The formula of regular script is about "brushwork" and "structure"
The "brushwork" of regular script is about eight strokes of the word "Yong": the eight strokes of the word "Yong" actually represent the general strokes of China's calligraphy, namely "side, joy, anger, truth, strategy, grazing, pecking and licking".
The point (1) is an edge (such as the upside-down edge of a bird);
(2) Straddle (such as the reins of a horse);
③ Vertical crossbow (force also);
(4) Hook is hook (jumping posture, jumping together);
(5) make strategies (such as riding a horse with a whip);
(6) skimming (for example, skimming with a grid);
(7) pecking if the head is short (such as pecking by birds);
(8) Another slap in the face (another slap in the face, another crack in the face, another pen opening).
Thirty-six methods of regular script "structure" (Ou Yangxun);
First, overlapping words: that is, when writing, according to the number and length of stippling, arrange the size and density of each word to make it symmetrical and appropriate.
Second, avoid: even if the density, risk and distance of font structure change appropriately with each other, they will be reflected appropriately.
Third, top-piercing: refers to the composition of fonts, most of which are installed below, but for large and small characters, they must be positive and not biased, and they should be regarded as words that are heavy on the top and light on the bottom, and they should be stable and not floating.
Interpolation: It means to coordinate the density, length and size of glyphs by horizontal and vertical strokes and diagonal lines, so as to achieve the purpose of balancing the structure of bookshelves.
5. Back-to-back: There are opposite and reverse knots, each with its own posture and posture, which cannot be confused.
6. Deviation: There are many people with correct words, but there are also tendencies, which can be distributed according to the different potential structures of each word.
Seven, pick and dig: font, and some have to pick and bend, so that the sideways trend can reach the overall balance, and some strokes will be elongated.
Eight, compromise: the knot is mostly left and right, and more points are easy to squeeze, and less is easy to disperse. When writing, the radicals must give way to each other without affecting each other, and only when they are arranged properly can they be good.
Nine, fill in the blank: refers to fill in the blank when writing a book, and ensure that the air is connected, evenly mixed on all sides, and the whole is commensurate.
X. Covering: It means that the upper part of the word covers the lower part, like the roof of a palace, completely covering it.
Eleven, paste zero: that is, paste sporadic stippling, used to collect pens, to determine the position, too far away from the above strokes will be loose, too close will appear embarrassing.
12. Bonding: The images of some words, originally intended to leave each other, will bond with each other to keep them in the right place.
Thirteen, full but not empty: for the text around the structure, the interior should be full, and there should not be too many blanks, but it is best to avoid scattered painting and avoid exerting force with the periphery. It is best to use density symmetry and appropriate size.
Fourteen, Italian couplet: structurally, some words are dot-shaped, the shapes do not intersect with each other, and the strokes are opposite. When writing, we must pay attention to the ups and downs, and strive to make the words not isolated. Although the shape is broken, the strokes are connected.
16. 15. Overlap: the legal theory of close coverage is on the decline; Anything that is big in the upper part will inevitably cover the lower part, but it must stop evenly on the left and right, and it must not be biased to one side.
Sixteen, vertical drag: that is, vertical drag, right hanging, left slightly contracted strokes, such as "Du, Qing, Mao, Bai". , right drag, left slightly shorter.
17. Borrowing and changing: refers to borrowing the stippling of the combined characters from each other, or changing left and right, some of them are stacked up and down, and some are split side by side.
18. Increase or decrease: refers to increase or decrease according to the number of stippling in a certain part of the font when writing.
19. ying fu: refers to some words that are combined left and right, and the purpose of correspondence and proportion is deliberately achieved in structure.
20. Support pole: All characters with a single structure and supported by the last vertical pole must stand firm and stand firm when writing, in order to appear strong and powerful.
2 1. facing: all buildings with two or more components must look at each other and connect with each other to avoid looseness.
Twenty-two, rescue: whenever writing a book, the first pen falls on the paper, we must think about how to deal with the second and third pens. If the previous pen loses power, the latter pen must be repaired immediately.
23. Attachment: The shapes of characters cannot be separated from each other where they are suitable for approaching each other.
24. Surrounding: refers to the hook method from back to front when writing. Pay attention to the degree of width, too wide and too loose, too narrow and awkward.
Twenty-five, package: closed word method of full seal or half seal.
Twenty-six, great achievements and small achievements: the structure of finger characters is generally appropriate, even if the small strokes are improper, it will not affect the overall situation.
Twenty-seven, from small to large: refers to large institutions, because a proper arrangement can affect the overall situation.
Twenty-eight, small and large writing: that is to say, small characters and large characters have their own situations and characteristics, so the writing of the two types of words is also different.
Twenty-nine, small and big: "Calligraphy" says: "The big characters are small preface, and the small characters are big preface, which is naturally wide and narrow."
30. Composition: When writing, whether it is better to combine two or three words into one word or divide them into different forms (the so-called "beauty is detachable") mainly depends on whether it can be composed separately, that is, on the grounds of downloading from above and playing left and right.
31. Collar: The basic meaning of collar is upper collar, front collar and back collar. In order to take care of each other and achieve a regular structure, the upper cover, the lower lift, and the left and right should also give in to each other (similarly, the meaning of pipe collar can also be extended to the overall layout.
Answer: You should answer the stippling of the characters to make the strokes interesting.
Thirty-three: the structure of words should not be too narrow and too long.
Thirty-four, the left is small and the right is big, and the left is glorious and the right is withered: the left and right double characters are often small on the left, or the left strokes are rich, but the monomer is thin. These two kinds of writing must be corrected.
Thirty-five, the left is high and the right is low, the left is short and the right is long: the font structure is characterized by correctness, solemnity and balance on all sides. Don't write high on the left and low on the right, which is called the shortcoming of "one shoulder to pick".
Thirty-six strategies, lifelike: refers to writing, mastering circumvention, paying attention to rules, avoiding losing momentum, and being just right.