With blue sadness, the moths are thin and the willow shadows are oblique. Yu Lang hasn't come home yet? Teach people to chase Hua Meng and travel around the world. This is a poem about thinking about women. The first two sentences, taking the whole word, point out that spring hatred is caused by spring scenery The first part focuses on spring scenery, and the second part focuses on spring hatred. The upper and lower films are like two connected pictures, and the whole word is integrated with the scene.
The first two sentences of the twelve characters have rich connotations. Boudoir implies that the lyric protagonist is a young woman who can't help feeling emotional in the face of annoying spring scenery. A word "labor" tells the hidden pain of "when waste is king and flowers bloom", which tells her "hate" from "labor", showing the depth of their love. "I hate Changchun grass", but the double meaning of the word "spring grass" makes the whole sentence meaningful. It is a tradition of China's classical poetry to use spring grass as a metaphor for parting. As far as "Wang Sun swims without returning, the spring grass grows and never stops" (Chu Ci Zhao Hermit), as far as the spring grass grows farther and farther away from hatred (Li Yu's Qingpingle). The above "spring grass" is the original meaning and has no extension. The word "spring grass" that "hates the growth of spring grass" implies the meaning of pedestrians in addition to its original meaning. In other words, this sentence not only means that the resentment of women in boudoir grows with the spring grass, but also means that "everything is spring mountain, and there are many laymen in spring mountain". This has deepened poetry, which is what predecessors called "meaning". The following three sentences describe the scenery, supplement the first sentence with concrete images, choose the perspective of "sitting in front of the window" in the boudoir, and write what his wife saw and heard. The phrase "orioles are beautiful and muddy, apricot branches are picturesque and lean on light smoke" is like the flower-and-bird paintings of the Five Dynasties, with delicate brushstrokes and bright colors. The first sentence is all sound, mainly sound, full of momentum. The graceful singing of oriole is similar to all love. The last sentence said that the apricot branches stood in the faint mist, picturesque. This spring scene is dominated by orioles and red apricots, dotted with colorful flowers and warm colors, as well as the sweet singing of orioles. It is really "red apricots are full of branches in spring". Young women hear the spring scenery through the window, which is more profound than the feeling of "suddenly seeing the strange head and willow color". If the first part starts from the order of thinking and touches the scene, the first two sentences can also be regarded as reverse strokes.
From the knot to the movie, time and space are transformed into another picture. Zhang Yanyun: "The most important thing is to pass this film. Don't spoil the meaning of the song. " The sentence "Pinglan" has its own picture, but it doesn't break its meaning. It turns out that the lady in the boudoir is attracted by spring scenery and is not satisfied with looking at flowers through the window. She walked lightly with lotus steps, stood leisurely by the dead trees and stared at them sadly. "Double moths are thin", which describes its youth and beauty with slender eyebrows. "Liu Ying Tilt" is the only scene in the next movie, which is the unique language of this word. The surface layer means that the shadow of wicker is swaying on the steps due to the wind, but it also implies the meaning of Yang Shuhua falling and Yang Shuhua falling on the two floors of "masonry". These three meanings are condensed in five sentences, which are extremely dense. There is no "Huayang" in the five words, but it appears below, which is the poet's ingenuity. The following woman's inner monologue is the accumulation of the last one until this sentence is triggered. From the fall of Huayang, I think that her beauty will wither, so I painfully sang the strongest voice of the whole world: "Yu Lang still does not return, teaching people to dream of chasing Huayang and traveling around the world." It echoes the darkness at the beginning. She couldn't look forward to her husband's return all day long, and she felt carefree with regret. She asked angrily, "Are you coming back?" People seem to be in a dream, roaming the world with catkins all over the sky! "This whimsy is meaningful and tells the infinite sadness and feelings of young women." "Chasing Flowers and Dreams" created a new artistic conception of women's ci thinking and had an impact on later generations. For example, Yan's famous sentence: "The dream soul is used to unrestrained inspection. It stepped on flowers in Xie Qiao." (Partridge Sky) seems to be inspired by this word, and it also seems to be influenced by this word. For example, Zhang's Shuihua _ and Su Shi's harmony words are all praises, which are all related to thinking about women.
The literary word Huajian is rich in algae but simple in Wei Zhuang. Gu _ is not as successful as Wen and Wei, but this word can blend algae and simplicity in one furnace, making it dense and alternating, just right.
References:
1, Tang Guizhang et al. Dictionary of Appreciation of Tang and Song Ci (Tang, Five Dynasties and Northern Song Dynasty): Shanghai Dictionary Publishing House, 1988: 235-237.