Su Shunqin (1008- 1048) was born in Tongshan, Zizhou (now Zhongjiang, Sichuan), and later moved to Kaifeng (now Henan). Su Yijian's grandson. In the first year of Injong Jingyou (1034), he was a scholar. He used to be a judge in Dali, and Fan Zhongyan recommended him as the supervisor of Jixian County. I wrote to the court many times to discuss the gains and losses of current politics. Li Qing four years (1044), because "a little infringement is precious", he was jealous of conservatives, framed for excuses, arrested and imprisoned, and dismissed for the people. Retire from Suzhou, set up water stones and build Canglang Pavilion, calling himself Canglang Weng. Later, he was a long history of Huzhou, but he didn't go to work and died of illness. Yao Chen, whose poetry is as famous as Mei, is known as the "Samui" world. The style is heroic, the pen is vigorous, and the sword can also express itself. There's only one left. There is Sue's collection.
-Quoted from Wonderful Words w1908.top263.net.
Supplementary information:
Su Shunqin (1008- 1048), a poet in the Northern Song Dynasty, was born in Tongshan, Zizhou (now Zhongjiang, Sichuan) and moved to Kaifeng (now Henan). He used to be a county magistrate, a judge in Dali, a captain in Jixian Hall and an academy supervisor. Because he supported Fan Zhongyan's innovation in celebrating the calendar, he was hated by the old school. In the imperial history, Wang and Cheng let their officials play illegally, and when they entered the play to worship the gods, they used the money from selling waste paper to entertain guests. Resign to live in Suzhou. Later, it was restored to Huzhou with a long history, but it soon died out. He is as famous as Mei Yao Chen and is called "Mei Su". There is Sue's collection.
Characteristics of works
Su Shunqin's early poems are full of * * *, gratitude and stagnation, and the language is bright and heroic, forming his bold and unrestrained leading artistic style. The later poems about objects are quite different from the early poems about objects.
In the language art of poetry, Su Shunqin, like Mei, tried to break the mature and outdated poetry mode with new images and new syntax. In his poems, you can often see plain sentences, unfamiliar words and strange images.
However, due to different strengths, there are still obvious differences in poetic styles, as Ouyang Xiu commented in "Poems on June 1st": "Yu Sheng and Zi Mei are both famous, but the poetic styles of the two schools are different. The beauty of children is magnificent, and surprisingly, it is beyond the horizon; Saint is implicit, with profound leisure as its meaning. They are extremely long, although a good theorist cannot be good or bad. " The previous "drinking wine" is an example. Let's take "Songjiang Long Bridge has no clear view of fishing" as an example:
At dawn to the east, the fishing boat reflected the distance. The white smoke on the road is faint and the moon sets, and the ridge head is burned with rare stars. Sing without touching the dragon's sleep, and get up the net without smelling the fish and turtles. I'm really not on a business trip. I'm going to go with you.
Some special words and images in this poem, such as Su Shunqin's Brief and Su Shunqin's Brief, can also be found in Mei's poems. The whole poem is bold and vigorous, and the weather is open, which is hard to find in Mei's poems. On the other hand, Mei's poems are subtle, profound, subtle and delicate, which is also lacking. The most obvious weakness of his poems is that sometimes he only pays attention to the catharsis of feelings, ignoring the scrutiny of emotional expression and the internal tension of language, making them rough and even endless.
But there are also some small poems, written by Su Shunqin, which are quite exquisite, such as "Boating Calf in Huaizhong":
Weeds are green in the spring shade, and sometimes there are flowers and trees. At night, under the lonely boat ancient temple, Sichuan is full of wind and rain.
The second sentence is a bit prosaic, but it uses the word "time" to make the scene move, as if in a piece of green grass, flowers and trees jump into the eye from time to time. "Quiet" and "bright" are unique in describing flowers, emphasizing psychological feelings and vision. The rhyme of the whole poem is close to that of Tang poetry, but it is more quiet and delicate, and its meaning is more flowing and tortuous. Another example is "Summer Meaning":
In summer, the courtyard is deep and clear, and pomegranate flowers are full of curtains. The shade is all over the ground, it is already noon, and I dream of warblers.
It is also small, chic and full of fun. Instead of parallel images, the line of sight in the poem is constantly changing: first, the deep yard, then a bright pomegranate tree through the bamboo curtain, then the summer scene in the middle of the sky and under the drooping shade, and finally a wandering warbler wakes up the master's dream and the silence during the nap. The rhythm of poetry is formed through the process of the poet's inner experience, and the vein texture is very fine, which is a feature of Song poetry.
Complete works of Su Shunqin's poems