The Book of Songs is the first collection of poems in the literary history of China, and it is also a brilliant treasure in the literary history of China, with a long history.
The love poems in The Book of Songs are the oldest love songs of the Chinese nation. Since the birth of these ancient love songs, they have been causing endless debates in the literary world. Many outstanding poets in later generations praised it as a model of learning, while philosophers such as Zhu denounced it as "obscene voice" and "obscene poem" and made a fierce attack on it. Praise or condemnation, the passing clouds of history can't hide the glory of these ancient love songs.
There are 305 kinds of The Book of Songs, referred to as "Poems 300" for short, which include all kinds of music works from the early years of the Western Zhou Dynasty to the end of the Spring and Autumn Period. The original name of The Book of Songs is Poetry, which means lyrics with music. "Mozi Meng Gong" says: "Poems are recited 300 times, string poems 300 times, song poems 300 times and dance poems 300 times." It concisely summarizes the musicality of The Book of Songs, which can be recited, played, sung and danced. It was only later, generally believed to be after the Qin fire, that the melody of The Book of Songs gradually disappeared and became a pure poetic form.
The Book of Songs is divided into three parts: style, elegance and vulgarity, and fu. Actually, it's also a music classification. Zheng Qiao in Song Dynasty (1103-1162) said: "The voice of local customs is called' wind', the voice of the imperial court is called' elegance', and the voice of the ancestral temple is called' ode' (Tongzhi Dian) It is clearly pointed out that The Book of Songs includes folk songs, court songs and sacrificial music and dance.
The love poems in The Book of Songs have established their unique position in the history of literature and music art with their healthy, frank and noble style, independent and faithful emotional beauty and original artistic means of blending scenes, and have had a far-reaching influence on the literature and music art of later generations.
As far as its content is concerned, the folk love songs in the Book of Songs occupy a considerable proportion in the middle and can be divided into two categories. The first category is the poems of Happiness and Sweetness Association, which express love life. Representative works include Zheng Yi, Gao Feng Jing Nv, Guan Sui, Dead Deer, Papaya, Zheng Xi and Zheng Feng.
"Feng Wei Papaya" shows people's yearning and pursuit of faithful love. Structurally, the tune it uses should be simple repetition, which is the most commonly used music structure in China ancient music.
You give me papaya. I'll pay for Joan. Bandit newspaper also. Always felt good.
You want to send me a peach, and I want to give it back to Qiong Yao. It is always good to repay bandits.
Vote for me. Return the favor to Joan. It is always good to repay bandits.
You give me a papaya and give you a piece of jade in return. Not to repay, but a symbol of eternal love. You give me a peach and a piece of jade in return. Not to repay, but a symbol of eternal love. You give me a plum and a piece of jade in return. Not to repay, but a symbol of eternal love. Love in this poem is full of lyrical flavor.
Zheng Yan shows us a beautiful scene of young men and women flirting and falling in love freely in nature in mid-spring March.
Qin and Yan, Fang Huan and. The Scholars, Fang,,. Woman: "Watch your hand"; The scholar said, "Both." Watch your hands! Outside. Have fun. Wei and his daughter, Yiqi, teased each other and gave peony.
Both Qin and Yan know it. Scholars and women are rich. The female said, "Be careful with your hands", and the scholar said, "Both". Watch your hands! Besides, I am very happy. Wizards and women, benefiting each other and teasing each other. Give peony.
On March 3, an outing in the suburbs was exhibited, and the clear spring and flowing water were happy. The girl and the young man met by the river to exorcise evil spirits with bluegrass. The girl warmly invited the boy to play together, and the honest boy said, "I have been there!" " The girl boldly invited me again: Why not play with me again? The young man agreed happily. So the two of them swam hand in hand in the beautiful scenery of nature and presented peony to each other to express their love. The freedom and happiness of love in this poem. I really envy the young men and women who are bound by ethics in later generations, and it is also an unattainable situation for love works in later literature.
"Quiet Girl" shows a scene where a pair of young men and women who love each other meet, with a free and sweet style.
Quiet girls and sisters, as long as I am in the corner of the city. Love but not now, scratch your head.
The beauty of a quiet girl inspires me. Red has a bright red color. Love it is really a bright color.
Self-grazing and self-grazing, but different. The robber girl is very beautiful. This is a problem worthy of attention.
The heroine in the poem is not a shy woman cultivated by later ethical codes. She is lively and humorous by nature, with a little naughty in her liveliness. Although she was as eager as the young man to see her sweetheart as soon as possible, it happened that she had a brainwave. In order to test each other's loyalty and patience, she hid in the corner of the city wall and watched the young man until the young man scratched his head and the girl ran out. Surprise an anxious lover. Dating is naturally sweet. When the girl sent a bunch of bamboo shoots, the young man fell in love, and the naughty and lively heroine and the spoony and honest hero image set each other off.
There are also some love poems in The Book of Songs, such as General Zheng Feng, Yimei, Qin Wan, Han Guang, etc.
Nanshan tree is so big and tall that you can't enjoy the cool under it. There are women on the Han River who want to pursue the impossible. The Hanshui River is so vast that it is impossible to cross it. Jiang Zhiyong is eternal. Can't think.
Skip the wrong salary. Speak out against Chu. The girl is getting married, so feed the foal quickly. Han is generous. Don't think about swimming. Jiang Zhiyong is eternal. Can't think.
The poem Han Guang expresses a man's love for a woman. But for reasons we don't know. It is difficult to pursue that girl. Acacia dreams are hard to come true. The hero had to sigh that the Han River is so vast that it is difficult to cross the river on a raft. The girl in my mind is across the river, which makes him unattainable. In pessimism and disappointment, he still has some vague and sweet hopes from time to time, imagining that he can marry his sweetheart with dignity. The protagonist sings and sighs, and the sweet sigh and sadness are quite infectious. Captain Zhengfeng is about a young girl who is eager to meet her sweetheart, hoping that her lover will ignore the shackles of secular etiquette. Climb over the wall and climb the tree to visit her, but I am afraid of being scolded by my father and brother. I had to say with my heart: General Nakako, no wall is for me. Rejection here is encouragement, and the contradiction of love is vivid and interesting.
Lyricism is the most important stylistic function of poetry. The love poems of our ancestors show unique beauty in many ways.
First, the beauty of healthy and lively emotions.
The Book of Songs came into being in the "primitive society" two thousand years ago. It was a special era, and society had just passed the smell of group marriage and entered a civilized period. At the beginning of civilization. The harsh feudal system has not yet been established. It is farther away from the commodity economy era when money is the premise of love and marriage. In the alternation of the old and the new, there is a gap of relative freedom in society. In the blank, the line of defense between men and women has not yet been established, and interpersonal relationships are still relatively open. This is the gap. It creates a free soil for one party and nourishes the love poems in the Book of Songs.
Beautiful emotion is the purest emotion. The preciousness of love poems in The Book of Songs lies in its naturalness. Relationships-especially those established by men and women, and those of two of a kind-are freely and healthily displayed here, just like the flowers in Shan Ye stretch in the cool breeze and the Millennium. Openness, no hypocrisy, no affectation, no utility, no lust, everything is natural and simple. Even Confucius, the ancestor of ethics, said, "In a word, there are 300 poems. Innocent. " This is the most beautiful state of human emotion.
It's marked plum, but it's actually seven. Please don't delay my young people's good day.
It's marked plum, but it's actually three. I have a heart to ask my young man not to wait any longer today.
The marked plums are put in the basket.
Beg me to be an ordinary scholar and call me Xi.
Here "Zhao Nan You Mei" is a monologue of a young woman who is eager to get married. The gradual decline of red and watery plums. A woman feels sad and anxious about the fleeting youth, and she urgently appeals to her sweetheart to marry her as soon as possible. The boldness, straightforwardness and frankness in this poem really put those shy love in later literature to shame.
The White Boat on the Wind is also an honest poem. In the poem, the heroine chooses her spouse with the intervention of her parents. She said: that beautiful young man with hair hanging from his forehead is my ideal wife. I swear I won't change my mind I cried, God, I cried, Mom, why can't you understand me! The girl expressed her determination to defend love to the death. This spirit of tenacious struggle for happiness was further developed in many later female images, such as Liu Lanzhi, Zhu Yingtai and White Snake.
This natural beauty of love poems in The Book of Songs is rare in the literature after the Han Dynasty, because it has gone through this short gap. This is an era of feudal ethics. Men and women are not close. The healthy and natural two of a kind was suppressed and distorted, so the love in later literature lost its simplicity and purity, and became a deformed flower, showing a morbid beauty. The love between men and women in The West Chamber is abnormal, and The Peony Pavilion is the love in a dream. Being far away from the soul is the follow-up of the soul, or the romantic scholar's attachment to the lost woman. Or people love flowers and foxes and so on. In this context of literary history, the vividness of love poems in The Book of Songs naturally becomes the treasure of Chinese national literature.
Second, the heroine is cheerful, independent and stubborn.
If you love me and miss me, cross the river quickly. I don't think about it. There is no one else. Crazy kids are crazy!
If you love me and miss me, cross the river quickly. If you don't miss me, is there anyone else? Crazy kids are crazy!
This song "Zhengfeng Qian Shang" is like this crisp woman's ultimatum to her lover: If you love me, come across the Qinhe River to see me; If you confide, can't I find another lover? It's ridiculous that you are so hesitant and timid! This girl's personality is really refreshing. What a self-respecting personality! Her love ideal is bold and healthy. Even if you are lovelorn, you will not be depressed into a disease like later feudal women. Or commit suicide, she will shake her head and forget the past to find a new lover. The girl is frank and lovely. In the history of feudal literature for thousands of years, a woman with this personality may be the only one.
Zhao Nanxing Road is a poem written by a woman who resisted forced marriage. In the poem, a woman is forced to get married by a mean married man. Without fear, the woman said firmly: I'd rather go to court and sit in a cell. Never marry you, black-hearted wolf! The girl's indomitable spirit of "preferring to die". It is awe-inspiring.
In addition, the heroines in Li Feng Bei Feng and Feng Wei Meng also have distinct personalities. They suffered misfortune. But don't be overwhelmed by pain and face fate. Raise your head stubbornly. This stubborn and independent personality beauty is obviously extremely valuable to women.
Third, the situation interweaves to form a unique situation beauty.
Jian Qin is a masterpiece with beautiful pictures.
The Millennium is frost. The so-called Iraqis are on the water side. Tracing back and forth, the road is blocked and long. Swim back from it, in the middle of the water
The green grass is sad and the white dew is blurred. The author's the only thrill looms across the river. Out of reach. The more difficult it is to reach, the more unforgettable and unforgettable it is to the host, attracting him to remove obstacles. To pursue the right person. The blurred artistic conception makes that tender love more artistic charm.
Chen Chu is a beautiful love moonlight song. In the moonlight, the hero saw his elegant lover. I was very excited to walk towards her in the soft moonlight. The soft moonlight sets off the beauty and warmth of love, and two of a kind endows the beautiful moonlight with spirituality. It's absolutely beautiful.
China is a country of poetry. In the vast ocean of China's ancient poetry, there are many things that can be borrowed and inherited by today's poets. Poetry in the 1990s is almost difficult. Many poets and theorists are exploring the way out of poetry and seeking a breakthrough in creation. Looking back and reading these beautiful ancient love songs may give us some enlightenment today.
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