gēng shēn yuè sè bàn rén jiā，
Deeper moonlight, half a family,
Bey Daou Lan Gang Nan Daou Xi.
Beidougan, south.
jīn yèpiān zh CHN qìnuán，
I know it's warm in spring tonight,
Xiangjiang Xiangjiang lǜ.
Insect sound new green screen window.
Translation:
In the middle of the night, the moon hangs in the west, illuminating half the home.
The Big Dipper lies in the south, and the six stars are also tilted.
I suddenly feel the warmth of spring tonight.
I also heard the sound of spring insects piercing the green window screen.
To annotate ...
Dry: This refers to the sideways appearance.
Nandou: The name of the star is in the south of the Big Dipper.
A little knowledge: only know.
New: Chu.
Brief introduction of the author
Liu (about 758 AD) was born in Luoyang, Henan Province in the Tang Dynasty. Huns. In the early days of Tianbao, he tried to learn and wanted to join the army, but all failed. Since then, he has lived in seclusion in Shui Ying and on both sides of Ruhe River, and has never been an official. With Huang Furan, Yuan, Li Jie, as poetry friends, they are deeply appreciated by talented people. Gong is good at painting landscapes. Most of his poems are about things and scenery, especially quatrains. Most of his poems are based on boudoir feelings and homesickness, with poor ideological content, but high artistic quality, good at expressing feelings with scenery and endless implications. His Moonlit Night, Spring Complaint, Spring Festival, and Boating on an Autumn Night are all masterpieces that have been told all the time.
According to Huang Furan, Liu Shan painted "Never before, pen comes first" ("Liu Mural Landscape"). The first two sentences of this poem are very artistic. Midnight is deeper, and the hazy oblique moon reflects every household. Half of the yard is immersed in moonlight, while the other half is shrouded in the shadow of night. This contrast between light and dark highlights the silence of the moonlit night and the silence of the empty court. In the sky, the Big Dipper and the South Big Dipper are oblique. This not only further points out the "deeper" visually, but also leads the reader's vision from "others" to the vast sky, making people feel that the blue sky is also shrouded in the silence of the night, and only a crooked moon and a horizontal big dipper are silently suggesting the passage of time.