Guo Xiaochuan's poems are good at using the symbolic way of "feeling things and expressing feelings" in artistic expression. Staring at the Starry Sky is one of the most artistic masterpieces in Guo Xiaochuan's lyric poems. It is a successful attempt by the poet to deliberately create poetic peaks and valleys by using the dialectical relationship between artistic suppression and promotion, and between emptiness and reality, so as to achieve unexpected and unique lyric effects. With "hope" as the core and the starry sky and Tiananmen Square as the broad background, the whole poem unfolds magical imagination, compares heaven and earth from different perspectives, explores cosmic life, and forms a compound space belonging to poetry, thus effectively writing multi-faceted and multi-level feelings. Staring at the Starry Sky is a political lyric poem, which typically embodies the complex political system of individuals and history. On the surface, it has a similar appearance to those popular political lyrics at that time, but a careful distinction contains the poet's keen feeling of the contradiction between individual life and the huge historical torrent. At that time, Guo Xiaochuan was keenly aware of the loss and powerlessness of personal lyricism and personal feelings, and finally had to merge into the turbulent historical torrent. However, this kind of integration is not so easy here in Guo Xiaochuan, and it is full of contradictions and pains. Sensitive experience and intentional or unintentional expression of this contradiction and pain are the ideological and artistic features of most of Guo Xiaochuan's political lyric poems.
100 is a little more, you can cut it yourself. Actually, I'm also from Baidu. I hope it helps you. In fact, we had this problem in the contemporary literature exam last year. So ... still a little nostalgic!