling".
A series of words completely personify archaeopteryx. The use of personification shows the poet's emotional attitude towards Archaeopteryx.
Yes, not no.
In Shu Ting's poems, the first person "I" is often used, such as "mast ship"; Or "you" in the second person,
Such as "send it to Hang Cheng". But more is for me and you, such as motherland, motherland, oak trees and gifts.
Send friends, etc. in autumn night. The purpose is to highlight the theme of poetry (the first theme "I" or the second theme)
"You"), to achieve the lyrical effect of pouring out, dialogue or letters, and to bring the subject and object or the first subject closer.
The distance from the second body. If the third person in Archaeopteryx is replaced by the second person, the poem can be closer.
The distance between subject "I" and object "Archaeopteryx". However, this does not conform to the style and color of the whole poem.
Tone is also not suitable for showing profound and rich connotations.
It should be said that the poet used the third person "he" to separate Archaeopteryx from the poet and reading.
Space-time distance and emotional distance highlight the specific connotation of Archaeopteryx, such as primitiveness, primitiveness, remoteness and profundity.
Similar to Archaeopteryx, Shu Ting's marine third person. The author's "ship" describes the ship superficially.
Stranding is actually the writer's own stranded life. The author 1972 returned to the city because of the care of the only child.
But I haven't been able to find a job, and I can't even get the number of private teachers. But the author didn't use "I" directly to write.
I don't need "you" myself, but write "he" and "they" on board. What's so good about this? Use poetry critics
In the words of Landizhi, "Here, Shu Ting completes the transition from life to art better, instead of putting life.
The truth in the poem is straightforward. "
It should be said that the same is true of archaeopteryx. Using the third person "he" is the transition of the poet from life to art.
The result of transformation. It avoids telling the truth of life directly in poetry, and also avoids directly venting the poet's feelings.
Come on, make the style of poetry more dignified, deeper and richer.
The application of the third person technique shows that the author's emotional way towards Archaeopteryx is cold and profound, not hot.
Intense and enthusiastic.
Fifth, time and space are inverted.
Overlooking us from Tan Gu adopts the way of time and space inversion. Archaeopteryx is a fossil, one of the ancient city walls.
An archaeopteryx; Obviously, now we are looking down at archaeopteryx fossils, but the poet wrote archaeopteryx as "from talk to solid, down."
Look at us. "Here, the author reversed the" present "and" ancient "times, while" overlooking us "and" overlooking us "
"Archaeopteryx looking down" has two spatial positions reversed. What is the purpose of doing this? What's the effect?
Let's first look at Du Fu's Full Moon in Fuzhou. "Tonight, 6l Zhou Yue is watching from her bedroom window alone. For our boys and girls, poor little baby, it has not been solved.
Recall Chang 'an ... "... It is clearly that the poet remembers his wife and children in Luzhou in Chang 'an, but writes that his wife and children are in Luzhou.
Recall yourself in Chang 'an. Using space inversion, I miss my wife and children hidden in my wife and children's "I"
After missing you. This is an artistic process, which makes poetry more subtle, lyrical and imaginative. not have
People who have a certain appreciation ability may not be able to read the poet's "I" thought.