How to evaluate other people's patriotic poems

1. Understanding the writer's life, thoughts and creative style is helpful to understand and grasp the content of his works. For example, Xin Qiji fought bloody battles in the forefront of the anti-gold struggle and died in the battlefield. After returning to the south, he was squeezed and hit by the capitulators. Therefore, most of his words are in full swing to recall the past fighting life, or to express the resentment of serving the country, and his style is bold and sad. 2. An era has its own characteristics, and an era has its own literature. A proper understanding of the style of an era is also helpful to accurately grasp the literary works of this era. For example, the national strength of the Tang Dynasty was strong, and most intellectuals who joined the army were heroic and spirited. Although their poems, especially frontier poems, describe the harsh environment beyond the Great Wall and deeply miss their relatives in their hometown, they are more filled with indignation and determined to defend their country, so their style is high and their emotions are passionate. The song dynasty was very different. The Great Song Dynasty, which was poor and weak and its national strength declined, has lost the flavor of the Tang Dynasty. In the writings of intellectuals, there is less heroism, more sadness, less grandeur and more worries about home and country. 3. Many ancient poems are preceded by a brief "preface". Some explain the creation time, some explain the creation reason, some explain the creation process, some explain the creation background, and some lay the emotional tone for the whole work. Understanding the ideological content of the work is also very important and cannot be ignored. The thoughts and feelings of most works are not single, which may be mixed with many very complicated emotions, so we should pay special attention to them. Of course, readers can sometimes use their imagination on the basis of the original work and make a second creation. In addition, a writer's overall creative trend and style are generally fixed, but it does not rule out the existence of special cases in individual works, such as Li Qingzhao and Xin Qiji, all of which have their own creations outside the inherent style. The principle of "three attentions" when answering the subjective appreciation questions of ancient poetry: First, pay attention to the types of questions. Some themes are suggestive in themselves, such as Yang Jiong's "Joining the Army", Li Bai's "Visiting Vietnam", Luo's "Farewell to Meng Haoran" and Du Fu's "Political Prisoners Listening to Cicada". Second, pay attention to the author. Generally, the selected poems can represent the author's main creative style, such as Xin Qiji and Su Shi's bold words, Liu Yong and Qin Guan's graceful words, Li Bai's romantic poems, Wang Wei's "painting in poetry" and so on. Paying attention to this is very beneficial to the overall appreciation. Third, pay attention to notes. Annotation is the most noteworthy content in appreciation. Although it is only a few words, it is a hint from the questioner. Some introduce the writing background and hint at the ideological content of your poem; Some introduce related poems, which is a hint to the allusions or artistic conception of your poems; Sometimes introducing the author hints at the writing style of your poem. So, be sure to study your notes carefully. There are three aspects to appreciate ancient poetry: first, overall cognition, grasping "poetic eyes" and experiencing feelings. The feelings poured out in classical poetry can be summarized as nothing more than affection, nostalgia, friendship, love and so on. And the catharsis of these emotions sometimes focuses on a certain sentence or even a certain word. This "sentence" and "word" are the "poetic eyes" of the whole poem, which are often expressed by directly expressing their own thoughts. For example, the national volume 17 in 2002 chose Li Bai's quatrain "Smelling the flute in Los Angeles on a Spring Night", and its "poetic eye" is the word "homesickness" in the fourth sentence. "Who can't stand homesickness?" Express your feelings directly with rhetorical questions. "Homesickness" means homesickness, which means homesickness. Second, feel the image, re-create and taste the meaning. Images in classical poetry can also be called "images", which are not limited to the characters portrayed in novels. People, things, landscapes, flowers, birds, insects and fish can all be called "images" Images in classical poetry often contain rich meanings, complex emotions, profound philosophies and strong subjective colors of poets. The objective image and subjective meaning are isomorphic, forming an image with great aesthetic feeling. Among the complicated images in classical poetry, some images are endowed with distinctive national characteristics and have special meanings, such as: "the moon" can miss home; "Stars" can spread hatred; "Water" is a metaphor for many troubles; "Mei and Ju" have noble character; "Song" has the ambition of Lingyun; "Liu" has a gentle beauty, but it is also suspected of being frivolous. At the same time, "Liu" was given a special meaning of "farewell to homesickness" in Tang and Song poetry. For example, the meaning of "breaking the willow" in the third sentence of Li Bai's "Smelling the flute in the Rocky on a Spring Night" can be related to Liu Yong's "Yang Liuan Xiaofeng Canyue" (meaning the sadness of lovers' parting) and Wang Wei's "Green willow in a guest house" (meaning friends exchange treasures), and the meaning of "breaking the willow" can be solved. Third, we should study the language carefully, compare words and convey the effect. The ancients paid attention to the refinement of Chinese characters, as evidenced by Jia Dao's "tui" and Wang Anshi's "qing". First of all, we should distinguish which word is easy to extract, and then we should talk about why it is good and how effective it is. Xiang Ling said in the forty-eighth chapter of A Dream of Red Mansions: "The desert is lonely and straight, and the long river sets the yen." How straight do you want to smoke? The sun is born round: the word "straight" seems unreasonable, and the word "round" seems too vulgar. When I closed the book and remembered, I seemed to have seen this scene. You have to look for two more words of these two, but you can't find two words. "Word-changing method-introducing comparative objects and highlighting the difference between high and low is helpful to awaken divergent thinking and accurately express ideas." Fish come out in the drizzle, and swallow leans in the breeze. The word "oblique" not only has the action of "flying", but also contains the formal beauty that "flying" can not be expressed in words. The whiter the birds in the river, the blue and white mountains are burning. -"Burning" is not only more gorgeous than "red", but also describes the dynamic beauty of scenery as flowers. Appreciating the linguistic beauty of classical poetry is accurate, vivid and meaningful.