You stand on the bridge and watch the scenery, and the people watching the scenery look at you upstairs. The bright moon decorated your window, and you decorated other people's dreams.
Appreciation of editing this poem
Enjoy 1
The last part of this poem depicts a picture of tourists looking at the scenery during the day. Although it is written about "seeing the scenery", the pen and ink do not splash on the description of the scenery, but inadvertently reveal the bridges, buildings, tourists, and the running water, cruise ships and shore willows that can be inferred from it ... It is like a faint ink painting, leaving the vague background to the readers to imagine, and the focus of the picture falls on the people watching the scenery on the bridge and upstairs, which is even more important. You, standing on the bridge and watching the scenery, are obviously ecstatic in the face of the beautiful scenery in front of you. From the side comparison, we can see that he didn't notice that "the people watching the scenery upstairs are watching you". What is intriguing is that the upstairs person who obviously came to see the scenery boarded the tall building. What he saw in his eyes was not the scenery, but the "you" who stood on the bridge to see the scenery. Why don't people upstairs look at you and see the scenery? What deeply fascinated those eyes and touched that heart? This patient and patient "look" is really romantic, which makes the originally peaceful and pleasant picture suddenly rippling and swaying in Chun Qing, evoking many interesting dramatic scenes: "You" who are indifferent to the scenery must be a handsome young man who travels around the world, and the lover upstairs must be a lonely and affectionate woman who longs for spring and has a hard-to-find bosom friend, and a simple and honest girl who is addicted to the scenery. The eyes of a sentimental, stupid, sad person who is ashamed to speak his mind? It's really "falling flowers are intentional, running water is ruthless", and how many such encounters are there on the journey of life, love at first sight, fleeting and unforgettable love! It is with these two short lines that the poet left a picture of Yongheng Zhang, which, like the spark of calcium carbide, evoked memories and reverie of the indescribable and indescribable scene. In the first section of the poem, realistic brushwork and songs convey the deep affection of the hidden people on the bridge to the scenery and the infinite goodwill of the people upstairs to the people on the bridge, which constitutes a dramatic scene of "falling flowers intentionally, running water ruthlessly". But affection is always annoyed by ruthlessness. Can people who are indifferent to the scenery on the bridge repay those who love them with the same kindness? Faced with this common scene in life, it often ends with helpless regret and endless melancholy memories. The poet gives us a wonderful answer full of fantasy and warm feelings with a unique romantic pen in his next poem. Time moved to the moonlit night. The people on the bridge and upstairs returned to the rest place with their own satisfaction and deficiency. But who would have thought that in this silence, people's emotional investment during the day was unconsciously rewarded. "The bright moon decorated your window", isn't this the warm return of natural scenery to people who are indifferent to the scenery on the bridge during the day? From your window decorated with bright moon, we can see how beautiful and charming moonlight will be displayed in the eyes of people on the bridge at this moment! Bridges, water, buildings, boats, willows ... everything outside the window is dissolved in this elegant, soft, misty and ethereal moonlight, which is so mysterious, so wonderful, so sweet and so comfortable compared with everything under the bright sun during the day. Facing the beautiful scenery under the moonlight, how can people believe that the natural scenery is indifferent and incomprehensible? How can we not arouse people's strong love for nature? If you love nature, nature will love you-this is the meaning of poetry! Natural scenery returns the amorous feelings of people on the bridge in its unique way, and in what way should people on the bridge return the good intentions of people upstairs? The imagination of "you decorate other people's dreams" in the poem gives a fascinating answer to this, thus giving a pleasant vent to the hopeless unrequited love of the upstairs people in real life. This "decorated" dream is undoubtedly a deep dissection of the mystery of the soul for its owner. It clearly shows how intense the secret love suppressed by various external factors is. And the person on that bridge can change from the person in his eyes to the person in his dream, isn't it because he is the right person? Although there is no direct confession of love in the poem, this rosy dream shows how warm and clear the love without confession is, and it is even more exciting to reflect on the "appearance" of the day. Isn't it more exciting to think about how much amorous feelings are wrapped in the plain "look"? If we only use the composition of "daydreaming, dreaming at night" to express the wonder and charm of unrequited love, it would be too mediocre and conventional. The subtlety and novelty of the poem lies in that the owner of this dream is not only the protagonist of the dream, but also retired from the active position of this love contest, and the person on the bridge is no longer an unconscious lover. In his dream, he plays the role of the giver of love as a master. He is trying his best to "decorate" his dream, and he is also "decorating" his dream according to the wishes of the people upstairs. It is unnecessary and impossible for us to describe this wonderful dream in detail, but we can say for sure that this decorated dream must be extremely sweet, extremely happy, extremely romantic and extremely beautiful. In a word, the fallen petal of the people upstairs finally got a warm and generous return from the flowing water of the people under the bridge, far exceeding the hope value. Here, the motto "Falling flowers are intentional, running water is ruthless" has been accompanied by the long river of life for thousands of years, always giving people regret and regret, and it has lost its real meaning. But dreams are dreams after all and cannot replace reality; Decoration is just decoration, and there will always be an illusory face. The next day, when the sun is shining brightly, what kind of mood will people upstairs wake up from a deep dream and "freshen up and lean on the Wangjiang Tower"? But I believe that people upstairs who have fully enjoyed the sweet dream of "falling flowers are intentional and flowing water is affectionate" will definitely be freed from ordinary people's faint sadness and will devote themselves to a new life with better vision and deeper love. When we are enjoying the unusual theme of this little poem and lingering in the implicit and meaningful artistic conception of this little poem, why should we make a boring and rational analysis of it like interpreting an abstruse philosophical proposition?
Appreciate II
Bian's Broken Chapter is one of the most famous poems in the history of China's poetry in the 20th century. This poem was written in 1935 and 10 for two months. There are only four sentences in the whole poem, from which different readers can experience and feel different aesthetic meanings. "You stand on the bridge and watch the scenery", and your relationship with "scenery" is antagonistic, but people and scenery have quietly changed in the relative and exchange, because "the scenery watcher is watching you upstairs", and you have become "scenery" again. The "scenery" you saw before is not a "scenery" among those who pay attention to you. "The bright moon decorated your window, and you decorated other people's dreams." At this time, if you don't want to enjoy the scenery upstairs, you subconsciously come to the window and enjoy the brightness of the bright moon in Wan Li. Inadvertently, it becomes a "landscape" that haunts others' dreams. In other people's dreams, "you" is his bright moon, and the meaning of the first two sentences is further enriched and sublimated from the serial reciprocating, forming an infinitely diverse open system. "You", "people upstairs", countless "you". Countless "people upstairs" * * * together make up this world. "You" live your own life and "watch the scenery on the bridge"; "People upstairs" also live their own lives, "watching you upstairs". By chance, or by necessity, after you met. Or leave, or get to know each other, do their own things, and create this beautiful world together with their dreams. Or complement each other, depend on each other and decorate each other's "windows" and "dreams". Many people and things in the world seem to be independent and unrelated, just like "out of chapter", but in fact they form an interconnected, unified and inseparable system, and "out of chapter" itself is relative. Any system is "out of chapter" and an integral part of a larger system. As far as aesthetics is concerned, perhaps only the scenery with a broken chapter can be appreciated, just like Venus with a broken arm. As the author said, this poem is "writing a moment's artistic conception". "I like to think that people and things in the world are closely related, interdependent and interactive. People ('you') can look at the scenery and decorate it intentionally or unintentionally. People ('you') can see the bright moon decorating their windows, or they may become decorations in other people's dreams consciously or unconsciously. "It can be seen that the poet intends to express the complementary relationship between people and things. Nature, society and life are rolling landscapes, and life landscapes emerge one after another.
Appreciation 3
Extract four sentences, exquisite, short and clear. At first glance, it is not difficult to understand, but after careful consideration, it feels endless. The poet expresses the philosophy that everything in the world is interrelated, balanced, relative and interdependent through simple objects: people, bright moon, windows and dreams. The broken chapters are written in 1935 and 10. It was originally a fragment of a poet's long poem, and later became an independent chapter, so the title was "Broken Chapter". This is a famous short poem in the history of modern literature in China. Its words are short, but its meaning is rich and obscure. Mr. Li Jianwu once thought that this poem "contains infinite sadness and focuses on the word' decoration'", while the poet himself clearly pointed out that "I also mean focusing on' relative'". Regarding the difference between himself and the poet, Mr. Li Jianwu added: "My explanation may not make me agree with the author's confession. The author's confession may not hurt my explanation. It is not so much a conflict as a complementary beauty "(Li Jianwu's Answer to the Author of Fish Collection). In fact, both the "relativity" described by the poet and the "modification" pointed out by Li Jianwu are the dissolution of "certainty". "You stand on the bridge and watch the scenery", and the "you" here undoubtedly looks at the "scenery" from a subjective point of view, which has certain certainty or subjectivity; In the poem "Bright Moon Decorates Your Window", the "bright moon" exists for you or for you, and the "you" here is undoubtedly definite or subjective. Obviously, the first sentence of the two paragraphs in the poem shows a certain "happiness". The second sentence of each section is the analysis of "certainty". The certainty and subjectivity you got in the first sentence were made relative and objective by these two poems, and the joy of certainty turned into relative sorrow. And all this, however, fell into the "gaze" of the "poet", and the poem was written with the second person called "you", which made everything in front fall into another "relative". From this poem, we can undoubtedly appreciate the complex feelings of sadness, sentimentality, wandering, emptiness and sadness. On the other hand, if we can understand the philosophical thought that everything in the universe, including real life, is closely related and interdependent from this poem, we can get some comfort from life. The short four-line poem gives us quite rich feelings and inspirations! In art, this poem mainly expresses abstract and complex thoughts and artistic conception, but the poet does not make direct statements and lyricism, but indirectly expresses the poem through the presentation of objective images and images. Poetry has a prominent sense of picture and space, profound artistic conception, and suggestibility of western poetry, which makes poetry implicit and deep and quite emotional. (He, Nanjing Normal University) The theme of the chapter out of context caused an ambiguous understanding. Liu Xiwei began to explain this poem, focusing on the meaning of "decoration", thinking that it shows a kind of sadness in life. The poet Bian himself wrote an article and replied that this is not the case. He said: "I don't pay much attention to the meaning of' decoration', just like the phrase' the bright moon decorated your window and you decorated other people's dreams' in Broken Chapters. I also mean to pay attention to' relative'." It seems that the "meaning" of poetry can't be completely captured in a word or two literally. Its deep connotation is often hidden behind images and words. It is true that, as the author explained, expressing the philosophical concept of "relativity" on the metaphysical level is the main theme of this poem "Broken Chapter". This short four-line poem has a lasting artistic charm among readers and still gives people a strong aesthetic feeling. First of all, because the poet avoided abstract explanations and created a symbolic and beautiful picture. The natural beauty and profound philosophy of the picture have reached a harmonious unity like a harmonious blend of water and milk. This poem is divided into two independent pictures to show or metaphor the poet's thoughts side by side. The first picture is a complete picture: "You are standing on the bridge watching the scenery,/the people watching the scenery are watching you upstairs." "You" is the protagonist of the picture and the central viewpoint of the picture. Around him, there are bridges, scenery and people upstairs watching the scenery. The author skillfully organizes these seemingly messy people and things into a frame, forming an ink painting and painting sketch or a symmetrical landscape sketch. This painting has no bright colors, but the picture is patchy and clear. When you are attracted by this simple picture, you will never forget to pursue the symbolic meaning behind it, and then you will be surprised to find how the author skillfully conveys his philosophical meditation: everything in this universe and life is "relative" and everything is interrelated. Yes, when you stand on the bridge and look at the scenery, you are naturally looking at the main body of the scenery, and those beautiful "scenery" are the "things" to see; The second line, the same time and space, people and scenery remain unchanged, but the perceptual status has changed. At the same time, another "landscape man" upstairs has become the subject of "seeing", and "you", who was originally watching the scenery, has now become the watched scenery, and the subject has also become the object. In order to strengthen this philosophical thought, the poet immediately introduced the second poem, which is a combination of reality and imagination: "The bright moon decorated your window,/you decorated other people's dreams." This is a picture, but it is no longer in a frame, and the big time and space are still the same. The "decoration" in the two poems is only a unique rhetorical device in poetry. If it is written as "shining in" and "entering", it will not become a poem. It may be someone who came back from watching the scenery, or it may be that the path has nothing to do with another person. In short, this "you" can be "he" or "I", which is not important. What matters is the relativity shown by the exchange of subject and object positions. In the first poem, "you" is the subject of this painting "Moonlight by the window", and the "bright moon" shining into the window is the object. I don't know, at this moment and night, you have entered a friend's dream and become a "decoration" in his dream. The "other" who dreams of you becomes the subject, and the "you" who becomes the dreamer plays the role of the object. In the meaningful picture, the poet conveys the philosophy of life obtained from his intellectual thinking, that is, the poetic experience beyond the poet's emotion: everything can be relative and interrelated in the universe and even the whole life course. In the combination of feelings, a moment can last forever; In the field of metaphysics, as the poet W. Blake said, "A world in a grain of sand" is not absolutely isolated, but relative and interrelated in the fields of life and morality, life and death, joy and sorrow, good and evil, beauty and ugliness. The poet wants to say that if people have an insight into this truth, they will not be bound by some secular concepts, and they will not care about whether they have it or not. They should have a thorough understanding of life and the world and gain freedom and transcendence. This poem "Broken Chapter" is entirely about common things and outlook, and the philosophy of life expressed is not original by the poet. There is a sense of freshness after reading it. Apart from symbolizing the "meaning and image" of poetry, where is the secret? In my opinion, the key lies in the poet's ingenious arrangement of familiar materials (symbols) with modern consciousness. The poet once said: "Old materials, even rotten materials, are not necessarily unusable, as long as you are creative and properly arranged. As long as it is a new clever arrangement, rags can also be made into white paper. " What the poet calls "novel and ingenious arrangement" is also a novel artistic conception and ingenious language scheduling. Everything out of context is common, even familiar in classical poetry: figures, bridges, landscapes, buildings, windows, bright moons, dreams ... After careful selection and scheduling by the author, they are organized in two pictures, which has an internal connection. The two poems connect unrelated things through "seeing" and "decorating" respectively. In terms of content and time sequence, the two poems can be separated, independent and set off against each other, giving full play to the artistic functions of image superposition and film montage in modern art, and a "broken chapter" is a complete artistic world. There is a harmonious and inseparable relationship between the arrangement of out-of-context language form and the implication of content. This reminds us of some famous sentences in classical poetry. Zhang's "Moonlit Night on a Spring River" has "Who saw the moon by the river first? Photo taken at the beginning of Jiangyue "; There is a saying in Li Shangyin's "Midnight Suburb Villa": "Look at the mountain and miss me. Listen to the drums and leave the city. I will come to see you." Lv Kun used the term "intertextuality in duality" in the last two sentences. These two poems are characterized by "intertextuality in duality", that is, the subject and object of the two sentences are the same in connotation, but their functions are opposite. Bian used this method to sort out the out-of-chapter language. The verbs "you stand on the bridge and watch the scenery" and "the people watching the scenery are watching you upstairs" have not changed, but the subject and object of watching have shifted; "The bright moon decorated your window" and "You decorated other people's dreams" are the same syntax. In this way, sentences are not only connected end to end, but also strengthen the density of language, the exchange of subject and object, the image of subject and object, enhance the effect of artistic conception of poetry and painting, produce an aesthetic effect of sound and meaning gyration in vision and hearing, and the philosophy of metaphor's relative correlation is also profound and concrete in image. Bian likes the works of Li Shangyin, Wen, and others, poets and lyricists in the late Tang and Five Dynasties. He has a creative absorption and transformation ability of "turning decay into magic". Turning to Yu Pingbo's Selected Readings of Tang Poetry, we read the second half of Feng Yansi's butterfly lovers: "There are willows on the banks of the Kate River, so why worry about something new every year?" The independent small bridge is full of wind sleeves, and the linping crescent people return to the rear. I can't help but be surprised to find that the artistic conception of the two pictures in Broken Chapters, Standing on the Bridge Overlooking and Moonlight Through the Window, is closely related to Feng Ci's "independent small bridges are full of wind sleeves, and the crescent people in Linping belong to the rear area". However, Bian is, after all, a modern poet, and his creative absorption and transformation have reached the point where no trace can be found. We can't simply judge that the out-of-context is a dilution of the modern spoken language of two poems in Feng Yansi's Dead Hua Lian, just as we can't simply think that Dai Wangshu's Rain Lane is a dilution of the modern spoken language of Jing Li's Lilac Empty Sadness in the Rain. Feng's poem "Die Lian Hua" has no deeper meaning. Break out the chapter and spread it into two artistic images. The characters, bridges, upstairs, scenery, bright moon and imaginary dreams in the painting are not only more colorful than the original two words, but also have profound philosophical thinking beyond the description of these scenes. The composition of natural scenery and characters creates a symbolic and suggestive realm. Every poem or image only plays a symbolic role in the whole organization, and even the topic of "out of chapter" itself has a seemingly broken and connected relative connotation. This deep thinking and pursuit is unique to modern poets. Secondly, Feng's poem "A Bridge with Full Sleeves, Crescent Moon Man Returning Home" still focuses on expressing feelings, leaving friends behind (at the time of Crescent Moon), which contains an unavoidable sadness, while Bian's "Broken Chapters" focuses on it, and the poet crystallizes feelings into poetic experiences. Although it is a lyric poem, poetry does not explain philosophical concepts, but "Broken Chapter" implies a great philosophy in a common picture. It contains the poet's philosophical proposition of thinking about the whole life of the universe, "A single bridge is full of sleeves, and the crescent moon people in Linping return to their hometown", which is exquisite and beautiful, but falls into a narrow personal emotional world and cannot be compared with the artistic conception and ideological realm taken out of context. Thirdly, because the poet "washed away" his personal feelings, he practiced the "impersonality" of poetry and enhanced the universality of poetry. As the author explained, due to impersonality, the word "you" in the poem can represent or be replaced by "I" or "he" (she), making it more intimate with the reader. Because the use of "you" makes readers have a certain appreciation distance, the poet jumps out of himself in the artistic realm, and the ideological realm of poetry itself has a greater openness, leaving readers with a broader imagination space. Once you understand the broken chapters, which imaginative reader will not put forward a "mirage of the soul" in his spiritual space?
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